Paul Jeffries

Untitled- Abstract Brutalist Sculpture

Circa 1975

This stunning Mid Century Modern welded bronze sculpture was realized by the esteemed 20th Century artist Tony Rosenthal circa 1965. Signed and dated by the artist (and with an inclu...

This sophisticated sculpture was realized from lymed French oak circa 1950. The perimeter of the piece consists of a mosaic of rectilinear blocks, while the interior rectangular pane...

This Modernist ceramic sculptures depicts an abstracted and cubist human form sitting cross legged with his back bent forward and arms outstretched. The sculpture, realized by Jaru o...

This striking shield was realized in Papua New Guinea towards the end of the 19th century. The rectangular form in unfinished nubuck hued hardwood has been inscribed with white curvi...

This striking shield was realized in Papua New Guinea, circa 1960. The rectangular form in unfinished nubuck hued hardwood has been inscribed with white curvilinear and geometric pat...

This striking mixed media work, entitled "Maya the Wonderful" was realized in the United States during the mid 20th Century. It offers an austere composition, whose effect is far gre...

John Garrett was raised in southern New Mexico by parents who were both educators. They instilled in him an appreciation for the handmade with their collections of Native American a...

Red and Aqua Wreath Drop Earrings are made from acrylic gemstones set in brass frames with sterling silver and fine silver ear components. Each ‘stone’ is hand cut, sanded, and polished to resemble her own version of gemstones that sparkle with holographic material. By utilizing multiple gauges of acrylic and brass these earrings are large, but lightweight and easy to wear. About the Artist: Nikki Couppee is originally from Pensacola Beach, Florida and currently resides in Oakland, California. She holds an MFA in Jewelry/ Metals from Kent State University in Kent, Ohio and a BFA in Jewelry/ Metals from the University of Georgia in Athens, Georgia. Her work examines the connection between adornment and social status. Using non-traditional materials such as acrylic, brass, holographic foil, and found objects, Couppee creates jewelry that appears opulent. By utilizing time-intensive processes, she further references the language of fine jewelry, with the intention of elevating the work. Using everyday materials, she is able to exaggerate the size and abundance of gems to parody class issues inherent in fine jewelry. Couppee's work has been featured in many publications including American Craft, Allure Australia, Marie Claire Australia, Metalsmith Magazine, Modern Magazine, Vogue Brazil, Daily Candy and Lark Book's 500 Enameled Objects. She exhibits her work globally through exhibitions, gallery representation, fairs and recent runway collaborations for Paris' Fashion Week and Australian Fashion Week with designers Romance was Born.

This unique piece by Margulis is from his latest body of works. After assembling the Plexiglas sheets onto the aluminium core, he uses acrylic paints to cover some the front of the s...

This unique piece by Margulis is from his latest body of works. After assembling the Plexiglas sheets onto the aluminium core, he uses acrylic paint to cover some the front of the sh...

This unique piece by Margulis is from his latest body of works. After assembling the Plexiglas sheets onto the aluminium core, he uses acrylic paints to cover some the front of the s...

This unique piece by Margulis is from his latest body of works and is a unique piece. After assembling the Plexiglas sheets onto the aluminium core, he uses acrylic paints to cover s...