Elisia Nghidishange

Looking Down 3, Elisia Nghidishange, mixed media, plaster, wire, wood

2020

Elisia Nghidishange has worked with clay, wire, cloth, dye, fire, paint and metal to create a new body of work. “The Insight of Intrusive Women” is made up of many discrete pieces - ...

This artwork formed part of Nghidishange's exhibition titled 'Ehafo' held at the Namibian Arts Association in 2022. Nghidishange was born in Eenhana in northern Namibia. This printma...

This artwork formed part of Nghidishange's exhibition titled 'Ehafo' held at the Namibian Arts Association in 2022. Nghidishange was born in Eenhana in northern Namibia. This printma...

This artwork formed part of Nghidishange's exhibition titled 'Ehafo' held at the Namibian Arts Association in 2022. Nghidishange was born in Eenhana in northern Namibia. This printma...

Nghidishange was born in Eenhana in northern Namibia. This printmaker, sculptor and mixed media artist graduated from the College of the Arts in Windhoek in 2016. Nghidishange has ta...

This artwork formed part of Nghidishange's exhibition titled 'Ehafo' held at the Namibian Arts Association in 2022. Nghidishange was born in Eenhana in northern Namibia. This printma...

Kate Casanova is an interdisciplinary artist who explores the posthuman through sculpture and video. Casanova is exhibited nationally and internationally at venues such as the Barbican Centre (London), Le Poisson Rouge (New York), and the Weisman Art Museum (Minneapolis). She received an MFA from the University of Minnesota...

Biomorphic and earthy yet industrial style wall or tabletop sculpture. Abstract wire form with corrugated hydrocal plaster form. The piece is smooth and...

Artist Commentary: This is from a series of sculptures created by casting different materials into a concrete form tube (sonotube) and combining that wit...

The sunflower and the bouquet is an idea that has been floating around in the artist's head for years. It starts with the notion of the still life, the most basic subject when approaching visual art. It's the attempt to look at that which is full of life, yet by acknowledging its existence, one understands that beauty is temporary and will fade. This series starts with the flower, the symbol of fleeing beauty. By taking this character and turning it into a cast object, the artist has turned it into an icon, further removed from reality by bleeding it of color. The sunflowers then become beautiful shadows their former selves, as dying coral becomes enticing when it bleaches. They are elegant reminders of their past, whilst also becoming new figures that reference archaic notes of classical beauty expressed monochromatic hues. STATEMENT In the end, gravity always wins. It is the blunt, immutable force that has a constant effect, keeping us on the ground and ultimately pulling us into it. Sculpture by its very nature is in conversation with this pull, at times enjoying and acknowledging it, and at times trying to hide and defy it. My work recognizes the force of gravity, sometimes tacitly and sometimes overtly. It is a practice of mixing the delicate with the ordinary. I have been mining the contrasts of sculpture, relishing the materiality while also attempting to address the ephemeral. Because sculpture is so heavily rooted in the ground, one has to accept its materiality. Yet, some of the most effective work I have witnessed is that which attempts transcendence. It is that steady push and pull between mass and lightness, solidity and absence, form and void. Additionally, I am drawn towards familiar objects and associations that are embedded within them. Current work makes reference to visual anchors such as bodily forms, sagging, or bloating. Whether the product is a still life created in Scotch tape or a bouquet composed of plaster flowers, I look to the fantastic as a goal in my work. The work is intensely representational in content but without clearly assigned meaning, thus creating a disquiet. In this way I think in a surrealist vein, looking to traditional figures like Eva Hesse and Piero Manzoni, and contemporary figures like Robert Gober and Matthew Barney. The juxtaposition of the seemingly simple streamline objects with this disquiet adds a powerful force to the work, again symbolic of the contrast between the emotional life which defines us as humans and the compulsions and minutia that compose our daily lives. Joe Davidson

Susy Hunziker's metal figures are the result of exploring form, colors, and feelings, and reflect a love of life and aesthetics. Rust brown iron wire is wound meticulously in varying thicknesses, creating abstract sculptural figures. Her work is reminiscent of an appreciation for life’s delicacy, human fragility and an aesthetic awareness of change over time. This unique iron wire figure is 18 inches high by 6 inches wide and 6 inches deep. The figure perches atop a wooden base. Size and price include the wooden base. This one-of-a-kind sculpture can be displayed on any flat surface. Convenient local Los Angeles area shipping. Affordable Continental and International shipping are also available. This artwork comes with a certificate of authenticity issued by the art gallery. Swiss artist Suzy Hunziker pursues a deepened analysis of figurative compositions and expresses an overall curiosity for form and figure. Her sculptures integrate staticity and movement as well as lightness of matter. “What began as a hobby about ten years with papier-mâché has become my passion. Today I create finished sculptures from...

“Salon (13)“ is a collection of 13 small-scale works by artist Heather Nicol. The installation of 13 assemblages is variable. The artist will personally consult with the buyer and can be on site for the installation. The 13 mixed media pieces include delicate lighting elements that shift and change via arduino electronic devices, or utilize picture lights throwing a soft roll of light across the artwork. These works are linked through their wiring, which is enveloped in a white umbilical cord-like fabric casing, creating an organic, unifying code of display. Heather Nicol is a multidisciplinary artist whose practice includes immersive sound installation, small-scale discrete object making, and independent curating. Her large site-specific interventions explore the architectural, sonic, historic and operational conditions across a wide range of locations. These include concourse atriums, rail terminus, lobbies, a theatre, a public school building, a theme park...