Amazon School, Alastair Gibson, Sculpture, Affordable art, Animal Sculpture

2017

Goblets IX is a signed original wall sculpture made from sweet wrappers by Joanne Tinker of a selection of colourful wine goblets on a black shelved frame. Additional information: G...

Sculpture – ‘Cloud Formation’ by Rick Kirby. Large wall mounted face sculpture made of welded stainless steel coins. Available in other materials an...

This piece is inspired by my glaze test vessels. As a potter, I am always staggered by how different the same/similar glaze turns out on different clay bodies when it has been fired....

Lost boy ,Limited edition bronze figure of a boy, 1/25, mounted on alabaster, by Alison Bell, 2019. H:48cm W:15cm Alison Bell's figurative sculpture captures those innocent childho...

Marauder- bronze sculpture on ancaster by Alison Bell. She says “I’m drawn to the times when we lived and played in our own imagination, unobserved, scaling fortresses & standing on ...

Whirling by Alison Bell [2021] original Bronze on Ancaster Image size: H:49.6 cm x W:16 cm Complete Size of Unframed Work: H:49.5 cm x W:16 cm x D:20cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look Whirling - Bronze sculpture on ancaster by Alison Bell. She says “I’m drawn to the times when we lived and played in our own imagination, unobserved, scaling fortresses & standing on the ramparts as kings of the castle. Or sometimes just quietly inventing our own worlds.” 49.5cm x 16cm x 20 cm. Artist Bio: Alison Bell's figurative sculpture captures those innocent childhood moments. Alison Bell has been selling with Wychwood Art Gallery for a number of years and we stock all of her works. Alison Bell sculptor comments "I try to make work that touches the free spirit in us, most often through memories of childhood. I’m drawn to the times when we lived and played in our own imagination, unobserved, scaling fortresses & standing on the ramparts as kings of the castle just quietly inventing our own worlds." "My work is essentially figurative and rooted in my early practice as a portrait sculptor. While the truth of the figure is important to me, my aim is to evoke the moment - the energy, the glee, our curiosity, the tenderness in our hearts." "I work freely & quickly in wax, observing & remembering, and then refine each piece before casting in bronze." "I spent a year at Glasgow School of Art & have a degree in Modern History and Politics from the University of Glasgow. My training came from my time at the Glasgow Sculpture...

"Saint Vitus Architeuthis Manalishi with the Seven Tentacle Crown" by Hunter Stabler is an original ink and graphite on hand-cut paper layered piece mounted to plexiglass. The piece ships in the pictured wood frame and measures 44"h x 44"w. Hunter Stabler was born in Jefferson City, Missouri and was raised in upstate South Carolina. He received a BFA in painting from The Maryland Institute, College of Art and an MFA in painting from the University of Pennsylvania. He is currently pursuing an MFA in Digital Art at Louisiana State University. His work has been widely exhibited across the United States and internationally including exhibitions at the Morbid Anatomy Museum in Brooklyn, NY, The Shelburne Art Museum in Shelburne, VT, the Hunterdon Art Museum in Clinton, NJ, and the Islip Art Museum in East Islip, NY. His hand-cut paper artwork has been published in the books High Touch: Tactile Design and Visual Explorations, Push Paper, Strangers in the Nest (a book of Poems by Anselm Berrigan, Letterpress printed with images accompanying each poem), and published in Laminate Magazine, First Look Magazine, and American Craft Magazine. He was named “Philadelphia’s Next Hot Artist...

Nicholas Crombach is interested in the complex interactions between humans and animals. Using sporting and hunting as markers of longstanding traditions of both adversarial and collaborative relationships between humans and animals, Crombach examines the cultural significance and the complex issues percolating domestication and domination, play and survival in the 21st century. Crombach combines references to mythology via a striking aesthetic, creating works which revel in their contradictions and contrasts. Notably, the artist draws from the myth of Diana and Actaeon, which provides a poignant framework for this new series. In Ovid’s tale Actaeon, a hunter and grandson of King Cadmus, is in the forest with his dogs when he spies Artemis (Diana), the venerated goddess of the hunt, in her bath attended by her nymphs. Diana’s nymphs try to cover her modesty as the goddess feels violated by Actaoen’s brash curiosity. Diana splashes water upon Actaeon, robbing him from his ability to speak and turning him from a mortal man into a stag who flees into the forest only to be hunted down and killed by his own dogs. The hunter becomes the hunted. Crombach’s Fetch (2018) refers to the mythology of Diana and Actaeon in its last tragic hour, but the classical story of metamorphoses is presented as a game of fetch in the local park. Crombach creates a hybrid between the art historical imagery from paintings of hounds...

The figure has always been Deborah Ballard’s muse in her sculptures. Ballard works in bronze, cast stone, and plaster; her figures ranging from life-size to hand-size. Ballard says, ...

Through his impactful self-portrait in thoughtfully ornamented ceramic, makes an uncomfortable connection between the slavery of the past and the slavery of today: overconsumption, a...

edition 03/25 Manny Woodward makes beautiful, soulful, subtle, pieces of art. Her pieces do not rely on superficially attractive subject matter. They are more concerned with the sub...

ed. of 25 Manny Woodward makes beautiful, soulful, subtle, pieces of art. Her pieces do not rely on superficially attractive subject matter. They are more concerned with the subtle ...