Thomas McKnight

Riviera Villa

1993

Canyon Rock is a serigraph on paper with an image size 24 x 18 inches, signed 'Ricker' lower right and annotated lower left. Framed in a contemporary gold-tone frame. Numbered 81/200, from the edition of 500 (there were also 50 Roman on paper, 200 Arabic on canvas and 50 Roman on canvas). Framed in a contemporary silver-tone moulding. Ricker created four stunning images for a suite titled ‘Sacred Places’ – all powerful images of earthly splendor. The vistas he paints, almost desolate in a primeval way, are a chorus of voices that sing of the glory of nature. In a style which he calls ‘Epic Visionary,’ he presents a view that is at once new and fresh and yet as deep-rooted and enduring as the pristine landscapes themselves. In the images of ‘Sacred Places,’ Ricker’s harmonious layering and blending of colors, muted blues and greens, contrast with the jutting precipices and craggy outcrops of rock that punctuate each portrait. The effects of the elements are visible and beautiful, creating carved layers in the rock and earth, and weaving a ribbon of shimmering water as a central feature in each work. “…these places…are sacred places – they are sacred because their beauty is so deep and mysterious that we are stopped in our tracks…for the moment, we can’t imagine anything better on earth or in heaven.” – Bruce...

Primordial Splendor is a serigraph on paper with an image size 30.25 x 30.25 inches, signed 'Ricker' lower right and annotated lower left. From the edition of 500, numbered 161/200 (there were also 50 Roman on paper, 200 Arabic on canvas and 50 AP on canvas). Framed in a contemporary black moulding. Bruce Ricker...

Lake of Dreams is a serigraph on paper with an image size 24 x 20 inches, signed 'Ricker' lower right and annotated lower left. Framed in a contemporary gold-tone frame. Numbered 86/200, from the edition of 500 (there were also 50 Roman on paper, 200 Arabic on canvas and 50 Roman on canvas). Framed in a contemporary silver-tone moulding. Ricker created four stunning images for a suite titled ‘Sacred Places’ – all powerful images of earthly splendor. The vistas he paints, almost desolate in a primeval way, are a chorus of voices that sing of the glory of nature. In a style which he calls ‘Epic Visionary,’ he presents a view that is at once new and fresh and yet as deep-rooted and enduring as the pristine landscapes themselves. In the images of ‘Sacred Places,’ Ricker’s harmonious layering and blending of colors, muted blues and greens, contrast with the jutting precipices and craggy outcrops of rock that punctuate each portrait. The effects of the elements are visible and beautiful, creating carved layers in the rock and earth, and weaving a ribbon of shimmering water as a central feature in each work. “…these places…are sacred places – they are sacred because their beauty is so deep and mysterious that we are stopped in our tracks…for the moment, we can’t imagine anything better on earth or in heaven.” – Bruce Ricker...

Santa Barbara is a serigraph on paper measuring 26 x 29 inches, signed 'McKnight' lower right and annotated lower left. Framed in a contemporary, black frame. Numbered XCIX/CL from t...

Barbuda from the Caribbean Daydreams portfolio is a serigraph on paper measuring 16 x 18 inches, signed 'McKnight' lower right and annotated lower left. Framed in a contemporary, bla...

Carmel Canyon is a serigraph on paper with an image size 31.5 x 29.5 inches, signed 'Ricker' lower right and annotated lower left. From the edition of 500, numbered 125/200 (there were also 50 Roman on paper, 200 Arabic on canvas and 50 AP on canvas). Framed in a contemporary black moulding. Bruce Ricker...

Golden Hour was completed in October 2020 — an image that captures the magical time of sunset at the beach. The left part of the print is covered in a deep teal etching ink which is broken by the sun’s low glow over Second Beach in Middletown, Rhode Island. Waves crash by the rocks, and seagulls with shiny treasures, fly off to their nesting spots. Allison Bianco...

Winds from the West is based on a view of East Matunuck State Beach in Rhode Island. This print was made at California State University, Stanislaus, in Turlock, California with assis...

hand embellished serigraph float mounted in a white shadow box frame.

Serigraph With Hand Embellishments, float mounted in white custom shadow box frame

serigraph with hand embellishments float mounted in custom shadow box frame

Zebra I (2022), work on paper, hand painted multiple, animal and foliage, neo impressionist, botanical, pastels, aqua and lime green, black and white zebra "Zebra I," (2022) by arti...