Pop Art Cubed Wooden Apple Sculpture
View Similar Items
Want more images or videos?
Request additional images or videos from the seller
1 of 6
Jenaro Goode Pop Art Cubed Wooden Apple Sculpture21st Century
21st Century
About the Item
- Creator:Jenaro Goode
- Creation Year:21st Century
- Dimensions:Height: 10 in (25.4 cm)Width: 7 in (17.78 cm)Depth: 7 in (17.78 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Houston, TX
- Reference Number:Seller: CA29.2020.0214.17431stDibs: LU55135770251
About the Seller
5.0
Gold Seller
These expertly vetted sellers are highly rated and consistently exceed customer expectations.
Established in 1969
1stDibs seller since 2014
781 sales on 1stDibs
Typical response time: 6 hours
More From This SellerView All
- "Untitled (Traffic Cone)" Contemporary Pastel Plaster Hyperrealist SculptureLocated in Houston, TXContemporary pigment tinted plaster sculpture of a traffic cone by local Houston artist Benji Stiles. Currently featured in the show "Septet" at Reeves Ar...Category
2010s Contemporary Still-life Sculptures
MaterialsPlaster, Pigment
- "Untitled #2 (Tupperware)" Red, Yellow, & White Realistic Beeswax Cup SculptureLocated in Houston, TXModern collection of realistically rendered tupperware cups made out of beeswax and pigment by California artist George Stoll. The piece features a set of...Category
1960s Pop Art Still-life Sculptures
MaterialsWax, Pigment
- "Regret" Abstract Contemporary Minimalist Wood SculptureBy Steve MurphyLocated in Houston, TXContemporary minimalist lead on wood wall sculpture by Steve Murphy (Stephen Murphy). Signed by the artist at the back (long edge). Artist Statement: I am dealing with the classic e...Category
21st Century and Contemporary Contemporary Abstract Sculptures
MaterialsMixed Media, Wood
- Contemporary Abstract Bright Blue Geometric Linear Groove Painting / SculptureBy Matthew ReevesLocated in Houston, TXAbstract wall sculpture painting featuring intersecting linear grooves painted with bright blue paint. The uniqueness of this blue does not derive from the ult...Category
2010s Contemporary Abstract Paintings
MaterialsWood, Acrylic, Pigment
- Contemporary Abstract Three Dimensional Bright Blue Geometric Wall SculptureBy Matthew ReevesLocated in Houston, TXAbstract wall sculpture featuring three dimensional geometric shapes painted with bright blue paint. The uniqueness of this blue does not derive from the ultra...Category
2010s Contemporary Abstract Sculptures
MaterialsWood, Acrylic, Pigment
- Contemporary Black and Green Linear Abstract Geometric Groove PaintingBy Matthew ReevesLocated in Houston, TXBlack and green geometric abstract mixed media painting by Houston artist Matthew Reeves. Signed by the artist on the back. This vertical painting featu...Category
2010s Contemporary Abstract Paintings
MaterialsWood, Acrylic
You May Also Like
- "Poise" Laura Ellen Bacon, Woven Willow Abstract BasketBy Laura Ellen BaconLocated in Wilton, CTPoise, Laura Ellen Bacon, willow, dicky meadows, 19" x 37" x 22", 2016. British Sculptor, Laura Ellen Bacon (born 1976) works raw materials into la...Category
2010s Contemporary Abstract Sculptures
MaterialsWood
- "JAMÓN JAMÓN I (Reliquary Generalife)", ceramic sculpture, porcelain vessel, urnBy Andrew Cornell RobinsonLocated in Toronto, Ontario"JAMÓN JAMÓN I (Reliquary Generalife)", 2019, sold in the frame shown, is one in a series of ceramic sculptures by artist Andrew Cornell Robinson...Category
21st Century and Contemporary Contemporary Abstract Sculptures
MaterialsEnamel
- "RAKU RED AND WHITE", wheel formed white glaze, copper red, gold leaf, sculptureBy Andrew Cornell RobinsonLocated in Toronto, Ontario"RAKU RED AND WHITE", 2019, in wheel-formed white glaze with copper red blush, sprig, stamp, gold leaf and raku fired with kintsuji gold by artist Andrew Cornell Robinson, is one of a series of sculptural objects that include ceramic, glass and mixed media grottoes and containers. A project exploring the vessel form and notions of gratitude, plenty, poverty in material or humanity. Robinson has led artists to explore tableware as sculptural form – "Changing attitudes and emerging social behaviors in food preparation and the social and cultural rituals of eating have lead to changes in the way tableware is made and used." Andrew Cornell Robinson is an interdisciplinary artist working across media (ceramics, textiles, painting, prints, etc.). His work is influenced by collaborative craft communities, traditions, and the performative qualities of cultural production. The underlying ideas exploring identity, histories, rituals, and power in his work aim to create a space for intimate experiences and open narratives. He studied ceramic sculpture at the Glasgow School of Art and the Maryland Institute College of Art where he received a BFA. He was awarded an MFA from the School of Visual Arts, where he became interested in the intersection of memory, identity, politics, and power. He has been featured in many publications including Sculpture Magazine, Huffington Post, Hyperallergic, Art Info, et al. He has participated in curatorial and research projects and recently was a participating artist in Debtfair a project in the Whitney Biennial. Andrew has also worked on collaborations with designers such as Donna Karan’s Urban Zen project where his work in ceramics led to workshops with artisans in Haiti and the creation of a ceramic studio in Port-au-Prince. He is currently working with The Powerhouse Arts Workshop and their design team from the Pritzker-prize winning architecture firm Herzog & de Meuron in the design and development of a contemporary industrial fabrication center established to serve the working needs of artists in New York City. He is currently a member of the faculty at Parsons School of Design and Greenwich House Pottery in New York City. His work has been presented extensively throughout the world with the Anna Kustera Gallery, David & Schweitzer Contemporary, Christopher Stout...Category
21st Century and Contemporary Contemporary Abstract Sculptures
MaterialsGold, Gold Leaf
- Concentric, Amagansett, NY, 2020Located in Hudson, NYABOUT “There’s no color in my work,” says Shlafer, “I either burn it, bleach it, or leave it alone.” Shlafer’s sculptures are designed with rudimentary material such as pine, oak, and spruce salvaged as driftwood on the Eastern end of Long Island. The artist started this body of work during the pandemic after he stumbled upon the charming discoveries while traveling on foot by the coastline. Always a wayfarer at heart, he drew inspiration from his youth of traveling on a motorcycle through Southern Africa and seeing indigenous art made from ordinary earth objects within local villages. “Wishbone 1” a 5 Foot sculpture, charred white oak with a tinted aqua resin base that reflects an omen of resilience and hardiness in light of the hardships of the past pandemic year, In another “Tune” a bleached spruce fence post narrowed into a tuning fork shape with a slate base. It welcomes a ceremonial vibe. “At the end of the day, that’s the energy we all crave,” says Shlafer, “who doesn’t respond to that?” “Mushroom #3” a charred white oak sculpture that is versatile in design so it can act as an end table or a stool. It is masterfully crafted and brings to mind the redwood stools...Category
2010s Contemporary Still-life Sculptures
MaterialsDriftwood, Wood
- Stamen #1, Amagansett, NY, 2021Located in Hudson, NYABOUT “There’s no color in my work,” says Shlafer, “I either burn it, bleach it, or leave it alone.” Shlafer’s sculptures are designed with rudimentary material such as pine, oak, and spruce salvaged as driftwood on the Eastern end of Long Island. The artist started this body of work during the pandemic after he stumbled upon the charming discoveries while traveling on foot by the coastline. Always a wayfarer at heart, he drew inspiration from his youth of traveling on a motorcycle through Southern Africa and seeing indigenous art made from ordinary earth objects within local villages. “Wishbone 1” a 5 Foot sculpture, charred white oak with a tinted aqua resin base that reflects an omen of resilience and hardiness in light of the hardships of the past pandemic year, In another “Tune” a bleached spruce fence post narrowed into a tuning fork shape with a slate base. It welcomes a ceremonial vibe. “At the end of the day, that’s the energy we all crave,” says Shlafer, “who doesn’t respond to that?” “Mushroom #3” a charred white oak sculpture that is versatile in design so it can act as an end table or a stool. It is masterfully crafted and brings to mind the redwood stools...Category
2010s Contemporary Still-life Sculptures
MaterialsWood
- Mushroom #3, Amagansett, NY, 2021Located in Hudson, NYABOUT This Charred white oak mushroom acts as a stool or end table. “There’s no color in my work,” says Shlafer, “I either burn it, bleach it, or leave it alone.” Shlafer’s sculptures are designed with rudimentary material such as pine, oak, and spruce salvaged as driftwood on the Eastern end of Long Island. The artist started this body of work during the pandemic after he stumbled upon the charming discoveries while traveling on foot by the coastline. Always a wayfarer at heart, he drew inspiration from his youth of traveling on a motorcycle through Southern Africa and seeing indigenous art made from ordinary earth objects within local villages. “Wishbone 1” a 5 Foot sculpture, charred white oak with a tinted aqua resin base that reflects an omen of resilience and hardiness in light of the hardships of the past pandemic year, In another “Tune” a bleached spruce fence post narrowed into a tuning fork shape with a slate base. It welcomes a ceremonial vibe. “At the end of the day, that’s the energy we all crave,” says Shlafer, “who doesn’t respond to that?” “Mushroom #3” a charred white oak sculpture that is versatile in design so it can act as an end table or a stool. It is masterfully crafted and brings to mind the redwood...Category
2010s Contemporary Abstract Sculptures
MaterialsWood, Driftwood