Zheng Lu

Insubstantiality No. 2

2017

Zheng Lu Silver River, 2023 Stainless steel Edition 1 of 3 47¼ x 27½ x 19¾ in. 120 x 70 x 50 cm ZL090.1 The gravity-defying sculptural works of Zheng Lu (b. 1978) are installed in p...

Drive 8, 2022 Mixed media on canvas 33 x 36 inches 83.82 x 91.44 cm Udo Nöger creates luminous monochrome paintings that capture light, movement and energy expressed in highly minim...

Drive 6, 2022 Mixed media on canvas 36 x 33 inches 91.4 x 83.8 cm Udo Nöger creates luminous monochrome paintings that capture light, movement and energy expressed in highly minimal...

Drive 4, 2022 Mixed media on canvas 33 x 36 inches 83.8 x 91.4 cm Udo Nöger creates luminous monochrome paintings that capture light, movement and energy expressed in highly minimal...

Innere Zeit 29, 2021 Mixed media on canvas 24 x 27 inches 60.96 x 68.58 cm Udo Nöger creates luminous monochrome paintings that capture light, movement and energy expressed in highl...

But there is Day and Night 1, 2019 Mixed media on canvas 61 x 192 inches 155 x 488 cm Udo Nöger creates luminous monochrome paintings that capture light, movement and energy express...

Pohlman and Knowles began their collaboration in 1992. They use a variety of materials in their rich assemblages, including hot-sculpted glass, various metal works, found objects and beads, achieving a fine sense of formal balance. Three notable research field trips...

Pohlman and Knowles began their collaboration in 1992. They use a variety of materials in their rich assemblages, including hot-sculpted glass, various metal works, found objects and beads, achieving a fine sense of formal balance. Three notable research field trips...

Jeremy Lepisto’s Crate Series represents: “goods that are unorderable, unreceivable or undeliverable.” The first way Lepisto accomplishes this is to ma...

Jamie Harris straddles the disciplines of painting and glass blowing approaching his work, “more from a painterly perspective than as a traditional glassblower.” His work is primarily about something simple: ”loud splashes of color, capturing the innate way glass transmits, reflects, and absorbs color.” The viewer often witnesses this sensitivity through a number of techniques and forms that Harris has mastered: “from the strictness of my blown work to the organic looseness of my fused panels,” he uses color systems and theory to develop his forms. Yet the other critical layer to Harris’s work is expressive and visceral. The colors are intended to imprint an immediate emotion on the viewer’s experience of his objects as a very direct experience of color. Harris also straddles divergent historical epoch’s: “I merge a classic Venetian sensibility with a modernist approach.” blending the look of Murano glass with Twentieth Century modernism as typified by the Bauhaus, Harris hybridizes the functionality of vessel and the aesthetics of sculpture. Jamie Harris also teaches at UrbanGlass, in Brooklyn, NY. He has studied at the most prestigious glass studios in America: The Pilchuck Glass School, the Rhode Island School of Design, the Penland School off Crafts, the Haystack School, and the Corning Museum of Glass and Tiffany & Co. Selected Collections Sergey Brin, Palo Alto, California Mobile Museum of Art, Mobile, Alabama Museum of American Glass, Millville, New Jersey Brooklyn Borough President Marty Markowitz, Brooklyn, NY "Threaded Infusion Block in Gold, Purple and Red", Blown and Kiln Cast Glass

John Garrett was raised in southern New Mexico by parents who were both educators. They instilled in him an appreciation for the handmade with their collections of Native American a...

'We surround ourselves with elements from nature in the form of manicured lawns, sculpted trees, and our domesticated companions. We bend the natural world to our tastes and create a...