Vahe Yeremyan

Flowers, Print on Satin Paper, Framed

2022

Artist: Vahe Yeremyan Work: Print on Satin Paper, Edition 008 Subject: Ochre Trees, Framed Size: 17.5" x 24.5" x 0.8''inch, 44x62x2cm, Ready to Hang, Wooden Frame. All works are ...

Artist: Vahe Yeremyan Work: Print on Satin Paper, Edition 033 Subject: Village, Framed Size: 17.5" x 24.5" x 0.8''inch, 44x62x2cm, Ready to Hang, Wooden Frame. All works are copy...

Artist: Vahe Yeremyan Work: Print on Satin Paper, Edition 032 Subject: Village, Framed Size: 17.5" x 24.5" x 0.8''inch, 44x62x2cm, Ready to Hang, Wooden Frame. All works are copy...

Artist: Vahe Yeremyan Work: Print on Satin Paper, Edition 027 Subject: Caribbean Sky, Framed Size: 17.5" x 24.5" x 0.8''inch, 44x62x2cm, Ready to Hang, Wooden Frame. All works ar...

Artist: Vahe Yeremyan Work: Print on Satin Paper, Edition 022 Subject: Village, Framed Size: 17.5" x 24.5" x 0.8''inch, 44x62x2cm, Ready to Hang, Wooden Frame. All works are copy...

Artist: Vahe Yeremyan Work: Print on Satin Paper, Edition 021 Subject: Village, Framed Size: 17.5" x 24.5" x 0.8''inch, 44x62x2cm, Ready to Hang, Wooden Frame. All works are copy...

Anna Harley Creation IV Limited Edition Print Screenprint on Somerset Satin Paper, printed to the deckle paper edge Edition of 30 Size: H 39cm x W 39cm x D 0.5cm Signed Sold Unframed Please note that any insitu images are purely an indication as to how a piece may look. Anna Harley is a professional fine art screen-printer, making prints at Spike Print Studio in Bristol. She has a Masters Degree in Multi-Disciplinary Printmaking and lives in South Bristol. Her handmade prints are produced in limited editions, so each print is an original artwork, not a reproduction of an artwork made in a different medium. She says, "the screenprinting process suits my practice, because it allows me to build images in fine layers of ink, printing layer upon layer until I am happy with the final print. I use a combination of drawing, digital photography and objects directly exposed on the screen, to create these individual layers. I enjoy the tension this creates in my images – is the print based on a drawing or photograph? Is it attached fabric, pencil marks or ink? While engaged in the creative process, I try to stay open minded about how the finished print will look, to allow the print to make itself – print is an extremely process led way of making art and allowing the unexpected to happen and taking advantage of these happy accidents allows the work to stay fresh and exciting." She is inspired by how it feels to be outside, tree silhouettes, passing seasons, the weather, and the sky and how it changes from sunrise to evening. "I love things that sparkle and twinkle. I often use metallic pigments and, in a move that fully embraced my inner kitsch, I have recently made a snow print using white glitter. " Anna’s work is rooted within the Landscape tradition, while the fabric textures in her prints are an echo of her Scandinavian Arts and Crafts...

David Shrigley You Win This Mushroom, 2020 80 x 60 cm Off-set lithography Printed on 200g Munken Lynx paper

Still life etching by Doris Ann Warner (American, 1925-2010). Several ornate bottles are arranged on a shelf. There is a splatter effect in this piece, c...

Still life etching with jars by Doris Ann Warner (American, 1925-2010). Four jars sit on a countertop. Overlapping fabric patterns like cheesecloth are used to create shadows and tex...

Vintage Floral study etching titled "Weeds" by Marina Payot (American, 20th century), 1983. Titled, signed, and dated lower edge. Artists Proof designation. Unframed. Image: 11.75"H ...

Artist: Ellen Gunn (1951- ) Title: Petite Fleur Suite II Medium: Screenprint Image size: 11 x 14 inches Sheet size: 18 x 20 inches Signature: lower right E...