Steven Young Lee

Vase with Lotus Pattern

2015

Perry Haas is a ceramic artist making functional pottery and focusing on wood-firing techniques. Drawing from a love for the wood-fired ceramic surface, Perry looks to anticipate the...

“My work reflects on experiences of transformation, alchemy and the sublime, manifesting in sculptures that undulate between soft and hard, alive and static, real and imagined. These works shape-shift, oscillating between abstraction, flora, fauna and mineral. This has the effect of compressing time, with elements frozen in mid-transformation. This dislocation reflects on mortality and ephemerality, exploring the space in between stages in our lives as well as embracing fantasies of alternative dimensions as a means of escapism.” - Artist Statement Sasha Koozel Reibstein...

“My work reflects on experiences of transformation, alchemy and the sublime, manifesting in sculptures that undulate between soft and hard, alive and static, real and imagined. These works shape-shift, oscillating between abstraction, flora, fauna and mineral. This has the effect of compressing time, with elements frozen in mid-transformation. This dislocation reflects on mortality and ephemerality, exploring the space in between stages in our lives as well as embracing fantasies of alternative dimensions as a means of escapism.” - Artist Statement Sasha Koozel Reibstein...

Born in Detroit, Steven Montgomery’s work revels in a history of industry and aging as the artist uses porcelain to produce intricate mechanical forms with the appearance of metal. H...

Since graduating from the University of Colorado in 2010, Pichaske has risen to attention in the art world. She was an assistant to artist Cristina Cordova...

Jeremy R. Brooks was born in Detroit, MI in 1979. He received his BFA from Grand Valley State University & MFA from Alfred University. Jeremy has balanced his career between working as an artist & teaching. Some of his honors include receiving the emerging artist award from the National Council on Education for the Ceramic Arts (NCECA), being selected as a guest of honor at the XXIst International Biennial of Vallauris, France, & being selected as a finalist for the 2017 Elizabeth R. Raphael Founder’s Prize. Jeremy is currently an Assistant Professor of Ceramics at Coastal Carolina University and resides in Conway, SC. "Crocheted Porcelain Tea Cup...

Diptych. Lukas Ulmi’s work unveils the hidden beauty of shapes taking stones, seemingly static forms, incomplete or meaningless objects and turning them into authentic sculptures wh...

Lukas Ulmi’s work unveils the hidden beauty of shapes taking stones, seemingly static forms, incomplete or meaningless objects and turning them into authent...

Sculpture SC1202-03 (yellow) is a contemporary modern abstract geometric object sculpture by Dutch visual artist Let de Kok. This sculpture consists of three ceramic elements and bot...

FOR THE OLD ONES, a ceramic sculpture of high-fired clay pigmented with oxides, sitting on a slab of limestone. It is a recent work by artist Harold Wortsman. Note the blending of volumetric and organic form in this work, the mark-making and perforations on the surface, the striking colors of black and copper in variable stripes – it is characteristic of his practice – warm, contemporary, uniquely crafted, yet speaks to ancient, primitive traditions of art-making that cross cultures and histories. Highly attuned to the art of Africa, the Middle East, India and Asia, his forms are organic abstracts with masculine and feminine attributes that resonate together as a pleasing enigma. They make sense immediately, yet never give up all their secrets. From Harold Wortsman – "With sculpture, my material of choice is high-fired clay. Pieces are first low-fired in an electric kiln. I do not use glazes. Instead, I use oxides applied to the bisqued (low-fired) clay. As with a tattoo, oxides permit the surface underneath to breathe—like naked skin. The work is then high-fired in a gas kiln with double reduction to cone 10. The final temperature is 2,300 degrees F. At a certain point, oxygen intake is reduced to the kiln. Because the fire has reached a critical mass, it needs oxygen and chemically takes it from the clay and the oxides painted on. Like a jazz improvisation, each kiln load comes out slightly different." From Jonathan Goodman, Poet & Art Critic – "Wortsman re-examines ancient and modern traditions in light of what it means to make art." – Tussle Magazine, July 2019. Harold Wortsman is a sculptor and printmaker based in Brooklyn, NY. He “creates forms that bring to mind archaic cult objects and exude a quiet concentrated strength.” (Argauer Zeitung, Switzerland). His work, an edgy mix of freedom and clarity, can be found in public and private collections in the US, including The Library of Congress, Yale University, The New York Public Library Print Collection, The New York Historical Society, Smith College, Indiana University’s Lilly Library, Brandeis University, The Newark Public Library Special Collections Division, and the Jane Voorhees Zimmerli Art Museum Print Archive. Also in private and public collections in Europe, including the Municipal Collection of the City of Brugg, Switzerland. Harold studied at the New York Studio School of Drawing, Painting and Sculpture, with sculptor George Spaventa...

5 Silver glossy ceramic balloon sculptures - a balloon for life and an art collectors piece. Its Vivid glossy color enhances sophisticated and cheerful space environment. handmade in the picturesque village Arsuf in Israel the balloon creates tension betwen ligtht vs. heavy, temporary vs. enterninty, fragilie vs. solid and more. The baloons can be installed individually as one balloon or in different combinations creating a unique installation for every space and making it an art tool for designers and architects as well as home owners. Harmony and grandeur characterize the work of Reli Smith and Osnat Yaffe...

Signed and dated. Nils Erichsen Martin's ceramics has a distinct style. He takes on a scientific approach with his artwork, researching into the different aspects of how form is per...