Sculptures

Glass Sculpture, modern interior Artist: Karo Martirosyan, Work: Original Artwork, Medium: Glass and Metal Wall Sculpture, Year: 2024 Style: Contemporary Art, Title: Coral, Size: ...

A whimsical yet very strong piece depicting the Weim character from Gillie and Marc's iconic figures of the Dog/Bunny Human Hybrid, which has picked up much esteem across the globe. ...

Bronze

Sculpture unique piece combining resin, acrylic, collages, and varnish by Pinkhas Hand-signed on the side of the sculpture Titled and dated under the sculpture Perfect condition ...

" Deconstruccion I " original bronze iron original sculpture Sculpture by the Spanish artist AMANCIO GONZALEZ Artist well known for his large format works on the street. Iron and bro...

Sculpture by the Spanish artist AMANCIO GONZALEZ bronze. Series limited to 7 copies. Fantastic piece of art representing Spanish sculpture AMANCIO Gonzalez ( Leon 1965 ) Amancio Gon...

Edition: 79 of 1000 - Edition is currently out of stock Date: created in March 2023Information about the artist Certificate of authenticity: provided Via in-built NFC-tag Informa...

Beautiful late 15th-century Burgundian Netherlandish portrait of a woman. Carved walnut. Original polychrome has been removed with traces at base and lower portions of figure. Minor ...

Storm, sculpture by Kerry Green, aluminum, silver, stacked, totem, outdoor 125 lbs limited edition of 8 Please allow 9 to 12 weeks for completion Since childhood, Kerry Green has always been creative; painting, drawing, sculpting, and sewing. Her family provided her with materials and encouraged her efforts. She literally grew up in her parents’ art galleries, and with them toured the U.S., Europe, Mexico, Japan, and New Zealand, seeing museums and visiting artists’ studios. Growing up in Arizona and New Mexico gave her the opportunity to explore the Native reservations there where she has made life-long friendships. Several of her very early influences were Dr. Harry Wood...

Three rings of stainless steel, polished to a high sheen on the interior and matte black on the exterior, intersect at dynamic angles in this elegant sculpture by Philippe Pallafray....

Peter Voulkos Ceramic Sculptural Dish, ca. 1985 Sculpted ceramic Hand-signed by artist, Incised signature on the base. 1.5 x 11.5 inches This charger plate by Voulkos features a Gree...

Artist: Karo Martirosyan, Work: Original Artwork, Medium: Glass and Metal Wall Sculpture, Year: 2022 Style: Contemporary Art, Subject: Gridded, Size: 28" x 40" x 1'' inch, 71...

Geometric Composition is a sculpture realized in 1984 by Giuseppe Pulvirenti (Siracusa, Sicily, 1959).  Made in Italy. Steel. Signed and dated: G. Pulvirenti 84. The sculpture de...

Susan Hannon "Auto Da Fe" (Act of Faith), 2023 Spanish Language Bible 24 x 144 x 8 in (60.96 x 365.76 x 20.32 cm)

Signed, numbered, and stamped on the base: Edition Picasso, 64/200; Madoura Plein Feu; Edition Picasso White earthenware, decorated with engobe, knife engraving under partially brus...

American artist Chris Maynard gives homage to nature through the plumage of birds -using feathers acquired from legal sources such as zoos and private aviaries all naturally shed by ...

19th Century Grand Tour Bronze Figurative Sculpture Benedetto Boschetti, Roma, circa 1875 This exceptional 19th-century Grand Tour bronze sculpture is a rare and highly refined examp...

Mark Morrison (1895-1964) Baboon, ca. 1940 Carved and weathered Walnut 12" wide, 12" deep, height is 26.5" Please note the bottom surface is not perfectly flat and the piece lean...

Smooth-surfaced, black granite has been engineered into an elegant figure eight shape by sculptor Jeremy Guy. The sculpture connects to the plinth via a steel pin, allowing Duo to ...

I have seen this piece identified as Wizard and as Micawber from Charles Dickens David Copperfield ("something will turn up") Aronson, David 1923- David Aronson, son of a rabbi, was born in Lithuania in 1923 and immigrated to America at the age of five. He settled in Boston, Massachusetts where he studied at the school of the Museum of Fine Arts under Karl Zerbe, a German painter well known in the early 1900s. Aronson later taught at the school of the Museum of Fine Arts for fourteen years and founded the School of Fine Art at Boston University where he is today a professor emeritus. An internationally renowned sculptor & painter, Aronson has won acclaim for his interpretation of themes from the Hebrew Talmud and Kabala. His best known works include bronze castings, encaustic paintings, and pastels. His work is included in many important public and private collections, and has been shown in several museum retrospectives around the country. He is considered to be one of the most important 20th century American artists. At twenty-two David Aronson had his first one-man show at New York's Niveau Gallery. The next year, six of his Christological paintings were included in the Fourteen Americans exhibition at Manhattan's Museum of Modern Art where Aronson’s work was included alongside abstract expressionists Arshile Gorky, Robert Motherwell and Isamu Noguchi. In the 1950s, Aronson turned more toward his Jewish heritage for the inspiration for his art. Folklore as well as Kabalistic and other transcendental writings influenced his work greatly. The Golem (a legendary figure, brought to life by the Maharal of Prague out of clay to protect the Jewish community during times of persecution) and the Dybbuk (an evil spirit that lodges itself in the soul of a living person until exorcised) frequently appear in his work. In the sixties, Aronson turned to sculpture. His work during this period is best exemplified by a magnificent 8’ x 4’ bronze door which now stands at the entrance to Frank Lloyd Wright's Johnson Foundation Conference Center for the Arts in Racine, Wisconsin. In the seventies and eighties, Aronson continued his work in pastel drawings, paintings, and sculptures, often exploring religion and the frailties of man's nature. During this time, in addition to a traveling retrospective exhibition and many one-man shows in New York, Los Angeles, Chicago, and Boston at the Pucker-Safrai Gallery on Newbury Street, Aronson won many awards and became a member of the National Academy of Design in New York. Two years ago he retired from teaching to work full-time in his studio in Sudbury, Massachusetts. included in the catalog Contemporary Religious Imagery in American Art Catalog for an exhibition held at the Ringling Museum of Art, March 1-31, 1974. Artists represented: David Aronson, Leonard Baskin, Max Beckmann, Hyman Bloom, Fernando Botero, Paul Cadmus, Marvin Cherney, Arthur G. Dove, Philip Evergood, Adolph Gottlieb, Jonah Kinigstein, Rico Lebrun, Jack Levine, Louise Nevelson, Barnett Newman, Abraham Rattner, Ben Shahn, Mark Tobey, Max Weber, William Zorach and others. Selected Awards 1990, Certificate of Merit, National Academy of Design 1976, Purchase Prize, National Academy of Design 1976, Joseph Isidore Gold Medal, National Academy of Design 1976, Purchase Prize in Drawing, Albrecht Art Museum 1975, Isaac N. Maynard Prize for Painting, National Academy of Design 1973, Samuel F. B. Morse Gold Medal, National Academy of Design 1967, Purchase Prize, National Academy of Fine Arts 1967, Adolph and Clara Obrig Prize, National Academy of Design 1963, Gold Medal, Art Directors Club of Philadelphia 1961, 62, 63, Purchase Prize, National Institute of Arts and Letters 1960, John Siimon Guggenheim Fellowship 1958, Grant in Art, National Institute of Arts and Letters 1954, First Prize, Tupperware Annual Art Fund Award 1954, Grand Prize, Third Annual Boston Arts Festival 1953, Second Prize, Second Annual Boston Arts Festival 1952, Grand Prize, First Annual Boston Arts Festival 1946, Traveling Fellowship, School of the Museum of Fine Arts 1946, Purchase Prize, Virginia Museum of Fine Arts 1944, First Popular Prize, Institute of Contemporary Art 1944, First Judge's Prize, Institute of Contemporary Art Selected Public Collections Art Institute of Chicago Virginia Museum of Fine Arts Bryn Mawr College Brandeis University Tupperware Museum, Orlando, Florida DeCordova Museum Museum of Modern Art Print Collection, New York Atlanta University Atlanta Art...

This new work by Tal Nehoray is from her latest body of works called "Happy Pills". All are hand made with ceramic and hand painted with automotive paint. It is a combination of 3 ce...

Celebration of queer love in this bronze Gillie and Marc sculpture. Sculpture weighs approx. 12.5 lbs. The artists' names and edition number, 12/30, are stamped into the sculpture an...

The beauty of a clear, cool stream—the water rippling beneath a bed of rocks is captured in this dynamic tabletop sculpture by Cheryl Wilson Smith. The glass artist finds inspiration in the rugged, rocky landscape that surrounds her home. This piece features a clear, glass rectangular bed...

Young Nancy artist born in 1991, MHS, from an early age, had a strong taste for artistic creation. Self-taught from the Street Art culture, he was able to develop his artistic skills...

Pair of greyhounds French sculptor Art Deco style - 20th century Bronze, lost wax casting Dimensions (cm): male height 94 cm/length 106 cm/width 45 cm female: height 89 cm/len...

Len Klikunas creates sculptural minimalist artworks to modify experienced reality through visual perception. His original artwork is a mix of art and architecture, hovering between p...

Artist: Unknown Medium: Hand-Hammered and Welded Copper and Wood Construction Size: 89 in. x 19 in. x 2 in. (226.06 cm x 48.26 cm x 5.08 cm)

Lundberg Studios Art Glass Vase. Every piece of glass that bears the Lundberg Studios signature represents the finest in contemporary art glass. Crafted by master glass blowers, trad...

Stony Signs, wool, sisal, copper, 35" x 90", 1978. This Mid-Century Modern abstract woven tapestry was done by Postwar and Contemporary Polish textile...

3 Large Standing Figures II is a bronze sculpture by French contemporary artist Pierre Yermia, dimensions are 152 × 70 × 46 cm (59.8 × 27.6 × 18.1 in). The sculpture is signed and n...

In exquisite detail, William Hung’s contemporary sculptures explore both human physicality and emotion, often capturing figures in motion. This dynamic ...

Limited Edition 400% Pewter BE@RBRICK: Green Copper Patina. Dimensions: 28 cm Tall, Swipe for Reference Photos. Steven Harrington teams up with Royal...

A life size, rusted mild steel sculpture on a steel footing. Edition of 7. Available in different colours or finishes on request.

" Il peso del tempo sospeso " 32 x 26 x 20 cm Edition : 6/8 + 4 A.P. Bronze 2020 Stefano Bombardieri is known for large figurative sculptures...

This beautiful large corroded steel sculpture can be used for indoor or outdoors. It makes for an elegant statement in any garden, lobby or private home. Please specify if you want ...

Contemporary Abstract Figurative Ceramic Sculpture, Underglaze, Kaiju, Japanese Kensuke Yamada (b. 1979) was born in Kamakura, Kanagawa, Japan. He received his MFA from the Universi...

"Cocoon (1990)" by Suzanne Anker Suzanne Anker (born August 6, 1946) is an American visual artist and theorist. Considered a pioneer in Bio Art. She has been working at the relationship of art and the biological sciences for more than twenty five years. Her practice investigates the ways in which nature is being altered in the 21st century. Concerned with genetics, climate change, species extinction and toxic degradation, she calls attention to the beauty of life and the "necessity for enlightened thinking about nature’s 'tangled bank'.” Anker frequently works with "pre-defined and found materials"botanical specimens, medical museum artifacts, laboratory apparatus, microscopic images and geological specimens. Suzanne Anker was born in Brooklyn, New York on August 6, 1946. She earned a B.A. in Art from Brooklyn College of the City of New York and an M.F.A. from the University of Colorado in Boulder (1976). She also completed independent Studies with Ad Reinhardt (1966-1967) and studied at the Brooklyn Museum Art School (1968). She lives with the artist Frank Gillette in Manhattan and East Hampton, NY. During the mid 70s to the mid 80s, Anker worked almost exclusively on sculptural handmade paper reliefs. She started papermaking in 1974 on the basis of reading Dard Hunter's and Claire Romano's books. In 1975 she worked with Garner Tullis at the Institute of Experimental Printmaking in Santa Cruz, California. The paper reliefs produced at his institute were exhibited at the Martha Jackson Gallery in New York City in 1976.[ The same year, she participated in the North American Hand Papermaking exhibition organized by Richard Minsky at the Center for Book Arts in New York City. From a background as a printmaker, Anker initially worked with cast paper, made in latex molds. Subsequently, she incorporated limestone and fossils in her experiment with combinations of paper and stone. For her 1979 solo exhibition at the Walker Art Center, Anker installed large limestone planks that extended from the interior to the exterior of the gallery. The same year, she presented an installation of limestone and its residual chalk dust at P.S. 1’s "A Great Big Drawing Show" curated by Alanna Heiss with artists Vito Acconci, Alice Aycock, Frank Gillette, Sol LeWitt, Robert Morris, Bruce Nauman, Dennis Oppenheim, Richard Serra, and others. Suzanne Anker is considered "one of the pioneers in the broader field of art, science, and technology", particularly in the burgeoning field of Bio Art. In 1994, Suzanne Anker curated Gene Culture: Molecular Metaphor in Visual Art – one of the first art exhibitions on the subject of art and genetics – at Fordham University’s Lincoln Center Campus in New York. The exhibition investigated "the ways in which genetic imaging operates as aesthetic signs". From 2004 to 2006, Suzanne Anker hosted twenty episodes of the Bio-Blurb Show, a 30-minute-long internet radio program originally broadcast on WPS1 Art Radio, in collaboration with MoMA. The show focused on the intersection of art and the biological sciences, and the ethical and aesthetic dimensions therein. It is currently archived on Alanna Heiss’ Clocktower Productions. In 2006, Anker co-curated the exhibition Neuroculture: Visual Art and the Brain, at the Westport Arts Center with Giovanni Frazzetto. The exhibition presented an investigation of aspects of the human brain, and its attendant representations. Suzanne Anker is the Chair of the School of Visual Arts (SVA)'s BFA Fine Arts Department in New York City (2005-present). She previously chaired the SVA BFA Art History Department (2000-2005). In 2011, Anker founded the SVA Bio Art Lab, the first Bio Art laboratory in a Fine Arts Department in the United States. The SVA Bio Art Lab is located in Chelsea, New York City and has been conceived as a place where "scientific tools and techniques become methodologies in art practice". Anker has participated in lectures and symposia in prominent institutions around the world, including Harvard University, Boston; University of Cambridge, Cambridge, UK; Yale University, New Haven; Art-Sci UCLA, Los Angeles; Maryland Institute College of Art (MICA), Baltimore; Rensselaer Polytechnic Institute, New York; Museum of Arts and Design, New York; Nanyang Technological University, Singapore; London School of Economics, London; European Molecular Biology Laboratory- EMBL, Monterotondo, Italy; Max Planck Institute of Molecular Cell Biology and Genetics, Dresden; Leiden University, NL; Hamburger Bahnhof, Berlin; Dundee Contemporary Arts, Dundee; Courtauld Institute of Art, London; Banff Art Center, Alberta; The National Academies of Sciences, Engineering, and Medicine, Washington, D.C.; Berlin-Brandenburg Academy of Sciences and Humanities, Berlin;[ University of Amsterdam, NL; New York Academy of Sciences, Institute for the Humanities, New York University; DLD, Munich. Selected artworks Gene Pool Anker’s interests in the natural world extended her investigation into the microscopic domain of chromosomes and genes. Appropriating scientific images, she created Gene Pool in 1991, a body of work that includes suspended pigment on large vellum sheets and expansive sculptural arrays employing metallic fibers of stainless steel, copper, aluminum and bronze. Other works that reflect scientific representations of chromosomes include Chromosome Chart of Suzanne Anker –a presentation of her own DNA sequence as a self-portrait– and Cellular Script, in which she displays chromosome patterns as a kind of calligraphy. Biota (2011) is a sculptural installation by Suzanne Anker composed of porcelain sculptures and silver-leaf figurines. The porcelain objects are fabricated by immersing natural sea sponges into a mixture of kaolin, feldspar, and quartz. "The organic material of the sponge burns away in the process, leaving behind only the perfect replica of nature". Exhibitions Selected one-person exhibitions "The Biosphere Blues Mending an Unhinged Earth", O'NewWall, Seoul, Korea (2017). “Culturing Life”, Sam Francis Gallery...

Vintage Blenko pale purple amethyst hand-blown paper bag art glass vase circa 1980s. Size: 8" tall x 4.5" wide x 2.5" deep Great overall vintage condition, wear commensurate with age. Belnko, blenko glass...

From a single piece of silver cloud alabaster, the artist has carved a poetic and modern depiction of a reclining figure. The composition of negative and positive spaces changes as t...

"Irukandji" 10K Rose Gold Sculpture 7.5 x 2 in Ed. of 10 by Colin Burn Medium: 18K Rose Gold, 18K White Gold, Diamonds & Sheoak Timber Edition of 10 NOTE: preparation time may...

PABLO PICASSO (1881-1973) "Visage" (A.R. 288) stamped and marked "Edition Picasso / Madoura Plein Feu / Edition Picasso / Madoura" (underneath) ceramic Height: 12 in. (30 cm.) Concei...

David Hostetler carved the wood original for this bronze casting in 1960. He used an exotic wood board he obtained at the Brooklyn Naval Yard. You only notice the narrowness of the o...

This indoor tabletop sculpture of a bear is carved from red Travertine stone. When Canadian sculptor Doug Robinson first works with a chunk of stone, he...

This piece titled "Refugio o Trampa III, Knife Drawing" is an original piece by Lucha Rodríguez and is made from manipulated giclée print on metallic paper. This piece measure 7"h x ...

Teardrop II Sculpture Bronze Human Male Nude Small Art Contemporary Classic Victor Veber is a French sculptor born in 1994 in Lyon. Classically trained and deeply inspired by both t...

Medium: Bronze, granite As an artist I strive to create elegant sculptures that capture the true essence of the subject matter. Form, line and surface are used as the visual langua...

Laurence Perratzi is a French figurative artist exploring the body’s expression. Her work is a reflection on movement, strongly influenced by her athletic background where poise and ...

Yayoi Kusama Red & White Pumpkin (plush): An iconic, vibrantly colored pop art piece - this Kusama plush pumpkin features the universal polka dot patterns and bold colors for whi...

Mary Baumeister Studio Leftover Fetich, 1953, 1967 Unique Mixed Media 3-D Assemblage Ink Signed, dated, titled, annotated "Edition Original" and numbered 52/75. Shadow box frame Incl...

Striking pair of Chinese cloisonne or enamel on brass horses crafted in classic form featuring colorful Symbolic, floral and geometric designs on an alluring blue background. Left: ...

This piece titled "This piece titled "Day in the Life: Chimaera #12" is an original piece by Kate VanVliet and is made from eggshell, mica, and acrylic. This piece measures 4”h x 2.5...

Milled wood and acrylic. Joe Sultan started sculpting later in life after building a home in the Hudson Valley in 2012. He trained, worked as an architect and led his own firms fo...

Artist: (Garo) Karapet Balakeseryan Medium: Stone, One of a Kind Year: 2023 Style: Classic, Impressionism, Subject: Nude Woman Size: 30" x 14...

Variation VII (V) was created from the leftover elements of Construction VII, a monumental 3.3-meter-high sculpture also by Conrad Willems. This Aqueduc piece is produced for the exh...

Energy, focus, and elevation are captured in this striking Basketball Player figurine, depicting an athlete at the decisive moment of shooting the ball into the hoop. The upward moti...

Aronson, David 1923- David Aronson, son of a rabbi, was born in Lithuania in 1923 and immigrated to America at the age of five. He settled in Boston, Massachusetts where he studied at the school of the Museum of Fine Arts under Karl Zerbe, a German painter well known in the early 1900s. Aronson later taught at the school of the Museum of Fine Arts for fourteen years and founded the School of Fine Art at Boston University where he is today a professor emeritus. An internationally renowned sculptor & painter, Aronson has won acclaim for his interpretation of themes from the Hebrew Talmud and Kabala. His best known works include bronze castings, encaustic paintings, and pastels. His work is included in many important public and private collections, and has been shown in several museum retrospectives around the country. He is considered to be one of the most important 20th century American artists. At twenty-two David Aronson had his first one-man show at New York's Niveau Gallery. The next year, six of his Christological paintings were included in the Fourteen Americans exhibition at Manhattan's Museum of Modern Art where Aronson’s work was included alongside abstract expressionists Arshile Gorky, Robert Motherwell and Isamu Noguchi. In the 1950s, Aronson turned more toward his Jewish heritage for the inspiration for his art. Folklore as well as Kabalistic and other transcendental writings influenced his work greatly. The Golem (a legendary figure, brought to life by the Maharal of Prague out of clay to protect the Jewish community during times of persecution) and the Dybbuk (an evil spirit that lodges itself in the soul of a living person until exorcised) frequently appear in his work. In the sixties, Aronson turned to sculpture. His work during this period is best exemplified by a magnificent 8’ x 4’ bronze door which now stands at the entrance to Frank Lloyd Wright's Johnson Foundation Conference Center for the Arts in Racine, Wisconsin. In the seventies and eighties, Aronson continued his work in pastel drawings, paintings, and sculptures, often exploring religion and the frailties of man's nature. During this time, in addition to a traveling retrospective exhibition and many one-man shows in New York, Los Angeles, Chicago, and Boston at the Pucker-Safrai Gallery on Newbury Street, Aronson won many awards and became a member of the National Academy of Design in New York. Two years ago he retired from teaching to work full-time in his studio in Sudbury, Massachusetts. included in the catalog Contemporary Religious Imagery in American Art Catalog for an exhibition held at the Ringling Museum of Art, March 1-31, 1974. Artists represented: David Aronson, Leonard Baskin, Max Beckmann, Hyman Bloom, Fernando Botero, Paul Cadmus, Marvin Cherney, Arthur G. Dove, Philip Evergood, Adolph Gottlieb, Jonah Kinigstein, Rico Lebrun, Jack Levine, Louise Nevelson, Barnett Newman, Abraham Rattner, Ben Shahn, Mark Tobey, Max Weber, William Zorach and others. Selected Awards 1990, Certificate of Merit, National Academy of Design 1976, Purchase Prize, National Academy of Design 1976, Joseph Isidore Gold Medal, National Academy of Design 1976, Purchase Prize in Drawing, Albrecht Art Museum 1975, Isaac N. Maynard Prize for Painting, National Academy of Design 1973, Samuel F. B. Morse Gold Medal, National Academy of Design 1967, Purchase Prize, National Academy of Fine Arts 1967, Adolph and Clara Obrig Prize, National Academy of Design 1963, Gold Medal, Art Directors Club of Philadelphia 1961, 62, 63, Purchase Prize, National Institute of Arts and Letters 1960, John Siimon Guggenheim Fellowship 1958, Grant in Art, National Institute of Arts and Letters 1954, First Prize, Tupperware Annual Art Fund Award 1954, Grand Prize, Third Annual Boston Arts Festival 1953, Second Prize, Second Annual Boston Arts Festival 1952, Grand Prize, First Annual Boston Arts Festival 1946, Traveling Fellowship, School of the Museum of Fine Arts 1946, Purchase Prize, Virginia Museum of Fine Arts 1944, First Popular Prize, Institute of Contemporary Art 1944, First Judge's Prize, Institute of Contemporary Art Selected Public Collections Art Institute of Chicago Virginia Museum of Fine Arts Bryn Mawr College Brandeis University Tupperware Museum, Orlando, Florida DeCordova Museum Museum of Modern Art Print Collection, New York Atlanta University Atlanta Art...

Artist: Emmanuel Okoro Dimensions (HxWxD): 37 × 33 × 20 cm Materials: Bronze Resin Sculpture Edition: 5 of 12 Signed on back Figurative sculpture of Angel / Man with wings Okoro pa...

Hand of Glory Sculpture; Metal, car paint, vintage light bulbs, motorized Year: 2018 Signed Size: 28.5 x 18 x 5.75 inches COA provided Tom Binger f...

Émile Louis Picault (French, 1833-1915) Fisherwoman Bronze Stamped "E. Picault" 30 x 15 x 12 inches Subject depicting a young woman holding fishing line in one hand a basket of fis...

Expressive ceramic bust with high-fire glazes, oil-painted head and forged iron glasses exploring identity, learning and the aging body. This expressive ceramic bust belongs to Os A...