Guillaume Lachapelle

The suitor

2023

Nicholas Crombach is currently an artist in residence at The Florence Trust in London, UK. Crombach graduated from OCAD University’s Sculpture and Installation program in 2012. He h...

Nicholas Crombach is currently an artist in residence at The Florence Trust in London, UK. Crombach graduated from OCAD University’s Sculpture and Installation program in 2012. He h...

Nicholas Crombach graduated from OCAD University’s Sculpture and Installation program in 2012. He has been awarded the Hayden Davies Memorial Award, Samuel Lazar Kagan Award, Abraham...

Nicholas Crombach is interested in the complex interactions between humans and animals. Using sporting and hunting as markers of longstanding traditions of both adversarial and collaborative relationships between humans and animals, Crombach examines the cultural significance and the complex issues percolating domestication and domination, play and survival in the 21st century. Crombach combines references to mythology via a striking aesthetic, creating works which revel in their contradictions and contrasts. Notably, the artist draws from the myth of Diana and Actaeon, which provides a poignant framework for this new series. In Ovid’s tale Actaeon, a hunter and grandson of King Cadmus, is in the forest with his dogs when he spies Artemis (Diana), the venerated goddess of the hunt, in her bath attended by her nymphs. Diana’s nymphs try to cover her modesty as the goddess feels violated by Actaoen’s brash curiosity. Diana splashes water upon Actaeon, robbing him from his ability to speak and turning him from a mortal man into a stag who flees into the forest only to be hunted down and killed by his own dogs. The hunter becomes the hunted. Crombach’s Fetch (2018) refers to the mythology of Diana and Actaeon in its last tragic hour, but the classical story of metamorphoses is presented as a game of fetch in the local park. Crombach creates a hybrid between the art historical imagery from paintings of hounds...

Nicholas Crombach is interested in the complex interactions between humans and animals. Using sporting and hunting as markers of longstanding traditions of both adversarial and collaborative relationships between humans and animals, Crombach examines the cultural significance and the complex issues percolating domestication and domination, play and survival in the 21st century. Crombach combines references to mythology via a striking aesthetic, creating works which revel in their contradictions and contrasts. Notably, the artist draws from the myth of Diana and Actaeon, which provides a poignant framework for this new series. In Ovid’s tale Actaeon, a hunter and grandson of King Cadmus, is in the forest with his dogs when he spies Artemis (Diana), the venerated goddess of the hunt, in her bath attended by her nymphs. Diana’s nymphs try to cover her modesty as the goddess feels violated by Actaoen’s brash curiosity. Diana splashes water upon Actaeon, robbing him from his ability to speak and turning him from a mortal man into a stag who flees into the forest only to be hunted down and killed by his own dogs. The hunter becomes the hunted. Crombach’s Fetch (2018) refers to the mythology of Diana and Actaeon in its last tragic hour, but the classical story of metamorphoses is presented as a game of fetch in the local park. Crombach creates a hybrid between the art historical imagery from paintings of hounds...

Nicholas Crombach is interested in the complex interactions between humans and animals. Using sporting and hunting as markers of longstanding traditions of both adversarial and collaborative relationships between humans and animals, Crombach examines the cultural significance and the complex issues percolating domestication and domination, play and survival in the 21st century. Crombach combines references to mythology via a striking aesthetic, creating works which revel in their contradictions and contrasts. Notably, the artist draws from the myth of Diana and Actaeon, which provides a poignant framework for this new series. In Ovid’s tale Actaeon, a hunter and grandson of King Cadmus, is in the forest with his dogs when he spies Artemis (Diana), the venerated goddess of the hunt, in her bath attended by her nymphs. Diana’s nymphs try to cover her modesty as the goddess feels violated by Actaoen’s brash curiosity. Diana splashes water upon Actaeon, robbing him from his ability to speak and turning him from a mortal man into a stag who flees into the forest only to be hunted down and killed by his own dogs. The hunter becomes the hunted. Crombach’s Fetch (2018) refers to the mythology of Diana and Actaeon in its last tragic hour, but the classical story of metamorphoses is presented as a game of fetch in the local park. Crombach creates a hybrid between the art historical imagery from paintings of hounds hunting...

This wall piece was created by New York artist, Bethany Krull using found drift would and found snail shells. The glistening snail forms are hand sculpted directly onto the wood usi...

This mixed media textile sculpture was done by American fiber artist, Norma Minkowitz (b. 1937). The interlacing technique that Minkowitz uses as seen ...

Mariko’s sculptures are unique and monumental contemporary pieces made of resin and reinforced with an inside metallic structure, finished with a bi-component urethane paint, extreme...

Mariko’s sculptures are unique and monumental contemporary pieces made of resin and reinforced with an inside metallic structure, finished with a bi-component urethane paint, extreme...

Cat Sirot is a French plastic artist, with a focus on painting and Sculpture. She lives near Paris and works in her Argenteuil Studio. Through her sculptural...

Cat Sirot is a French plastic artist, with a focus on painting and Sculpture. She lives near Paris and works in her Argenteuil Studio. Through her sculptural work she speaks about lo...