Andrey and Aleksey Kulibin

Atlas XXI, The Epoch series

2020

The text you see on Medusa XXI’s canvas was taken from real newsfeeds of BBC, CNN and other major media. The series is limited to a total of 21 artworks, and in every new copy of Med...

Black Mirror elements in Zeus XXI are also used in other artwork of The Epoch series (David XXI, Zeus XXI, Atlas XXI, Medusa XXI, Demeter XXI and Afrodita XXI). Black Mirror is a ref...

In ancient Greek mythology, Demeter was the goddess of fertility and agriculture, who protected all living beings on Earth and embodied good crops and well-being. Demeter’s influence...

In the Cult series, the key plot is the clash of two human paradigms. On one side - conscious and independent Human, with unlimited potential for development and evolution, on the ot...

In the Cult series, the key plot is the clash of two human paradigms. On one side - conscious and independent Human, with unlimited potential for development and evolution, on the ot...

In the Cult series, the key plot is the clash of two human paradigms. On one side - conscious and independent Human, with unlimited potential for development and evolution, on the ot...

ABOUT THE ARTIST - Aaron Sheppard was born in 1976, York, Nebraska, He lives and works in Joshua Tree, California. "Fragmenting static ideas of sexuality and gender identity, he use...

Laughter, discomfort, perplexity: these are all plausible reactions to the work by sculptor Cal Lane. The artist’s most recent body of work is an affective assemblage of incongruous parts that, taken together, violate our mental patterns and expectations. Charged with contradictions, metaphor, sexual undertones, and unsettling associations, Lane’s unlikely combinations use absurdity as a way of pointing to western society’s normalized habits and conventions, often with an emphasis on gender and sexuality. For the exhibition Try Me, Lane installs a basketball court in the gallery. The two basketball hoops on opposing walls are embellished with silver-coated frames and lustrous mirrors, which serve as decorative backboards. In place of nets, women’s black lace underwear delicately hang from hoops. A decorative rug stenciled with court lines performs as the court floor. It is a mise-en-scène set in motion by viewer’s reconciliation of the individual parts to the whole, and to their original function. Panties regard themselves in the mirror or perhaps measure up their opponent, which, not without irony, is the mirror image of itself. Themes of gender and sexuality are performed and imagined in the upward voyeuristic gaze of the viewer and the expected swoosh of the ball into the net. This is further elaborated by phallic impressions formed by court lines and their likeness to a work of modernist abstraction—a movement wrought by notions of masculinity. The decorative rug’s connection to femininity and domesticity juxtaposes the rigid geometry. Lane further explores the historical gendering of technology, industry, and war in her series of wallpaper drawings, which depict war submarines on cloud patterned wallpaper. The innocence of the submarine in popular culture and its reality as a phallic war object...

An original work by Noche Crist (1909- 2004). Titled "Femme Fatale" and signed on reverse. Wonderful work made with cut wood, paint and plaster. Catalogue of an exhibition in 2008 ...

Important one of a kind work by Noche Crist (1909 - 2004). Shaped painting titled " Flower Caryatid", acrylic paint, wood, plaster and mirror. Noche ...

Imposing and very large scale mixed media 'assemblage' by French artist Armand Avril. The work includes the French tricolour flag colours, his symbolic cat sculptures and a highly colourful geometric image of the artist's mother sitting in a chair. The work is signed and dated to the reverse and comes with a certificate of authenticity from the gallery. This montage fully demonstrates Avril's geometric period whilst also expressing the humour and joy that he puts into all his work. A very strong sculptural image and a feast for the eyes in searching for and recognising the everyday objects used in making this piece come alive. This montage is made from wood pieces, plywood, oil paint, acrylic, bottle top and nails . The more sculpted areas of the piece stand out up to 3cm from the frame. Armand Avril was born in 1926 in Lyon. His father, Marcel Avril was a painter and collector of African art. At 16 Armand became an apprentice shepherd in Provence. Avril could always be seen equipped with a sketchbook and a book on the history of art whilst tending his flock. It was not until the age of 30, in 1956, that Armand embarked on painting as an autodidact, influenced by Raoul Dufy, Pierre Bonnard, Henri Matisse and the Lyonnaise School of Painting. He exhibited for the first time in 1957. In 1960, he left for a one-year trip to Africa. There he met the painter Jean Arène who introduced him to the village of Cotignac in the Var and to Louis Pons...

Every artwork is hand-made and supported with a certificate of authenticity. Made in Spain, 2024. Package: protected cardboard box. Dispatching terms: 2-3 working days. Location and ...