Ron Arad

Before Summer 1992 - Polished Stainless Steel - Chair Sculpture - small edition

1992

An exquisite 2-piece movable black Belgian marble sculpture. "Black Sun is part of a playground series. The grooves represent areas where water flows and the larger openings are wh...

Davide Quayola (Italian, b. 1982) "Laocoon Fragment #8_005.003" 2016 Made of Iron, epoxy, fiberglass, mirror-polished steel & wood. Dimensions: 19.7 x 11 x 15.75 inches (50 x 28 x 40 cm) Base Plate Dimensions: .8 x 23.7 x 23.7 inches (2 x 60 x 60 cm) base From the signed and numbered edition of 3 "Quayola employs technology as a lens to explore the tensions and equilibriums between seemingly opposing forces: the real and artificial, figurative and abstract, old and new. Constructing immersive installations, he engages with and re-imagines canonical imagery through contemporary technology. Landscape painting, classical sculpture and iconography are some of the historical aesthetics that serve as a point of departure for Quayola’s hybrid compositions. His varied practice, all deriving from custom computer software, also includes audiovisual performance, immersive video installations, sculpture, and works on paper. His work has been performed and exhibited in many prestigious institutions worldwide including V&A Museum, London; Park Avenue Armory, New York; National Art Center, Tokyo; UCCA, Beijing; How Art Museum, Shanghai; SeMA, Seoul; Palais de Tokyo, Paris; Ars Electronica, Linz; Sonar Festival, Barcelona and Sundance Film Festival. Also a frequent collaborator on musical projects, Quayola has worked with composers, orchestras and musicians including London Contemporary Orchestra, National Orchestra of Bordeaux, Ensemble Intercontemporain, Vanessa Wagner, Jamie XX...

Steel on wood base Incised initials and date: "SG 5.7.57" This item is in our New York City warehouse and can be viewed by appointment.

“Mindful” 2017 A unique, surrealist sculpture made from fabricated steel, glass, cast concrete, yellow glass & paint. 28 h x 33 w x 14 d (inches) Signed Provenance: The collection of the artist Born in Jamaica, West Indies, and raised in Rochester, New York, Earl James...

“Grist” 2017 Fabricated wood, steel, reclaimed wheels, paint 47 h X 31 w X 35 d (inches) Signed Provenance: The collection of the artist Born in Jamaica, West Indies, and raised in Rochester, New York, Earl James...

'Taking up space' / 'safeguard' is a wonderful hanging, red, abstract sculpture by South African artist, Hannah Macfarlane. It was made in 2023 of Merino wool and stuffing. This uniq...

This sculpture of a pair of Dancing Cranes by Lyle London explores a unique translation of the Japanese art of folded paper into a metal sculpture. Th...

This sculpture is made with 316L stainless steel by Lutfi Romhein. A 2 mm-thick stainless steel sheet was cut, folded, welded at some joint points, with a polished and sanded finish...

Edmondo Cirillo is an Italian sculptor (Born 1931). His art works represent a modern and architectural world vision. His art language is stronge and d...

Exquisite nature leaf stainless steel wall sculpture, referencing the patterns found in maple leafs. The work is different from every angle and reflects the colors and light of the o...

Beautiful table top sculpture by renowned Israeli sculptor Menashe Kadishman. Super quality, and visually stunning. it is signed and numbered and dedicated Janet love george Menashe Kadishman was born in Tel-Aviv in 1932. He is a Graduate of St. Martin's School of Art, University of London. From 1947 to 1950, Kadishman studied with the Israeli sculptor Moshe Sternschuss at the Avni Institute of Art and Design in Tel Aviv, and in 1954 with the Israeli sculptor Rudi Lehmann in Jerusalem. In 1959, he moved to London, where he remained until 1972. He had his first one-man show there in 1965 at the Grosvenor Gallery. His sculptures of the 1960s were Minimalist in style and so designed as to appear to defy gravity. This was achieved either through careful balance and construction, as in Suspense (1966), or by using glass and metal so that the metal appeared unsupported, as in Segments (1968). In 1995, he began painting portraits of sheep. These instantly-recognizable sheep portraits...

There is a certain beauty in imperfection. This is because there is nothing more human than flaws. Our life itself is chaotic and messy, just like this piece: it breaks and twists, c...