Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 3

Laurent Lamarche
Extraction 2

2022

About the Item

At first glance, the fields of art and science may seem like two incompatible subjects that exist on opposite sides of a spectrum, though historically speaking they have shared an intimate relationship. A famous example can be found in German biologist Ernst Haeckel’s book ‘Art Forms in Nature’, published around 1900, where his aims to combine scientific documentation with art become apparent. A similar fascination for such forms can be encountered in the artworks of Laurent Lamarche. In this exhibition Empreintes extrinsèques Lamarche continues to explore the connections between humans and nature inspired by research laboratories. In his new series of artworks, he focuses on the transformative potential found in object and being, concentrating on the material of wax. Through its malleability and flexibility, it evokes the idea of continuous information. Its nature is indexical, capturing the slightest trace and imprints of the most subtle textures. Following the idea of a laboratory, Laurent Lamarche experiments with the physical characteristics of wax and its oscillation between solidity and liquidity. Two main experiments are explored in this exhibition. The movement of water and understanding the invisible manifests itself in FUSE. Here Lamarche takes an interest in expressing the imperceptible laws of physics in a form perceivable to the eye by injecting molten wax into small cold pools of water. Immediately after making contact, the wax hardens and instantaneously forms its final shape. Due to being lighter than water, it captures the flow of the liquid and the textures it induces, thus making them visible. These forms resulting from an unpredictable process are then cast in aluminum, revealing the memory of water in motion. The second idea follows the capturing of the invisible via fossilization in formation, a continuation of the Fossile series. In Fragment, the notion of trace is formed through the transformational process of wax and the subtraction of matter. Though the liquid potential of the material isn’t the focus, but rather its characteristics in the solid state and its malleability when touched by heat. Once the engraving process is finished the result is cast in aluminum. The combination of the metallic character of the sculpture with the addition of patina gives the objects an atemporal quality, resulting in the evocation of the imagination trying to place it in past and future. The third axis of this artistic laboratory approaches working with aluminum in a different way. Moving away from transferring wax to metal, Lamarche works directly on the plate using different tools to play with the aluminum and therefore exposing its evocative power. The craters that are formed in the artworks of Canyon, together with their circular shape and shiny surface both awaken associations with the moon and inverted petri dishes. With his experimental works coming together under the umbrella of an imaginary research laboratory for art, Lamarche breaks down boundaries between the seemingly incompatible fields of art and science, revealing the important role of the artist as a researcher and experimenter and thus the connection to science.
  • Creator:
    Laurent Lamarche (1977, Canadian)
  • Creation Year:
    2022
  • Dimensions:
    Height: 55.5 in (140.97 cm)Width: 6 in (15.24 cm)Depth: 6 in (15.24 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    Montreal, CA
  • Reference Number:
    1stDibs: LU47611210422
More From This SellerView All
  • Pantie
    By Cal Lane
    Located in Montreal, Quebec
    Laughter, discomfort, perplexity: these are all plausible reactions to the work by sculptor Cal Lane. The artist’s most recent body of work is an affective assemblage of incongruous parts that, taken together, violate our mental patterns and expectations. Charged with contradictions, metaphor, sexual undertones, and unsettling associations, Lane’s unlikely combinations use absurdity as a way of pointing to western society’s normalized habits and conventions, often with an emphasis on gender and sexuality. For the exhibition Try Me, Lane installs a basketball court in the gallery. The two basketball hoops on opposing walls are embellished with silver-coated frames and lustrous mirrors, which serve as decorative backboards. In place of nets, women’s black lace underwear delicately hang from hoops. A decorative rug stenciled with court lines performs as the court floor. It is a mise-en-scène set in motion by viewer’s reconciliation of the individual parts to the whole, and to their original function. Panties regard themselves in the mirror or perhaps measure up their opponent, which, not without irony, is the mirror image of itself. Themes of gender and sexuality are performed and imagined in the upward voyeuristic gaze of the viewer and the expected swoosh of the ball into the net. This is further elaborated by phallic impressions formed by court lines and their likeness to a work of modernist abstraction—a movement wrought by notions of masculinity. The decorative rug’s connection to femininity and domesticity juxtaposes the rigid geometry. Lane further explores the historical gendering of technology, industry, and war in her series of wallpaper drawings, which depict war submarines on cloud patterned wallpaper. The innocence of the submarine in popular culture and its reality as a phallic war object...
    Category

    2010s Contemporary Abstract Sculptures

    Materials

    Metal

  • Hospitalité II
    By Karine Payette
    Located in Montreal, Quebec
    Karine Payette builds vast dreamlike settings from hyperrealistic, banal objects in order to produce something narrative that evokes the precariousness of the world. The artist plays...
    Category

    2010s Contemporary Figurative Sculptures

    Materials

    Stainless Steel

  • Pantie
    By Cal Lane
    Located in Montreal, Quebec
    Laughter, discomfort, perplexity: these are all plausible reactions to the work by sculptor Cal Lane. The artist’s most recent body of work is an affective assemblage of incongruous ...
    Category

    2010s Contemporary Figurative Sculptures

    Materials

    Metal

  • Pantie
    By Cal Lane
    Located in Montreal, Quebec
    Laughter, discomfort, perplexity: these are all plausible reactions to the work by sculptor Cal Lane. The artist’s most recent body of work is an affective assemblage of incongruous parts that, taken together, violate our mental patterns and expectations. Charged with contradictions, metaphor, sexual undertones, and unsettling associations, Lane’s unlikely combinations use absurdity as a way of pointing to western society’s normalized habits and conventions, often with an emphasis on gender and sexuality. For the exhibition Try Me, Lane installs a basketball court in the gallery. The two basketball hoops on opposing walls are embellished with silver-coated frames and lustrous mirrors, which serve as decorative backboards. In place of nets, women’s black lace underwear delicately hang from hoops. A decorative rug stenciled with court lines performs as the court floor. It is a mise-en-scène set in motion by viewer’s reconciliation of the individual parts to the whole, and to their original function. Panties regard themselves in the mirror or perhaps measure up their opponent, which, not without irony, is the mirror image of itself. Themes of gender and sexuality are performed and imagined in the upward voyeuristic gaze of the viewer and the expected swoosh of the ball into the net. This is further elaborated by phallic impressions formed by court lines and their likeness to a work of modernist abstraction—a movement wrought by notions of masculinity. The decorative rug’s connection to femininity and domesticity juxtaposes the rigid geometry. Lane further explores the historical gendering of technology, industry, and war in her series of wallpaper drawings, which depict war submarines on cloud patterned wallpaper. The innocence of the submarine in popular culture and its reality as a phallic war object...
    Category

    2010s Contemporary Abstract Sculptures

    Materials

    Metal

  • Pantie
    By Cal Lane
    Located in Montreal, Quebec
    Laughter, discomfort, perplexity: these are all plausible reactions to the work by sculptor Cal Lane. The artist’s most recent body of work is an affective assemblage of incongruous parts that, taken together, violate our mental patterns and expectations. Charged with contradictions, metaphor, sexual undertones, and unsettling associations, Lane’s unlikely combinations use absurdity as a way of pointing to western society’s normalized habits and conventions, often with an emphasis on gender and sexuality. For the exhibition Try Me, Lane installs a basketball court in the gallery. The two basketball hoops on opposing walls are embellished with silver-coated frames and lustrous mirrors, which serve as decorative backboards. In place of nets, women’s black lace underwear delicately hang from hoops. A decorative rug stenciled with court lines performs as the court floor. It is a mise-en-scène set in motion by viewer’s reconciliation of the individual parts to the whole, and to their original function. Panties regard themselves in the mirror or perhaps measure up their opponent, which, not without irony, is the mirror image of itself. Themes of gender and sexuality are performed and imagined in the upward voyeuristic gaze of the viewer and the expected swoosh of the ball into the net. This is further elaborated by phallic impressions formed by court lines and their likeness to a work of modernist abstraction—a movement wrought by notions of masculinity. The decorative rug’s connection to femininity and domesticity juxtaposes the rigid geometry. Lane further explores the historical gendering of technology, industry, and war in her series of wallpaper drawings, which depict war submarines on cloud patterned wallpaper. The innocence of the submarine in popular culture and its reality as a phallic war object...
    Category

    2010s Contemporary Figurative Sculptures

    Materials

    Metal

  • Challenger
    By Brandon Vickerd
    Located in Montreal, Quebec
    Challenger consists of a replica of the escape hatch from the NASA space shuttle installed as if it has fallen from the sky and flattened a Canada P...
    Category

    2010s Contemporary Figurative Sculptures

    Materials

    Steel

You May Also Like
  • Contemporary Hunting Dog Painted Iron Sculpture by José Jerónimo
    Located in Coimbra, PT
    Giraffe by JOSÉ JERÓNIMO single piece of art Iron sculpture with use of tools and other objects Measures: 81 x 41 x 15 cm. Private collection.
    Category

    Late 20th Century Contemporary Figurative Sculptures

    Materials

    Iron

  • Contemporary Giraffe Sculpture Iron & Mixed Media w use of tools & other objects
    Located in Coimbra, PT
    Giraffe by JOSÉ JERÓNIMO single piece of art Iron sculpture with use of tools and other objects Signed Measures: 81 x 41 x 15 cm. Private collection.
    Category

    Late 20th Century Contemporary Figurative Sculptures

    Materials

    Iron

  • Mercury by Zieta, Mounted Sculpture in Stainless Steel
    Located in Paris, FR
    Mercury Set of mirrors by Zieta Poetry of multiplication Diameter 150 cm x Depth 7 cm MERCURY is a reflecting installation of 89 air-inflated, bulging, stone-like structures formin...
    Category

    21st Century and Contemporary Contemporary Abstract Sculptures

    Materials

    Stainless Steel

  • Mercury 'Transitions' by Zieta, Mounted Sculpture in Stainless Steel
    Located in Paris, FR
    Mercury Transitions (Dark matter) Set of mirrors by Zieta Poetry of multiplication Diameter 150 cm x Depth 7 cm MERCURY is a reflecting installation of 89 air-inflated, bulging, s...
    Category

    21st Century and Contemporary Contemporary Abstract Sculptures

    Materials

    Stainless Steel

  • Bronze Sculpture Fruit Étrange One of Kind Made in France
    By Perrin & Perrin
    Located in Paris, FR
    Fruit Étrange One by Perrin & Perrin, Galerie Negropontes in Paris, France. Limited Edition, Bronze Sculpture Martine and Jacki Perrin have formed an inseparable artistic duo since ...
    Category

    21st Century and Contemporary Contemporary Abstract Sculptures

    Materials

    Bronze

  • Bronze Sculpture Echafaudage One of a Kind Made in France
    By Eric de Dormael
    Located in Paris, FR
    Echafaudage by Eric de Dormael, Galerie Negropontes in Paris, France. One of a kind sculpture in bronze Éric de Dormael is an unconventional artist, his trajectory far from the beat...
    Category

    21st Century and Contemporary Contemporary Abstract Sculptures

    Materials

    Bronze

Recently Viewed

View All