Christopher Adams

Christopher Adams, Untitled, Biomorphic ceramic sculpture, 2017

Christopher Adams’s ceramic sculptures play on the concept of adaptive radiation, whereby a pioneering organism enters an untapped environment and then d...

Artist Statement: #1 My hands reach, touch, and shape. Hands let go and receive; they try to hold things and to hold things together. Some of my images of hands are derived from M...

Artist Statement: #1 My hands reach, touch, and shape. Hands let go and receive; they try to hold things and to hold things together. Some of my images of hands are derived from M...

A 2023 recipient of the Vermont Governor’s Award for Excellence in the Arts, Leslie Fry is represented in this show with fantastical sculptures of female hands, titled the “Cuffed” series. Tensely poised and mannered gestures, inspired by Parmigianino and Caravaggio, cascade into blooms and barnacles, creating a mesmerizing visual dissonance. This elision of romance and rigidity both draws attention to the limitations of the female form and liberates it from the constraints of reality. Leslie Fry’s works have been exhibited internationally at such venues as Kunsthaus in Hamburg, Zwitscher Machine Gallery in Berlin, Hangaram Art Museum in Seoul, Windspiel Galerie in Vienna, Couvent des Cordeliers in Paris, Artists Space and Wave Hill in New York, deCordova Sculpture Park and Museum near Boston, and Centre des Arts Visuels in Montreal. Her public sculptures have been commissioned in New York, South Korea, Montreal, Florida, Wisconsin, and Vermont; public collections include Tufts University, Songchu International Sculpture Park, Freehand New York, Kohler Arts Center, Tampa Museum of Art, Fleming Museum of Art, Musée d’art de Joliette, and St. Petersburg, Florida’s Museum of Fine Arts. Fry’s M.F.A. is from Bard College, and her B.A. is from the University of Vermont, with a Foundation year at the Central School of Art in London. She currently lives and works in Winooski, VT. Artist Statement: #1 My hands reach, touch, and shape. Hands let go and receive; they try to hold things and to hold things together. Some of my images of hands are derived from Mannerist paintings by Parmigianino and Caravaggio, and are ink-washed onto vintage tablecloths...

A 2023 recipient of the Vermont Governor’s Award for Excellence in the Arts, Leslie Fry is represented in this show with fantastical sculptures of female hands, titled the “Cuffed” series. Tensely poised and mannered gestures, inspired by Parmigianino and Caravaggio, cascade into blooms and barnacles, creating a mesmerizing visual dissonance. This elision of romance and rigidity both draws attention to the limitations of the female form and liberates it from the constraints of reality. Leslie Fry’s works have been exhibited internationally at such venues as Kunsthaus in Hamburg, Zwitscher Machine Gallery in Berlin, Hangaram Art Museum in Seoul, Windspiel Galerie in Vienna, Couvent des Cordeliers in Paris, Artists Space and Wave Hill in New York, deCordova Sculpture Park and Museum near Boston, and Centre des Arts Visuels in Montreal. Her public sculptures have been commissioned in New York, South Korea, Montreal, Florida, Wisconsin, and Vermont; public collections include Tufts University, Songchu International Sculpture Park, Freehand New York, Kohler Arts Center, Tampa Museum of Art, Fleming Museum of Art, Musée d’art de Joliette, and St. Petersburg, Florida’s Museum of Fine Arts. Fry’s M.F.A. is from Bard College, and her B.A. is from the University of Vermont, with a Foundation year at the Central School of Art in London. She currently lives and works in Winooski, VT. Artist Statement: #1 My hands reach, touch, and shape. Hands let go and receive; they try to hold things and to hold things together. Some of my images of hands are derived from Mannerist paintings by Parmigianino and Caravaggio, and are ink-washed onto vintage tablecloths...

A 2023 recipient of the Vermont Governor’s Award for Excellence in the Arts, Leslie Fry is represented in this show with fantastical sculptures of female hands, titled the “Cuffed” series. Tensely poised and mannered gestures, inspired by Parmigianino and Caravaggio, cascade into blooms and barnacles, creating a mesmerizing visual dissonance. This elision of romance and rigidity both draws attention to the limitations of the female form and liberates it from the constraints of reality. Leslie Fry’s works have been exhibited internationally at such venues as Kunsthaus in Hamburg, Zwitscher Machine Gallery in Berlin, Hangaram Art Museum in Seoul, Windspiel Galerie in Vienna, Couvent des Cordeliers in Paris, Artists Space and Wave Hill in New York, deCordova Sculpture Park and Museum near Boston, and Centre des Arts Visuels in Montreal. Her public sculptures have been commissioned in New York, South Korea, Montreal, Florida, Wisconsin, and Vermont; public collections include Tufts University, Songchu International Sculpture Park, Freehand New York, Kohler Arts Center, Tampa Museum of Art, Fleming Museum of Art, Musée d’art de Joliette, and St. Petersburg, Florida’s Museum of Fine Arts. Fry’s M.F.A. is from Bard College, and her B.A. is from the University of Vermont, with a Foundation year at the Central School of Art in London. She currently lives and works in Winooski, VT. Artist Statement: #1 My hands reach, touch, and shape. Hands let go and receive; they try to hold things and to hold things together. Some of my images of hands are derived from Mannerist paintings by Parmigianino and Caravaggio, and are ink-washed onto vintage tablecloths...

Female portraits made with tile technique on ceramic tiles. Cansu Sakız was born in 1987 in Bartın. She studied painting at Fine Arts High School before moving to Dokuz Eylul University Fine Arts Faculty. She studied Turkish Tile Art...

The sculpture is signed and numbered. Edition 20/99. About the Artwork: The Chinese Zodiac can’t be ignored in the traditional culture of China. It’s closely interconnected with the social customs and habits, the aesthetic taste and the opinion of value. The Twelve animals of Year represent the traditional Chinese wisdom that the laws of Nature governs all things and that man must seek harmony with Nature. I created this Series of twelve zodiac animals made of gold and pottery, trying to give the “zodiac”-this long-standing cultural symbols a meaning of the prosperity and the luckiness. –He Wenjue About the artist: He Wenjue was born in 1970 in Hunan Province, China. He received his MA in painting from Jilin Academy of Fine Arts. Member of Chinese Art Association, Member of Chinese Painting Association.The vice-President of Hunan Oil-Painting Association. Research Fellow of Beijing Academy of China Xieyi Oil Painting.He is currently the vice president of Hunan Oil Painting Society, a member of China Artists Association and a member of Chinese Oil Painting Society. His works have been displayed on exhibitions at“Scenery in Map”ShangHai Solo Exhibition、Solo Exhibition, Frank Schlag Gallery, Essen, Germany、Sense of the Sparkle: He Wenjue Singapore Solo Exhibition, Singapore、Water: Senses of Sparkle, Tang Gallery, Bangkok, Thailand、The 9th & The 10th National Annual Fine Arts Exhibition、The first Chinese Freehand Brushwork Oil Painting、4th Jakarta Contemporary Ceramics Biennale, 6th BICMA ,、Painting the Present, Certosa di San Giacomo, Via Certosa 1 - Capri, Capri, Italy、The 2nd Chinese Oil Painting Biennale, The National Art Museum of China、The Xinjiang International Art Biennial 2014、Ethics as the DNA Art: The 9th Florence Biennale、SEA OF PEACE: Japan-Korea Contemporary Art Exhibition, Incheon Art Platform, Incheon, Korea、Faces and Figures, Germany、East side, Michael Schultz Gallery, Berlin, Germany、Vanhaerents Museum Collection, Brussel Belgium、China...

The sculpture is signed and numbered. Edition 20/99. About the Artwork: The Chinese Zodiac can’t be ignored in the traditional culture of China. It’s closely interconnected with the social customs and habits, the aesthetic taste and the opinion of value. The Twelve animals of Year represent the traditional Chinese wisdom that the laws of Nature governs all things and that man must seek harmony with Nature. I created this Series of twelve zodiac animals made of gold and pottery, trying to give the “zodiac”-this long-standing cultural symbols a meaning of the prosperity and the luckiness. –He Wenjue About the artist: He Wenjue was born in 1970 in Hunan Province, China. He received his MA in painting from Jilin Academy of Fine Arts. Member of Chinese Art Association, Member of Chinese Painting Association.The vice-President of Hunan Oil-Painting Association. Research Fellow of Beijing Academy of China Xieyi Oil Painting.He is currently the vice president of Hunan Oil Painting Society, a member of China Artists Association and a member of Chinese Oil Painting Society. His works have been displayed on exhibitions at“Scenery in Map”ShangHai Solo Exhibition、Solo Exhibition, Frank Schlag Gallery, Essen, Germany、Sense of the Sparkle: He Wenjue Singapore Solo Exhibition, Singapore、Water: Senses of Sparkle, Tang Gallery, Bangkok, Thailand、The 9th & The 10th National Annual Fine Arts Exhibition、The first Chinese Freehand Brushwork Oil Painting、4th Jakarta Contemporary Ceramics Biennale, 6th BICMA ,、Painting the Present, Certosa di San Giacomo, Via Certosa 1 - Capri, Capri, Italy、The 2nd Chinese Oil Painting Biennale, The National Art Museum of China、The Xinjiang International Art Biennial 2014、Ethics as the DNA Art: The 9th Florence Biennale、SEA OF PEACE: Japan-Korea Contemporary Art Exhibition, Incheon Art Platform, Incheon, Korea、Faces and Figures, Germany、East side, Michael Schultz Gallery, Berlin, Germany、Vanhaerents Museum Collection, Brussel Belgium、China...

The sculpture is signed and numbered. Edition 20/99. About the Artwork: The Chinese Zodiac can’t be ignored in the traditional culture of China. It’s closely interconnected with the social customs and habits, the aesthetic taste and the opinion of value. The Twelve animals of Year represent the traditional Chinese wisdom that the laws of Nature governs all things and that man must seek harmony with Nature. I created this Series of twelve zodiac animals made of gold and pottery, trying to give the “zodiac”-this long-standing cultural symbols a meaning of the prosperity and the luckiness. –He Wenjue About the artist: He Wenjue was born in 1970 in Hunan Province, China. He received his MA in painting from Jilin Academy of Fine Arts. Member of Chinese Art Association, Member of Chinese Painting Association.The vice-President of Hunan Oil-Painting Association. Research Fellow of Beijing Academy of China Xieyi Oil Painting.He is currently the vice president of Hunan Oil Painting Society, a member of China Artists Association and a member of Chinese Oil Painting Society. His works have been displayed on exhibitions at“Scenery in Map”ShangHai Solo Exhibition、Solo Exhibition, Frank Schlag Gallery, Essen, Germany、Sense of the Sparkle: He Wenjue Singapore Solo Exhibition, Singapore、Water: Senses of Sparkle, Tang Gallery, Bangkok, Thailand、The 9th & The 10th National Annual Fine Arts Exhibition、The first Chinese Freehand Brushwork Oil Painting、4th Jakarta Contemporary Ceramics Biennale, 6th BICMA ,、Painting the Present, Certosa di San Giacomo, Via Certosa 1 - Capri, Capri, Italy、The 2nd Chinese Oil Painting Biennale, The National Art Museum of China、The Xinjiang International Art Biennial 2014、Ethics as the DNA Art: The 9th Florence Biennale、SEA OF PEACE: Japan-Korea Contemporary Art Exhibition, Incheon Art Platform, Incheon, Korea、Faces and Figures, Germany、East side, Michael Schultz Gallery, Berlin, Germany、Vanhaerents Museum Collection, Brussel Belgium、China...

"Cheval Blanc" is a captivating sculpture created by the renowned artist Carl Dahl. Crafted with precision and ingenuity, the sculpture depicts a majestic white horse, meticulously a...

Additional Information: Tom Suomalainen is a ceramic artist known for his creative and imaginative sculptures. Marking(s); notes: signed Country of origin; materials: USA; stoneware