Bonnie Seeman

"Fancy Spout Teapot with Tray", Surrealist Porcelain Sculpture with Glass Detail

2013

Bonnie Seeman grew up in Miami, Florida with a propensity towards anatomy illustration and the dazzling colors and rich foliage of the Miami landscape. Developing her technique with...

Bonnie Seeman grew up in Miami, Florida with a propensity towards anatomy illustration and the dazzling colors and rich foliage of the Miami landscape. Developing her technique with porcelain and glass, Seeman channeled her inspirations; resulting in vessels that are both beautiful and macabre. Combinations of muscular and skeletal anatomy and plant forms are the makeup of these sculptural utilitarian vessels. Instead of dwelling on dying, Seeman’s palpable forms culminate in an acute awareness and awe toward life, renewal, nature, and vitality. Shortly after completing her master’s degree in Fine Arts, Seeman was recognized by Galeria OMR in Mexico City, a gallery known for its cutting-edge artists. In effect, Seeman’s porcelain was taken out of the craft context and placed in exhibitions such as ARCO in Madrid, FIAC in Paris, and Art Basel. She shows extensively throughout the United States and was recipient of the Louis Comfort Tiffany Foundation 2005 Biennial Competition Award. Selected Collections Metropolitan Museum of Art, New York, NY Sadberk Hanim Museum, Koc Family Collection, Istanbul, Turkey World Ceramic Exposition Foundation, Icheon, Korea Racine Art Museum, Racine, WI The Carnegie Museum of Art, Pittsburg, PA Corsaw Collection of Functional Ceramics, The Scein-Joseph International Museum of Ceramic Art, New York State College of Ceramics at Alfred University, Alfred, NY Minnesota Museum of American Art, Minneapolis, MN Mint Museum of Craft and Design, Alan Chassanoff Collection, Charlotte, NC Lamar Dodd Art Center, La Grange College, La Grange, GA Albertson College, Caldwell, ID Lowe Art Museum, Palley Collection, University of Miami...

Bonnie Seeman grew up in Miami, Florida with a propensity towards anatomy illustration and the dazzling colors and rich foliage of the Miami landscape. Developing her technique with porcelain and glass, Seeman channeled her inspirations; resulting in vessels that are both beautiful and macabre. Combinations of muscular and skeletal anatomy and plant forms are the makeup of these sculptural utilitarian vessels. Instead of dwelling on dying, Seeman’s palpable forms culminate in an acute awareness and awe toward life, renewal, nature, and vitality. Shortly after completing her master’s degree in Fine Arts, Seeman was recognized by Galeria OMR in Mexico City, a gallery known for its cutting-edge artists. In effect, Seeman’s porcelain was taken out of the craft context and placed in exhibitions such as ARCO in Madrid, FIAC in Paris, and Art Basel. She shows extensively throughout the United States and was recipient of the Louis Comfort Tiffany Foundation 2005 Biennial Competition Award. Selected Collections Metropolitan Museum of Art, New York, NY Sadberk Hanim Museum, Koc Family Collection, Istanbul, Turkey World Ceramic Exposition Foundation, Icheon, Korea Racine Art Museum, Racine, WI The Carnegie Museum of Art, Pittsburg, PA Corsaw Collection of Functional Ceramics, The Scein-Joseph International Museum of Ceramic Art, New York State College of Ceramics at Alfred University, Alfred, NY Minnesota Museum of American Art, Minneapolis, MN Mint Museum of Craft and Design, Alan Chassanoff Collection, Charlotte, NC Lamar Dodd Art Center, La Grange College, La Grange, GA Albertson College, Caldwell, ID Lowe Art Museum, Palley Collection, University of Miami...

Within Reach by Beverly Mayeri is a wonderful wall mounted ceramic sculpture that also contains hand painted surface illustration. The multi-faceted aesthetic experience creates an ...

Within Reach by Beverly Mayeri is a wonderful wall mounted ceramic sculpture that also contains hand painted surface illustration. The multi-faceted aesthetic experience creates an ...

The ceramic sculptures of SunKoo Yuh are composed of tight groupings of various forms including plants, animals, fish, and human figures. While Korean art, Buddhism, and Confucian beliefs inform some aspects of his imagery, implied narratives that often suggest socio-political critiques largely drive his work. Yuh is currently Associate Professor at the University of Georgia, Athens, GA. The Rubin Center has exhibited two monumental columns that showcase Yuh’s mastery of his complex narratives and the ceramic medium. Yuh’s work is included in the collections of the Renwick Gallery at the Smithsonian in Washington, DC, The Philadelphia Museum of Art and The Museum of Fine Arts Houston, among others. Honors and awards he has received include the Joan Mitchell Foundation Grant, the Grand Prize at the 2nd World Ceramic Biennale International Competition, Icheon, Korea, The Elizabeth R. Raphael Founder’s Prize, and the Virginia A. Groot Foundation Grant. Selected Public Collections Renwick Gallery of the National Museum of American Art Smithsonian Institution, Washington D.C. Icheon World Ceramic Center, Icheon, Korea The State Hermitage Museum, St. Petersburg, Russia Seoul Museum of Art, Seoul, Korea International Museum of Ceramic Art, Alfred, NY The Philadelphia Museum of Art, Philadelphia, PA The Museum of Fine Arts, Houston, Houston, TX Oakland Museum of Art, Oakland, CA State Foundation on Culture & the Arts, Honolulu, HI Pacific Asian Museum, Pasadena, CA Honolulu Contemporary Museum, Honolulu, HI Long Beach Museum of Art, Long Beach, CA Wright State University, Dayton, OH Kennedy Museum, Athens, OH Fuller Crafts Museum, Brockton, MA Museum of Art & Archeology, Columbia, MO Society for Contemporary Crafts, Pittsburgh, PA Macon Museum of Art & Science, Macon, GA Clayarch Gimhae Museum, Gimhae, Korea JINRO Cultural Center, Seoul, Korea Seoul Newspaper, Seoul, Korea "Year of the Monkey...

I love this extraordinary American surrealist piece - a collage/montage, an assembly of objects in a velvet-clad box/frame - for a number of reasons reasons. I love the fact that it depicts pipes, among the most iconic images of the surrealist movement, rooted in Magritte’s famous 1929 painting which depicts a pipe accompanied by the caption “Ceci n'est pas une pipe” (This is not a pipe). Marcel Duchamp loved using pipes...

"Superbloom" is made with acrylic, oil pastel, paper, glitter, thread and clay on canvas and paper mache. This bright and vividly colored sculptural painting is a perfect example of the power of unrestrained creativity. INSPIRATION BEHIND THE WORK - What began as an experiment in creating rose petals slowly evolved into this deconstructed "Superbloom". At the center of these petals is a seemingly chaotic arrangement of color and texture. Yet, from slow observation, patterns and repetition emerge. What can be easily grouped into a "whole" is actually a balancing act of orchestrated parts - the same as every living organism we observe. There is a mystery to be savored in every act of living - as well as in viewing the traces of life left behind. "Superbloom" was made in love of the former, and leaves behind the latter. We'll never fully understand all the bits of a rose, or all the brushstrokes of a painting, but we're always welcome to bask in the sunshine that is loving without knowing. ABOUT THE ARTIST: Los Angeles based artist, Megan Dune...

This abstract surrealist artwork is a collage composed of a mix of clay, charcoal, epoxy resin, ink on canvas. Artwork has a steel frame. Paint does flow onto frame in some places. M...

This pieces has a steel frame

Philanthropic Device is a choice to be made, to give or better to be open to receive, lingering at the point of conveyance. A relationship between here and there and ribbons arrayed ...

I Burnt My hand On a Hot Cake Morning Light through the aging blinds of indecision, together, moving, catching up to the sounds of the opening day.