Chaïm Goldberg

Large Modernist Carved Wood Judaica Sculpture

1961

This is an original wooden sculpture with hand painting on both sides. it does not appear to be signed or numbered and does not currently have any label. I believe this might be the proof, There was an edition of these and this is a unique variant. All done by hand. It is on a base and revolves and rotates easily as there are ball bearings. It is very well made. Christiaan Karel Appel (1921-2006) was a Dutch artist, painter, sculptor, and poet. Born in Amsterdam, the Netherlands, he died in Zurich, Switzerland. He started painting at the age of fourteen and studied at the Rijksakademie in Amsterdam in the 1940s. He was one of the founders of the avant-garde movement Cobra in 1948. He was also an avid sculptor and has had works featured in MoMA, the Stedelijk and other museums worldwide. At fourteen, Appel produced his first real painting on canvas, a still life of a fruit basket. For his fifteenth birthday, his wealthy uncle Karel Chevalier gave him a paint set and an easel. An avid amateur painter himself, Chevalier gave his namesake some lessons in painting. From 1940 to 1943, during the German occupation, Appel studied at the Rijksakademie van Beeldende Kunsten in Amsterdam, and it was there he met the young painter Guillaume Corneille and, some years later, Constant; they became close friends for years. Appel had his first show in Groningen in 1946. In 1949 he participated with the other CoBrA artists in the Stedelijk Museum Amsterdam; this generated a huge scandal and many objections in the press and public. He was influenced by Pablo Picasso, Henri Matisse, and the French brute-art artist Jean Dubuffet. In 1947 he started sculpting with all kinds of used materials (in the technique of assemblage) and painted them in bright colors: white, red, yellow, blue, and black. He joined the Experimentele Groep in Holland together with the young Dutch painters Anton Rooskens...

Benedict Tatti (1917-1993) worked in New York city as a sculptor, painter, educator, and video artist. He studied stone and wood carving under Louis Slobodkin at the Roerich Museum. He later attended the Leonardo da Vinci School of Art studying under Attilio Piccirelli. In l939 he taught adult classes with the Teachers Project of the WPA and attended the Art Students League for three and a half years on full scholarship. He studied under William Zorach and Ossip Zadkine and later became Zorach’s assistant. Later in his career, he attended the Hans Hofmann School of Fine Arts. During World War II, Tatti served in the United States Army Air Force, where he spent three years assigned to variety of projects. In 1948, Benedict Tatti married Adele Rosenberg in New York City. Throughout his career, Tatti continuously experimented with various media. From 1952-1963, Tatti executed sculptural models of architectural and consumer products for the industrial designers, Raymond Loewy Associates; later he became a color consultant for the firm. In the 1960s, influenced by the Abstract Expressionists, Tatti turned from carving directly in wood and stone to creating assemblage architecture sculptures, using bronze metal and other industrial materials. He was included in the important show "Aspects de la Sculpture Americaine", at Galerie Claude Bernard Paris, France, in October 1960 along with Ibram Lassaw, Theodore Roszak, David Smith, Louise Bourgeois, Danese Corey, Dorothy Dehner, Lin Emery...

This is a bronze cast sculpture by Philip Pavia is part of his series of "Imaginary Portraits from the Club" , a one-man exhibition at Max Protetch Gallery, New York in 1982. The approach at rendering the figure is grotesque, and the facial features have been severely distorted to the point were the portrait becomes an abstract interpretation of the subject. As an artist and writer, Philip Pavia was a committed member of the Abstract Art community throughout his long, distinguished career. Pavia was active in the art world until his death in 2005 and received immense critical praise for his artistic and literary contributions. Recognized for his signature work The Ides of March...

Jenik Cook Handmade ceramic vase or pot sculpture Hand signed by the artist. Fired clay with a luster bronze painted finish Jenik Esterm Simonian Cook is a painter and ceramicist ...

As an artist and writer, Philip Pavia was a committed member of the Abstract Art community throughout his long, distinguished career. Pavia was active in the art world until his death in 2005 and received immense critical praise for his artistic and literary contributions. Recognized for his signature work The Ides of March, he produced monumental pieces that alternated between figurative and abstract styles. While he was a dedicated sculptor, Pavia extended that passion into writing and published It is: A Magazine for Abstract Art. Born in 1911 of Provencal-Italian descent, the Stratford, Connecticut native received early inspiration from his father, a professional stone cutter. Pavia's sculptures are characterized by rough, chiseled bronze and marble, his father's trade was no doubt a significant influence. In fact, by 1934, his father was so enthusiastic about his son's passion that he encouraged young Philip to study at the Academia delle Belle Arti in Florence, Italy. Before his studies in Europe, Pavia was briefly a student at Yale University but quickly dropped out and enrolled at New York's Art Student League. While attending school, he befriended artists Jackson Pollock and Arshile Gorky. All three were to become major players of the vibrant new Abstract Art movement. At his father's advice, Pavia embarked on his European experience and was introduced to other influential artists of his time. Traveling between Italy and Paris, Pavia met John Ferren...

Abstract oil painting titled Moon Light. it is signed in hebrew. it is not dated. inscription in Hebrew refers to a museum exhibition. MORDECHAI AVNIEL Minsk, Belarus, b. 1900, d. 1989 Mordecai Dickstein (later Avniel) was born in 1900 in Minsk, present-day Belarus. He studied fine arts in Yekaterinburg, Russia (1913–19) and at the Bezalel Academy of Art and Design, Jerusalem (1923). Avniel immigrated to Palestine in 1921 where he first worked as a pioneer in citrus plantations near Petah Tikva. In 1923, at the urging of Boris Schatz, he went to Jerusalem to further his art studies at Bezalel. He later taught painting and sculpture at the school, and served a term as director of the Small Sculpture Section of the Sculpture Department (1924–28). From 1935 on, Avniel lived in Haifa. Avniel was also a lawyer and a founding partner of the Haifa firm Avniel, Salomon & Company. Avniel regularly showed his work in group exhibitions of the Painters and Sculptors' Association of Israel. He was awarded the Herman Struck Prize (1952), Tenth Anniversary Prize for Watercolours, Ramat Gan (1958), Histadrut Prize (1961), and First Prize Haifa Municipality (1977). He represented Israel at the 1958 Venice Biennale and the 1962 International Art Seminar at Fairleigh Dickinson University. Avniel was a member of the Artists' Colony in Safed and maintained a studio on Mount Carmel. Mordechai Avniel is best known for his deft and singular landscape work. His works are held in numerous museums and collections both in Israel and abroad, including the Metropolitan Museum, New York and the Carnegie Institute, Pittsburgh, PA. Avniel's manipulations of light and colour share much with those of compatriot artists Shimshon Holzman and Joseph Kossonogi. Education 1913-19 Art School of Katrinburg, Russia 1923 Bezalel School of Art, Jerusalem Selected exhibitions: 2004: Our Landscape: Notes on Landscape Painting in Israel, University of Haifa Art Gallery, Haifa (online catalogue) 1965: Mordechai Avniel Retrospective, Haifa Municipality Museum of Modern Art, Haifa 1964: Galerie Synthèse, Paris 1962: New York University, New York 1961: Rina Gallery of Modern Art, Jerusalem The Autumn Exhibition Rina Gallery, Jerusalem Artists: Dedi Ben Shaul...

Imposing and very large scale mixed media 'assemblage' by French artist Armand Avril. The work includes the French tricolour flag colours, his symbolic cat sculptures and a highly colourful geometric image of the artist's mother sitting in a chair. The work is signed and dated to the reverse and comes with a certificate of authenticity from the gallery. This montage fully demonstrates Avril's geometric period whilst also expressing the humour and joy that he puts into all his work. A very strong sculptural image and a feast for the eyes in searching for and recognising the everyday objects used in making this piece come alive. This montage is made from wood pieces, plywood, oil paint, acrylic, bottle top and nails . The more sculpted areas of the piece stand out up to 3cm from the frame. Armand Avril was born in 1926 in Lyon. His father, Marcel Avril was a painter and collector of African art. At 16 Armand became an apprentice shepherd in Provence. Avril could always be seen equipped with a sketchbook and a book on the history of art whilst tending his flock. It was not until the age of 30, in 1956, that Armand embarked on painting as an autodidact, influenced by Raoul Dufy, Pierre Bonnard, Henri Matisse and the Lyonnaise School of Painting. He exhibited for the first time in 1957. In 1960, he left for a one-year trip to Africa. There he met the painter Jean Arène who introduced him to the village of Cotignac in the Var and to Louis Pons...

"Gaia'' is an edition of wooden sculpture by Paul Braslow. This sculpture is hand-signed. He was an American sculptor and artist that established himself in the medium of figurative ...

This small-scale bronze of the General Napoleon by American artist Doris Jarowsky is an excellent example of the sculpture of the 1960s. The sculpture i...

A fine abstract polychromed plaster bust of a figure with hat by American artist Varujan Boghosian (1926-2020). Boghosian was born in New Britain, CT and after serving in the United ...

This sculpture is one of a kind piece, no other one exists, and it was realized in 1980 by the well known Italian artist Bruno Chersicla. This is a kinetic abstract sculpture, most ...

Raul Diaz (Argentina, b.1950). Abstract Figure, ca. 1970s. Canved Walnut. Measures 17 inches tall including wood base. Carved signature in lower region. Excellent condition. An ear...