Gavin Turk

Flea Match Box by Gavin Turk

2009

Yayoi Kusama, Pumpkin Cast Resin Figure in Red & Yellow, Set of 2, 2015 Set of 2 (1 x red, 1 x yellow) lacquer-painted cast resin figures. Both are stamped with the artist’s name on...

Yayoi Kusama, Pumpkin Cast Resin Figure - Red, 2019 The nine decades of Yayoi Kusama's life have taken her from rural Japan to the New York art scene to contemporary Tokyo, in a car...

Yayoi Kusama, Pumpkin Cast Resin Figure - Red, 2015 The nine decades of Yayoi Kusama's life have taken her from rural Japan to the New York art scene to contemporary Tokyo, in a car...

Yayoi Kusama, Pumpkin Cast Resin Figure - Yellow, 2015 The nine decades of Yayoi Kusama's life have taken her from rural Japan to the New York art scene to contemporary Tokyo, in a ...

Yayoi Kusama, Pumpkin Cast Resin Figure - Yellow, 2015 The nine decades of Yayoi Kusama's life have taken her from rural Japan to the New York art scene to contemporary Tokyo, in a ...

Yayoi Kusama, Pumpkin Cast Resin Figure in Red & Yellow, Set of 2, 2015. Set of 2 (1 x red, 1 x yellow) lacquer-painted cast resin figures. Both are stamped with the artist’s name o...

Please allow a two month turnaround time for this piece to be made. About Cast Paper In David's words: “One thread running through my work is a connection to nature. Casting natur...

Please allow a three month turnaround time for piece to be made. The Geologic Screens Series The Geologic Screens are studies from the Colorado Cascade Mural. David pieced together ...

Golden by Craig Campbell Expressionistic Dog Sculpture 12 x 4.5 x 8.5" Bronze 1/1 Man's best friend, a Golden Retriever retrieving ABOUT THE ARTIST: Craig Campbell began sculpting ...

This solid accent portrays a primordial form. Tucker Robbins, inspired to bring his designs back to basics, worked with the Ifugao (Mountains of the Phi...

ABOUT “There’s no color in my work,” says Shlafer, “I either burn it, bleach it, or leave it alone.” Shlafer’s sculptures are designed with rudimentary material such as pine, oak, and spruce salvaged as driftwood on the Eastern end of Long Island. The artist started this body of work during the pandemic after he stumbled upon the charming discoveries while traveling on foot by the coastline. Always a wayfarer at heart, he drew inspiration from his youth of traveling on a motorcycle through Southern Africa and seeing indigenous art made from ordinary earth objects within local villages. “Wishbone 1” a 5 Foot sculpture, charred white oak with a tinted aqua resin base that reflects an omen of resilience and hardiness in light of the hardships of the past pandemic year, In another “Tune” a bleached spruce fence post narrowed into a tuning fork shape with a slate base. It welcomes a ceremonial vibe. “At the end of the day, that’s the energy we all crave,” says Shlafer, “who doesn’t respond to that?” “Mushroom #3” a charred white oak sculpture that is versatile in design so it can act as an end table or a stool. It is masterfully crafted and brings to mind the redwood stools...

ABOUT This Charred white oak mushroom acts as a stool or end table. “There’s no color in my work,” says Shlafer, “I either burn it, bleach it, or leave it alone.” Shlafer’s sculptures are designed with rudimentary material such as pine, oak, and spruce salvaged as driftwood on the Eastern end of Long Island. The artist started this body of work during the pandemic after he stumbled upon the charming discoveries while traveling on foot by the coastline. Always a wayfarer at heart, he drew inspiration from his youth of traveling on a motorcycle through Southern Africa and seeing indigenous art made from ordinary earth objects within local villages. “Wishbone 1” a 5 Foot sculpture, charred white oak with a tinted aqua resin base that reflects an omen of resilience and hardiness in light of the hardships of the past pandemic year, In another “Tune” a bleached spruce fence post narrowed into a tuning fork shape with a slate base. It welcomes a ceremonial vibe. “At the end of the day, that’s the energy we all crave,” says Shlafer, “who doesn’t respond to that?” “Mushroom #3” a charred white oak sculpture that is versatile in design so it can act as an end table or a stool. It is masterfully crafted and brings to mind the redwood...