Manfredo Borsi

Abstract Composition

1965

Paper mache "Les Argonautes" Artist: JS. Ferlay Vallauris Workshop "Les Argonautes", Vallauris: Isabelle Ferlay (1917-?) And Frédérique Bourguet (1925-1997) Isabelle Ferlay and Frédérique Bourguet founded their ceramic workshop in Vallauris in 1953, which they named "Les Argonautes", in reference to the famous Greek epic. Isabelle studied painting at the Fine Arts school of Lyon in 1940, then she attended the Fine Arts in Marseille. Finally, she finished her artistic training in Montpellier, at the Fontcarade national school, where she learned ceramics. Françoise dit Frédérique Bourguet studied at the Beaux-Arts in Montpellier until 1945 and it was in Sèvres, in Françoise Bizette's studio, that she trained in the art of ceramics. She created her first workshop in Paris in 1945, which she shared with Valentine Schlegel until 1951. The two women ceramicists then practiced modeling technique. It was in 1953 that she met Isabelle Ferlay and together, they decided to set up a workshop in Vallauris. They produce shaped pieces, sometimes molded, made of earthenware, enamelled in bright colors. In the 1970s they made stoneware cooked over a wood fire. Some ceramists frequented their workshop, notably the very talented Jacques Innocenti and François Raty.

Ceramic from school of Vallauris

Ceramic Sculpture from Albisola, (Savona), Italy

Bronze, signed on the base

A painted ceramic sculpture in the shape of a woman's head. Cubist influences; coming from Vallauris, France. Artist unknown, not signed. An amazing piece.

Little sculpture by the south france sculptor Edmond Vernassa. Signed. Né à Nice, le 3 septembre 1926, Vernassa dessine et sculpte dès son plus jeune âge. Il obtient un CAP d’électr...

Maxine Kim Stussy, a prolific sculptor and painter from the late 1940’s to present. Maxine led an incredibly artistic life traveling the world with h...

Fritz Bultman set himself apart from other Abstract Expressionists with his meticulously organized abstract compositions, use of sculpture, and the adoption of collage as a core prac...

Fritz Bultman set himself apart from other Abstract Expressionists with his meticulously organized abstract compositions, use of sculpture, and the adoption of collage as a core prac...

Fritz Bultman set himself apart from other Abstract Expressionists with his meticulously organized abstract compositions, use of sculpture, and the adoption of collage as a core prac...

Mathias Goeritz (German Mexican, 1915-1990) Bronze sculpture Signed and numbered Dimensions: (approximate) Height: 10 inches, Width: 4 inches, Depth: 2 inches. This is a cast bronze sculpture in an amorphous figure shape, quite heavy. Reminiscent of the biomorphic sculpture of Hans Jean Arp. This came from an estate and bears his signature It is not dated. there is no accompanying documentation. it is priced accordingly. Werner Mathias Goeritz Brunner (Danzig, Germany, April 4th, 1915/ now Gdansk, Poland – Mexico City, Mexico; August 4th, 1990). Mathias Goeritz has had several gallery and museum exhibitions, including at the Museo Nacional Centro de Arte Reina Sofía and at the Museo Experimental El Eco. Numerous works by the artist have been sold at auction, including 'MENSAJE' sold at Sotheby's New York 'Latin American Modern Art' in 2015 for $466,000. There have been Several articles about Mathias Goeritz, including 'LACMA remaps Latin America' written by Suzanne Muchnic for the Los Angeles Times. Painter, sculptor and Mexican architect associated with the trend of constructive abstraction. He studied medicine at the University of Berlin, but this only lasted a year. The concerns of the young student were aesthetic in nature so he he studied figurative drawing at the Berlin Charlottenburg School of Art. Some of his friends and colleagues were the sculptor Ernst Barlach, painter George Grosz and draughtsman Kaethe Kollwitz. Goeritz studied philosophy and history of art, discipline in which earned a doctorate. He travelled in France, Switzerland, Czechoslovakia, Poland, Austria and Italy, among other countries. It is known that he left Germany to live in Tetuan, Morocco in 1941 and then Granada, Spain in 1945. In 1946 he had a large exhibition in the Sala Clan in Madrid under the pseudonym "Mago". Two years later, living in Santilla del Mar, Spain he was a founder of the Escuela de Altamira. The following year he married Marianne Gast, writer and his companion for more than fifteen years. In Spain followed his artistic work by important artists of the avant-garde. Of Jewish descent, he found refuge from the Second World War in Mexico where in 1949 he was invited by Ignacio Diaz Morales to be a part of the faculty of the School of Architecture at the Universidad de Jalisco. In 1953 he wrote the "Manifiesto de la Arquitectura Emocional" (The Emotional Architecture Manifesto), where he points out that only achieving true emotions from architecture can it then be considered an art form. In Mexico he entered controversy with the artistic stablishment of that country; in an open letter, Diego Rivera and David Alfaro Siqueiros described him as "an impostor without the most insignificant talent and preparation" to be an artist. Despite this, in 1957 he was elected director of visual design of the National School of architecture This same year he founded the Museo del Eco in Mexico City. In 1961 Goeritz participated at the Galería Antonio Souza in a group exhibition, Los hartos, for which he published another manifesto. Other participants included Jose Luis Cuevas and Pedro Friedeberg, with whom he was instrumental in establishing abstraction and other modern trends in Mexico.His work is included in the Gelman Collection of modern and contemporary Mexican art based in Cuernavaca, Mexico. Established by Jacques and Natasha Gelman in 1943 as a private collection. it includes many iconic works by major Mexican Modernists including Frida Kahlo, Diego Rivera, David Alfaro Siqueiros, Leonora Carrington, Rufino Tamayo and Francisco Toledo, Lola Alvarez...

This piece is an original hand-painted multiple stone sculpture created by Karel Appel in 1976. It was published by Editions Press of San Francisco. This piece is hand signed by th...