Judith Ernst

Autumnal Equinox 02, Stoneware Ceramic Sculpture with Repeating Pattern, Glaze

2015

Originally from the Northwest with a B.A. from Stanford University, I have painted, published illuminated books, and lived and traveled extensively in Asia. Now working primarily in ceramics, I draw images from the deep well of past experience, always starting from a strong “mind’s eye” vision. My ceramic pieces are as much about their inside as they are about their sculpted outside. Implied are the dichotomies between the inner and outer, between that which is hidden and that which is seen, between the esoteric and the exoteric, between the soul and the body. I continue to create “Metaphysical Pots” that feature water both inside and outside, becoming metaphorically both the Water of Life and the Infinite Ocean, symbolizing the continuous process between creation and transcendence. Other pieces include shapes that repeat in a pattern that follows the form of the vessel. It is a “bio-geometry” that leads the eye back to the inside of the vessel, a “Jacob’s Ladder” that leads not just up but in. Using sculptural techniques, I cut through the wall of the pot to get more depth and dynamic movement. I continue to push the limits of my medium, taking apart thrown vessels and reconfiguring them in new ways. Outcroppings 02, Repeating Geometric Ceramic Vessel...

Originally from the Northwest with a B.A. from Stanford University, I have painted, published illuminated books, and lived and traveled extensively in Asia. Now working primarily in ceramics, I draw images from the deep well of past experience, always starting from a strong “mind’s eye” vision. My ceramic pieces are as much about their inside as they are about their sculpted outside. Implied are the dichotomies between the inner and outer, between that which is hidden and that which is seen, between the esoteric and the exoteric, between the soul and the body. I continue to create “Metaphysical Pots” that feature water both inside and outside, becoming metaphorically both the Water of Life and the Infinite Ocean, symbolizing the continuous process between creation and transcendence. Other pieces include shapes that repeat in a pattern that follows the form of the vessel. It is a “bio-geometry” that leads the eye back to the inside of the vessel, a “Jacob’s Ladder” that leads not just up but in. Using sculptural techniques, I cut through the wall of the pot to get more depth and dynamic movement. I continue to push the limits of my medium, taking apart thrown vessels and reconfiguring them in new ways. Outcroppings 02, Repeating Geometric Ceramic Vessel...

Originally from the Northwest with a B.A. from Stanford University, I have painted, published illuminated books, and lived and traveled extensively in Asia. Now working primarily in...

Originally from the Northwest with a B.A. from Stanford University, I have painted, published illuminated books, and lived and traveled extensively in Asia. Now working primarily in ceramics, I draw images from the deep well of past experience, always starting from a strong “mind’s eye” vision. My ceramic pieces are as much about their inside as they are about their sculpted outside. Implied are the dichotomies between the inner and outer, between that which is hidden and that which is seen, between the esoteric and the exoteric, between the soul and the body. I continue to create “Metaphysical Pots” that feature water both inside and outside, becoming metaphorically both the Water of Life and the Infinite Ocean, symbolizing the continuous process between creation and transcendence. Other pieces include shapes that repeat in a pattern that follows the form of the vessel. It is a “bio-geometry” that leads the eye back to the inside...

The ceramic sculptures of SunKoo Yuh are composed of tight groupings of various forms including plants, animals, fish, and human figures. While Korean art, Buddhism, and Confucian beliefs inform some aspects of his imagery, implied narratives that often suggest socio-political critiques largely drive his work. Yuh is currently Associate Professor at the University of Georgia, Athens, GA. The Rubin Center has exhibited two monumental columns that showcase Yuh’s mastery of his complex narratives and the ceramic medium. Yuh’s work is included in the collections of the Renwick Gallery at the Smithsonian in Washington, DC, The Philadelphia Museum of Art and The Museum of Fine Arts Houston, among others. Honors and awards he has received include the Joan Mitchell Foundation Grant, the Grand Prize at the 2nd World Ceramic Biennale International Competition, Icheon, Korea, The Elizabeth R. Raphael Founder’s Prize, and the Virginia A. Groot Foundation Grant. Selected Public Collections Renwick Gallery of the National Museum of American Art Smithsonian Institution, Washington D.C. Icheon World Ceramic Center, Icheon, Korea The State Hermitage Museum, St. Petersburg, Russia Seoul Museum of Art, Seoul, Korea International Museum of Ceramic Art, Alfred, NY The Philadelphia Museum of Art, Philadelphia, PA The Museum of Fine Arts, Houston, Houston, TX Oakland Museum of Art, Oakland, CA State Foundation on Culture & the Arts, Honolulu, HI Pacific Asian Museum, Pasadena, CA Honolulu Contemporary Museum, Honolulu, HI Long Beach Museum of Art, Long Beach, CA Wright State University, Dayton, OH Kennedy Museum, Athens, OH Fuller Crafts Museum, Brockton, MA Museum of Art & Archeology, Columbia, MO Society for Contemporary Crafts, Pittsburgh, PA Macon Museum of Art & Science, Macon, GA Clayarch Gimhae Museum, Gimhae, Korea JINRO Cultural Center, Seoul, Korea Seoul Newspaper, Seoul, Korea "Be My Guest...

The ceramic sculptures of SunKoo Yuh are composed of tight groupings of various forms including plants, animals, fish, and human figures. While Korean art, Buddhism, and Confucian beliefs inform some aspects of his imagery, implied narratives that often suggest socio-political critiques largely drive his work. Yuh is currently Associate Professor at the University of Georgia, Athens, GA. The Rubin Center has exhibited two monumental columns that showcase Yuh’s mastery of his complex narratives and the ceramic medium. Yuh’s work is included in the collections of the Renwick Gallery at the Smithsonian in Washington, DC, The Philadelphia Museum of Art and The Museum of Fine Arts Houston, among others. Honors and awards he has received include the Joan Mitchell Foundation Grant, the Grand Prize at the 2nd World Ceramic Biennale International Competition, Icheon, Korea, The Elizabeth R. Raphael Founder’s Prize, and the Virginia A. Groot Foundation Grant. Selected Public Collections Renwick Gallery of the National Museum of American Art Smithsonian Institution, Washington D.C. Icheon World Ceramic Center, Icheon, Korea The State Hermitage Museum, St. Petersburg, Russia Seoul Museum of Art, Seoul, Korea International Museum of Ceramic Art, Alfred, NY The Philadelphia Museum of Art, Philadelphia, PA The Museum of Fine Arts, Houston, Houston, TX Oakland Museum of Art, Oakland, CA State Foundation on Culture & the Arts, Honolulu, HI Pacific Asian Museum, Pasadena, CA Honolulu Contemporary Museum, Honolulu, HI Long Beach Museum of Art, Long Beach, CA Wright State University, Dayton, OH Kennedy Museum, Athens, OH Fuller Crafts Museum, Brockton, MA Museum of Art & Archeology, Columbia, MO Society for Contemporary Crafts, Pittsburgh, PA Macon Museum of Art & Science, Macon, GA Clayarch Gimhae Museum, Gimhae, Korea JINRO Cultural Center, Seoul, Korea Seoul Newspaper, Seoul, Korea "Year of the Monkey...

Due to the current situation related to the Novel Coronavirus pandemic, our gallery will donate 10% of our commission from this sale to the Kansas City Artists Coalition, which has b...

Artist : Stephanie Lanter Title : "Attached" Materials : Porcelain, glaze, stoneware, wire, thread Date : 2020 Dimensions : 20" x 9" x 8.5" Description : Manually slip-trailed sculpture...

Sara Fine-Wilson's "Fold" is a gestural 20 x 9 x 8 inch ceramic sculpture in white and cream with accents of grey and blue. It is constructed out of white stoneware with porcelain...

Sara Fine-Wilsons ”Milky Jumble” is a gestural 12.5 x 10 x 8 inch ceramic sculpture in shades of brown, white and cream. In this powerful and evocative sculpture individual slab and ...

Sara Fine-Wilsons ”Jagged” is a gestural 16 x 9.5 x 6 inch ceramic sculpture in shades of brown, white and cream. In this powerful and evocative sculpture individual slab and pinched...

Due to the current situation related to the Novel Coronavirus pandemic, our gallery will donate 10% of our commission from this sale to the Kansas City Artists Coalition, which has b...