David Barnett

"Tool Relief I, " Original Stoneware & Ceramic Vase signed by David Barnett

1968

"Tool Relief II" is an original sculptural stonework vase by David Barnett. It is signed and dated on the bottom. 13" H x 3.50 D David Barnett, an artist, collector, appraiser and ...

"Tool Relief III" is an original conceptual sculpture by David Barnett, signed and dated on the bottom. Made of stoneware and ceramic, the cylinder contains imprints of various tools...

"White Wedding Tears" is an original porcelain and ink piece by Marjorie Mau. The artist signed the sculpture. 16" x 14" x 3" art Artist's Statement: "My works are about the act o...

"Egg" is an original ceramic sculpture by Alain Ramie. It is 2 3/4" high and was created around 1974. Alain Ramie created ceramic sculptures in the shape o...

"Ring Around the Rosy" is a slab-built ceramic sculpture collaboration between David Barnett and Joseph Rozman. This cylindrical sculpture features geometric designs in low relief t...

"Wrap Around Figures" is an original slab ceramic by David Barnett. The artist created this using collagraph plates by Joseph Rozman that featured abstracted animals. The artist sign...

Maarten Stuer (born in 1965) 2020-12-20, 2020 Stoneware and engobe architectural sculpture. Signed with the monogram and dated as the title Created both for indoors and outdoors. ...

Maarten Stuer (born in 1965) 2020-12-10, 2020 Stoneware and engobe architectural sculpture. Signed with the monogram and dated as the title Created both for indoors and outdoors. ...

Additional Information: Tom Suomalainen is a ceramic artist known for his creative and imaginative sculptures. Marking(s); notes: marking(s) Country of origin; materials: USA; salt...

"Untitled" is a stoneware piece with the decorative layer of the rich toned glazes and markings that John was so well-known for. Each piece that John produced was unique. The lip on this piece is slightly scalloped and the shape is removed from the boring circular to mimic a gentle geometric design. He was seduced by the effects of the reduction kiln, which decreased the levels of oxygen during firing, inducing the flame to pull oxygen out of the clay and glazes changing the colors of the glazes depending on their iron and copper content. In this way he achieved the rich gradients of ochre and umber and variations in stippling and opacity. This piece is signed and stamped on the bottom. John was an American Abstract Expressionist ceramicist born in Detroit, MI. Though open to artistic experimentation, Glick was most influenced by the styles and aesthetics of Asian pottery—an inspiration that shows in his use of decorative patterns and glaze choices. He has said that he is attracted to simplicity, as well as complexity: my work continually reflects my re-examination that these two poles can coexist… or not, in a given series. Glick also took influences from master potters of Japan, notably Shoji Hamada and Kanjrio Kawai, blending their gestural embellishments of simple forms with attitudes of Abstract Expressionism. He was particularly drown to the work of Helen Frankenthaler whose soak-stain style resonated with Glick’s multi-layered glaze surfaces, which juxtaposed veils of atmospheric color with gestural marks and pattern. He spent countless hours developing and making his own tools in order to achieve previously unseen results in his work with clay and glaze. Glick’s “Plum Tree Pottery...

This magnificent "Scalloped Box" is a stoneware piece with decorative layers of rich toned glazes and markings that John was so well-known for. He was, also, known for the undulating lip lines on his exquisite boxes that fit together like a puzzle. Each piece that John produced was unique. He was seduced by the effects of the reduction kiln, which decreased the levels of oxygen during firing, inducing the flame to pull oxygen out of the clay and glazes thereby changing the colors of the glazes depending on their iron and copper content. In this way he achieved the rich gradients of ochre and umber and variations in stippling and opacity. This piece is signed and stamped on the bottom. John was an American Abstract Expressionist ceramicist born in Detroit, MI. Though open to artistic experimentation, Glick was most influenced by the styles and aesthetics of Asian pottery—an inspiration that shows in his use of decorative patterns and glaze choices. He has said that he is attracted to simplicity, as well as complexity: my work continually reflects my re-examination that these two poles can coexist… or not, in a given series. Glick also took influences from master potters of Japan, notably Shoji Hamada and Kanjrio Kawai, blending their gestural embellishments of simple forms with attitudes of Abstract Expressionism. He was particularly drown to the work of Helen Frankenthaler whose soak-stain style resonated with Glick’s multi-layered glaze surfaces, which juxtaposed veils of atmospheric color with gestural marks and pattern. He spent countless hours developing and making his own tools in order to achieve previously unseen results in his work with clay and glaze. Glick’s “Plum Tree Pottery...