Jude Rosemond

“I Know You Know I Love Yew” Blue and Gold Decorative Sculpture

2021

Modern abstract outdoor totem sculpture by Houston artist Joe Mancuso. The piece is constructed out of various decorative brick, stone, and concrete piec...

Colorful abstract contemporary collage sculpture that incorporates pages from 1960 Sears catalogues, cardboard, wood, concrete, acrylic paint, and wood glue. The bright red sculpture...

Abstract contemporary collage sculpture that incorporates found furniture, jute, concrete, and paint. The amorphous form features a primarily blue "cord" extending from a grey wooden and concrete base. Artist Biography: The son of a Lutheran pastor and a psychotherapist, Brent Fogt...

Modern abstract cast stone portrait bust sculpture by Houston, Texas artist David Adickes. The work is modeled after Adickes' friend Julie Burrows and features sharp facial features ...

Sculpture of a seated women with her hands on her knees. Sculpture has various natural colors that branch through the stone. Artist signed the sculpture on the back right thigh. Luiz...

Light brown colored sculpture of two abstract figures embarrassing each other in an intimate manner. Marble has veins of darker brown tones with hints of cool grey colors. Artist s...

In this piece, seven octagonal terra-cotta bricks of cylindrical shape are on the floor in a V shape. Two concrete bricks are placed amongst these cylinders. All of these objects are bound together by a string that is tied around the objects. Brian Russell...

A sculpture by Theaster Gates. "Stand-Ins for Period of Wreckage 25" is a contemporary sculpture, white concrete and porcelain by American, Blue Chip artist Theaster Gates. The artwork is unsigned. Theaster Gates' practice includes sculpture, installation, performance and urban interventions that aim to bridge the gap between art and life. Gates works as an artist, curator, urbanist and facilitator and his projects attempt to instigate the creation of cultural communities by acting as catalysts for social engagement that leads to political and spatial change. Gates has described his working method as “critique through collaboration” – often with architects, researchers and performers – to create works that stretch the idea of what we usually understand visual-based practices to be. For his exhibition at Milwaukee Art Museum exhibition in 2010, for example, Gates invited a 250 strong gospel choir into the galleries to sing songs adapted from the inscriptions on pots by the famous 19th century slave and potter 'Dave Drake'. For the 2010 Whitney Biennial, Gates transformed the Whitney’s Sculpture Court with a spare, architectural installation that functioned as a communal gathering space for performances, social engagement, and contemplation. For the duration of the exhibition Gates collaborated with various creative practitioners on a series of 'monastic residencies', holding live events such as the session by Gates' musical ensemble, the Black Monks of Mississippi. In another recent exhibition at Seattle Art Museum, Gates transformed the gallery into an audio archive entitled 'The Listening Room', incorporating a hand-built DJ...

Price includes one piece. The artist was inspired by the beauty of nature found in coral reefs. It is all handmade with resin, cement, wood, pulverized minerals and varnish. The u...

Price includes one piece. The artist was inspired by the beauty of nature found in coral reefs. It is all handmade with resin, cement, wood, pulverized minerals and varnish. The u...

B 1995 Fernanda Carri´s intimate practice spans painting, drawing, ceramics, and textile, while her subject matter ranges from dreams to biographical themes. Before devoting herself ...

JONATHAN FERRARA GALLERY is proud to announce, Shape-Memory, a solo exhibition of new textile and sculptural artworks by New Orleans-based artist Gina Phillips. Initially born from h...