Arthur Waagen

A 19th century bronze sculpture of an Irish Wolfhound dog

circa 1865

19th century bronze group of a standing and sitting hare by French animalier sculptor Alfred Dubucand (1823-1894). Finely detailed bronze with good dark brown patination. Signature '...

A late 19th century bronze of a hound, seated on a naturalistic base, after Prince Paul Troubetzkoy. Incised to base 'Paolo Troubetzkoy 1893', with a dark brown patina. Born in 1866...

A large late 19th century bronze figure of a recumbent greyhound after French animalier sculptor Christophe Fratin (1801-1864), with a warm brown patina on a rouge griotte marble base. Signed 'FRATIN' on collar. Bronze length: 37cm Base length: 41cm Bronze height: 18cm Total height: 22cm Christophe Fratin was born in Metz in France in 1801. He first studied sculpture under Pioche in Metz under whom he honed his technical skills. He then became a pupil of the painter Theodore Gericault in Paris where he pursued his career as a sculptor. Fratin first exhibited at the Paris Salon as early as 1831, where he showed ‘Fermer – An English Thoroughbred’. The popularity of Fratin’s sculpture in England had a significant impact on his career. His modelling style reflected his imaginative mind and sense of humour, particularly in his humorous modelling of bears. Fratin was asked to sculpt life-size monuments for French cities, including his home town of Metz. At the Great Exhibition of 1851 in London he was considered the greatest animalier sculptor of the day. Fratin’s bronzes...

Italian greyhound in bronze ‘Levrier a L’Eventail’ with black patination by French sculptor Pierre-Jules Mêne (1810-1879). The dog, facing right with an open fan lying on the carpet...

A 19th century 'Grand Tour' bronze figure of the Dancing Faun, standing on a bronze square plinth. The faun balances on his toes and pivots, his horned head raised, his hair wreathe...

A pair of carved oak angels, circa 1700, with a lovely warm patina and faint traces of polychrome to the face and gilding to the body. The angels are both kn...

Sinosaurusopterx Prima

The Nautilus shell is an excellent example of mathematics inherent within lifeforms of the natural world. As Davies consistently uses the 'golden ratio' (1:1.618) to proportion his work, he thought it important to exemplify this in his subject matter. The Fibonacci sequence (where each number is the sum of the two preceding numbers) and the logarithmic spiral are also inherent here. The bronze shell is mounted on a black granite base in a way that creates an optical illusion suggesting it is levitating above the base. This bronze Nautilus...

Paranthropus Robustus. An early man (hominid), one of the Australopiths from the subepochs of the early to middle Pleistocene period 2.6 - 1.5 million years ago. Some distinctive fea...

An amazing bronze cast of a little 19th-century boy. The quality of the piece is outstanding, as is the color and patination. There is little known about the painter other than he wo...

Mythical bronze sculpture of a fairy nude with ram horns. The bronze is two-toned. The fairy stands on a bronze geometric shaped pedestal. T...

JeanLéon GEROME (1824-1904) Cheval Pur-Sang Bronze with brown patina Numbered P 314 Signed “GEROME” on the front of the terrace and stamp of the founde...