Anna Hepler

Hold

2015

Michael Frimkess Cream Calabash (INV# NP3996) stoneware and glaze 8.5 x 5" date unknown provenance - The Nevica Project Magdalena Suarez Frimkess and Michael Frimkess began workin...

Rare! Betty Woodman glazed earthenware 2017 signed by artist

Beatrice Wood Teardrop Vessel (INV# NP4045) stoneware and glaze 6.25 x 4.5" signed by artist

Ken Price California Cup (INV# NP5005) glazed earthenware cup: 4.19 x 6 x 3" handmade wooden box: 8 x 10.38 x 5.63" 1991 #18/25 signed, dated, and numbered provenance The Nevica Pro...

Ken Price Chet (INV# NP5004) glazed earthenware cup: 4 x 5.88 x 3" handmade wooden box: 8 x 1.38 x 5.63" 1991 #24/25 signed, dated, and numbered provenance The Nevica Project prove...

John Gill Mug (INV# NP3731) stoneware and glaze 4.75 x 5.5 x 4.25 2015 signed by artist

hand blown glass, pigment and marble mix with Sumi ink

"Shifting Diamonds - Pickup Truck”, by ceramic dynamo Katharine Morling is a whimsical porcelain installation of a truck loaded with gold and diamonds. Th...

"Shifting Diamonds - Truck”, by ceramic dynamo Katharine Morling is a whimsical porcelain installation of a truck loaded with gold and diamonds....

Akiko Sugiyama (Japanese/American, B.1947) Collage, Lucite Shadow Box Painting, mixed media Japanese paper sculpture in plexiglass display box...

Andisheh Avini Iranian-American (b. 1974) Untitled III (2007) Collage of Arabic or Persian Islamic calligraphic script texts. Artist shaped frame Signature stamp and I-20 (New York) gallery label verso Image: 25.25" H x 18.5" W; frame: 27.5" H x 21" W x 1.5" D. Andisheh Avini was born in 1974 in New York. Educated at Hunter College in New York, he has shown consistently in solo and group exhibitions since 2002, including locations in New York, Berlin, Los Angeles, Basel, Madrid and Paris. He currently lives and works in New York. Through his abstract paintings, drawings and sculptures he finds the sweet spot where minimalism, Pop Art, and the political collide. Andisheh Avini is known for his patterned silkscreen painting created on carpet and wood, which are informed by the history and culture of Iran. Avini frequently takes familiar political images and recontextualizes them, prompting the viewer to consider Middle Eastern politics from another perspective. Blending the visual vocabulary of his Iranian heritage with aesthetic and material experimentation, Avini’s work offers a meditation on the experiences and memories that shape our identities. He has used a variety of exotic materials including marquetry or Khatam – a traditional Iranian craft of inlaid wood, crystalline protrusions of actual minerals, peacock feathers, mother-of-pearl and parchment often in abstract geometric compositions, mediums associated with traditional Persian craft— with nods towards Minimalism, Abstract Expressionism, and other Western art movements. He has shown in many prominent galleries including solo exhibitions at Marianne Boesky Gallery (New York), Galerie Frank...

This sculpture from Linda Stein’s Knights of Protection series functions both as a defender in battle and a symbol of pacifism. The series references popular and religious icons suc...