Louise Pappageorge

BLACK DAHLIA

2022

"Clay connects me to the earth, the smell, the feel, the tactility of the material. I surrender to it and give it presence; it gives me form. Following its own frequency, clay dictat...

Louise Pappageorge's porcelain series imbue suggestions of flora, fauna, water eddies, bone, and aggregations of rock and soil are my reaction to the elemental residue of collective ...

Robert Winslow's 'Vessel" is carved from fine grain black Pennsylvania granite. Winslow's signature stonework is apparent in this finely polished granit...

Robert Winslow's 'Form' is a contemporary abstract sculpture ladened with Winslow's characteristic scratching between curved areas of smooth polished T...

Robert Winslow emerged as a recognized sculptor and painter in the late 1970’s. His paintings and sculptures are in the collections of many prominent corporations including McDonald...

Robert Winslow emerged as a recognized sculptor and painter in the late 1970’s. His paintings and sculptures are in the collections of many prominent corporations including McDonald...

Gold From the series, Elements, this sculpture references the proliferation of gold mines in third world countries. ARTIST'S STATEMENT Michael Davis My sculptures and installations...

April 13, 2016 Stoneware, slip and gold leaf

Hand-built ceramic, flashe, metallic foil, UV matte finish, 19.5" high x 10" wide x 5" deep. Black, gold, red, blue. COA available upon request

"RAKU RED AND WHITE", 2019, in wheel-formed white glaze with copper red blush, sprig, stamp, gold leaf and raku fired with kintsuji gold by artist Andrew Cornell Robinson, is one of a series of sculptural objects that include ceramic, glass and mixed media grottoes and containers. A project exploring the vessel form and notions of gratitude, plenty, poverty in material or humanity. Robinson has led artists to explore tableware as sculptural form – "Changing attitudes and emerging social behaviors in food preparation and the social and cultural rituals of eating have lead to changes in the way tableware is made and used." Andrew Cornell Robinson is an interdisciplinary artist working across media (ceramics, textiles, painting, prints, etc.). His work is influenced by collaborative craft communities, traditions, and the performative qualities of cultural production. The underlying ideas exploring identity, histories, rituals, and power in his work aim to create a space for intimate experiences and open narratives. He studied ceramic sculpture at the Glasgow School of Art and the Maryland Institute College of Art where he received a BFA. He was awarded an MFA from the School of Visual Arts, where he became interested in the intersection of memory, identity, politics, and power. He has been featured in many publications including Sculpture Magazine, Huffington Post, Hyperallergic, Art Info, et al. He has participated in curatorial and research projects and recently was a participating artist in Debtfair a project in the Whitney Biennial. Andrew has also worked on collaborations with designers such as Donna Karan’s Urban Zen project where his work in ceramics led to workshops with artisans in Haiti and the creation of a ceramic studio in Port-au-Prince. He is currently working with The Powerhouse Arts Workshop and their design team from the Pritzker-prize winning architecture firm Herzog & de Meuron in the design and development of a contemporary industrial fabrication center established to serve the working needs of artists in New York City. He is currently a member of the faculty at Parsons School of Design and Greenwich House Pottery in New York City. His work has been presented extensively throughout the world with the Anna Kustera Gallery, David & Schweitzer Contemporary, Christopher Stout...

“My work reflects on experiences of transformation, alchemy and the sublime, manifesting in sculptures that undulate between soft and hard, alive and static, real and imagined. Thes...

Francoise LeClerc is a sculptor working in ceramics and found objects. Often depicting horses, her work evokes themes of emergence and transformation, sensitivity and trust. Expressing both boldness and vulnerability, her work can be simultaneously vigorous and quiet. The reclaimed tool boxes and rusty parts bins (into which she mounts her sculptures) provide a tangible and metaphoric connection to the past. Together, they suggest a searching; a desire to reconstitute and understand experiences and histories that were not adequately explained. Her collections, forms and surfaces are influenced by David Ireland...