Lika Mutal

OPENING GRANITE

1986

Duality manifests in her work as she juxtaposes rough, jagged edges with smooth, polished surfaces, as well as with the physical structure of the work, has each of the pieces typical...

Painted wood wall sculpture

ADRIANA MARMOREK GRISAILLE FLOWER BUD, 2019 porcelain 7.87 x 5.51 x 5.71 in. 20 x 14 x 14.5 cm.

ADRIANA MARMOREK FLOWER TO BEE, 2019 porcelain, magnet 13.19 x 7.09 x 10.63 in. 33.5 x 18 x 27 cm.

wooden sculpture of found objects painted black. case with lid and hinges.

Porcelain egg inspired sculpture. From FLOWER TO BEE exhibition, Winter 2020. Included in the catalogue.

Influenced by the Pop Art movement, Erik Salin's figurative artistic approach diverts objects from their context creating wonderful eye catching art and scu...

Fantastic sculpture made entirely from nails. Presented on a solid slate base

KRIŠTOF KINTERA Neuropolis / In cities we are born and in cities we die, 2022 Mixed Media 80 x 71 x 23 cm 31 1/2 x 28 x 9 1/8 in

Artist: Jeanne Gentry Keck Title: Sculpture Series / Amazon and Me XVII Size: 6.5 x 6 x 6 Inches Medium: Mixed Media Year: 2020

Artist Nathaniel Covington constructs bold, colorfully sculpted papier-mâché monster masks and large, pop art creature paintings. His art pieces have simple lines, set against solid color backgrounds. For Nathaniel, the process starts with rough sketches on paper, wood, skateboards - just about anything he can draw on, allowing him the vision to finalize his art. The making of masks started about 3 years ago and he fell in love with the process. It’s an opportunity to bring to life all the “Creatures” and wildly funny things living in my head. He says, "I’d like the art pieces that I make to evoke some sort of emotion when they are seen.” He’s predominately influenced by 1969’s-1980’s “Creature Feature Films”, horror soundtracks, Sci-Fi magazines, plus a dash of Ed Roth.

Artist Nathaniel Covington constructs bold, colorfully sculpted papier-mâché monster masks and large, pop art creature paintings. His art pieces have simple lines, set against solid color backgrounds. For Nathaniel, the process starts with rough sketches on paper, wood, skateboards - just about anything he can draw on, allowing him the vision to finalize his art. The making of masks started about 3 years ago and he fell in love with the process. It’s an opportunity to bring to life all the “Creatures” and wildly funny things living in my head. He says, "I’d like the art pieces that I make to evoke some sort of emotion when they are seen.” He’s predominately influenced by 1969’s-1980’s “Creature Feature Films”, horror soundtracks, Sci-Fi magazines, plus a dash of Ed Roth.