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'Gilt Bronze Angel', 19th Century Gothic Revival, Large Angelic Form, Lost Wax

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  • 'The Kiss', Two Young Lovers Embracing, French Lost Wax Bronze Figural Group
    Located in Santa Cruz, CA
    Signed 'G. Flamand' for Georges Flamand (French, 1895-1925) and created circa 1920. Standing on a later striated, jade-green marble base. Base dimensions: 1.25 H x 4.25 D x 7.5 W Inc...
    Category

    1920s Rococo Figurative Sculptures

    Materials

    Bronze

  • 'The Fisher Boy', Large Bronze, Medal of Honor, Paris Universal Exposition, 1900
    Located in Santa Cruz, CA
    A substantial lost wax bronze, cast after the original model by Eugène-Nicolas-Clément, Comte d''Astanière (French, 1841-1918). One of the larger-size castings in overall good condition and showing excellent patination. (N.B. Without fishing rod) Eugene, the Comte d'Astaniere, was primarily known in his youth as a courageous and highly-decorated cavalry officer who distinguished himself repeatedly in combat, including against the Germans in the Franco-Prussian war of 1870, in which campaign he was severely wounded and almost died. During his prolonged recuperation, he turned his attention to art and, in particular, to sculpting. He studied intensively with Jean Alexandre Joseph Falguière (1831-1900) , the preeminent French sculptor of the day who would become his life-long friend and artistic mentor. D'Astaniere quickly mastered the art of sculpture and was recognized by the Salon of 1882 with a Gold Medal for his first exhibited work. From that time forward, he accumulated numerous diplomas, medals and juried awards for his work. At the Salon, he received frequent medals and was soon elected to membership of the Jury. Count d'Astaniere exhibited 'The Juggler,' a large marble, at the Salon of 1887, then sent a bronze entitled 'Acrobat' to the Salon of 1889. At the Universal Exhibition in Paris in 1889, he received a bronze medal for the presentation of 'The Angler'. He exhibited in Moscow in 1891, at the 1893 Universal Exposition in Chicago receiving awards at both. He exhibited a marble entitled 'The White Monk' at the Salon of 1898 and obtained a medal of honor...
    Category

    1880s Figurative Sculptures

    Materials

    Bronze

  • 'Woman Standing', Modernist Sculpture, San Francisco Bay Area, de Young Museum
    By Wedo Georgetti
    Located in Santa Cruz, CA
    Inscribed on base, 'W.G.' for Wedo Georgetti (American, 1911-2005) and created circa 1950. Acquired directly from the artist and accompanied by certificate of authenticity. Born in Italy, this California Post-Impressionist came to the United States at the age of one. Georgetti first worked as a merchant seaman to support his art studies and traveled all over the world accumulating sketches, many of which he later worked up into paintings. He made frequent visits to France, where he was influenced by the Post-Impressionists and, particularly, by the Nabis. An innovative theorist, Georgetti was the originator of the style known as California Fauvism. He exhibited widely and with success, both at exhibitions and at one-man shows (Oakland Art Gallery, 1942-44; Society of American Graphic Artists, NYC, 1944; Maxwell Galleries, 1940’s; de Young Museum...
    Category

    1950s Modern Nude Sculptures

    Materials

    Wood

  • Art Deco Carved Alabaster Figure of a Horse
    Located in Santa Cruz, CA
    A substantial and dramatic Art Deco figure of a horse, hand-carved in rose-ochre alabaster. Unsigned, American School circa 1930.
    Category

    1930s Art Deco Figurative Sculptures

    Materials

    Alabaster

  • 'Christ Pantocrator with Mary & St. John', Theotokos, Greek Orthodox, Christian
    Located in Santa Cruz, CA
    A very substantial, early 19th century, oil-on-canvas laid down on panel showing a view of the risen Christ Pantocrator flanked by the Virgin Mary and St....
    Category

    Early 19th Century Byzantine Figurative Paintings

    Materials

    Gold Leaf

  • 'Seated Nude', Woman Artist, Paris Salon, Jeu de Paume, World's Fair, GGIE LACMA
    By Caroline Lloyd
    Located in Santa Cruz, CA
    Signed 'Lloyd' for Caroline Lloyd (American, 1875-1945) and created circa 1935. Base impressed with foundry stamp, 'C. Valsuani Cire Perdue', for Claude Valsuani Fonderie, Paris. Please note: Video has not been color corrected; for correct color, refer to photographs. Born in Indiana, Caroline Lloyd first studied at the Convent of Notre Dame in Milwaukee. After raising a family, she moved to Paris where she studied under Robert Wierick at the Ecole des Arts Appliqué à l’Industrie and, subsequently, at the Académie de la Grande Chaumière in Montparnasse. In France, Lloyd quickly achieved both commercial and critical success and was made welcome in Modernist artistic circles. She exhibited widely, including at the Salon D'Automne, the Salon des Tuileries and the Salon des Beaux Arts among other Ateliers and galleries. At the Paris International Exposition of 1937, Lloyd was awarded a medal and her exhibited work was purchased by the French government for the permanent collection of the Jeu de Paume...
    Category

    1930s Modern Nude Sculptures

    Materials

    Bronze

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