Rob Sieminski

Untitled Ceremonial Pot

1970s

Untitled Vessel (INV# NP3989) Charles Davis salt-fired stoneware 2012 signed

Michael Frimkess Large Frimkess Jar from the Instant Migration Series (INV# NP3747) stoneware, underglaze, glaze, and decal 28.5 x 8 x 8" 1977 signed ...

David Shaner Pillow (INV# NP3795) stoneware and glaze 5 x 11 x 11" circa 1980 signed *Featured in Ceramics Monthly magazine (2003 and 2009) DAVID SHANER (1934 – 2002) David Shan...

Michael Frimkess Cream Calabash (INV# NP3996) stoneware and glaze 8.5 x 5" date unknown provenance - The Nevica Project Magdalena Suarez Frimkess and Michael Frimkess began workin...

Untitled Wood-Fired Vessel (INV# NP3988) Charles Davis wood-fired stoneware and carbon-trapped glaze 2012 signed

David Shaner Pillow (INV# NP3159) stoneware and glaze 2.5 x 5.25 x 3" date unknown signed DAVID SHANER (1934 – 2002) David Shaner's illustrious career as a sculptor and a potter s...

"Untitled" is a stoneware piece with the decorative layer of the rich toned glazes and markings that John was so well-known for. Each piece that John produced was unique. The lip on this piece is slightly scalloped and the shape is removed from the boring circular to mimic a gentle geometric design. He was seduced by the effects of the reduction kiln, which decreased the levels of oxygen during firing, inducing the flame to pull oxygen out of the clay and glazes changing the colors of the glazes depending on their iron and copper content. In this way he achieved the rich gradients of ochre and umber and variations in stippling and opacity. This piece is signed and stamped on the bottom. John was an American Abstract Expressionist ceramicist born in Detroit, MI. Though open to artistic experimentation, Glick was most influenced by the styles and aesthetics of Asian pottery—an inspiration that shows in his use of decorative patterns and glaze choices. He has said that he is attracted to simplicity, as well as complexity: my work continually reflects my re-examination that these two poles can coexist… or not, in a given series. Glick also took influences from master potters of Japan, notably Shoji Hamada and Kanjrio Kawai, blending their gestural embellishments of simple forms with attitudes of Abstract Expressionism. He was particularly drown to the work of Helen Frankenthaler whose soak-stain style resonated with Glick’s multi-layered glaze surfaces, which juxtaposed veils of atmospheric color with gestural marks and pattern. He spent countless hours developing and making his own tools in order to achieve previously unseen results in his work with clay and glaze. Glick’s “Plum Tree Pottery...

Artist : Arnie Zimmerman Title : Platter Materials : Stoneware, glaze Date : 1982 Dimensions : 22.75" x 23.5" x 4.5" Description : Hand-signed and dated o...

Torbjorn Kvasbo (Torbjørn Kvasbø) House #12 - To My Ancestors Medium: Stoneware, Slab Built, Woodfired Year: 1991 Size: 7.5 x 20 x 8 inches Comes with ...

Torbjorn Kvasbo (Torbjørn Kvasbø) Untitled #5 Medium: Stoneware, Woodfired Year: 1994 Size: 23 x 17 x 10 inches Comes with original papers COA provided...

Jim Leedy Untitled Slab with Colored Tears (#891) Raku-Fired Stoneware 1989 Approx. 20 in in diameter COA provided Comes with original papers Ref.: #891 Ref...

Rachel Hubbard Kline Brown 10 Petal Plate Medium: Stoneware, underglaze, glaze Year: 2021 Size: 1 1/4" x 7 3/4" x 7 3/4" Description: Wheel-thrown plate wi...