Ira Lujan

Blown Glass Quail

2022

Ira Lujan (Taos Pueblo), Purple and Green Glass Antlers, 2020

2023 Glass Antlers Approximately 5" x 12" x 7" Ira Lujan (Taos/Ohkay Owingeh Pueblo) learned glass blowing in Taos, New Mexico while apprenticing with glass artist Tony Jojola (Isleta Pueblo) in 2000. He also studied with noted glass artist Preston Singletary...

Ira Lujan, Violet and White on Black Quail Hand-Blown Glass 5.5” x 3.5” x 4” 2024

Ira Lujan, Yellow on Brown Quail Hand-Blown Glass 5.5” x 3.5” x 4” 2024

Hand-blown canteen form in shades of blue. A leather strap with glass beads in various forms.

Ira Lujan (Taos Pueblo), Yellow Canteen, 2021, hand-blown glass

Interdisciplinary artist Amber Lelli is interested in exploring concepts, asking questions, and choosing the medium and materials best fit for those ideas. Looking through her portfo...

Interdisciplinary artist Amber Lelli is interested in exploring concepts, asking questions, and choosing the medium and materials best fit for those ideas. Looking through her portfo...

David Bennett - A Personal Statement Artisans have been blowing glass into metal forms for two thousand years. We are pushing the technique. We can make complex forms in glass and b...

Mid century sculpture depicting two hand blown cockatoos perched on a doré bronze tree on a glass base signed Zanetti.

Louis is an artist in the forefront of his field and his pieces are technical feats in style, execution and dimension. After his studies at the Rietveld Academy and the National Acad...

Louis Sclafani’s exploration in glass began as an undergraduate majoring in ceramics at Alfred University, Alfred, New York. In 1976, Louis spent a semester abroad studying ceramics at the Siena School of Art, Italy. On a field trip to Venice, he found himself fascinated by the glass of Venice and the Island of Murano. He secured an apprenticeship with renowned glass sculptor Loredano Rosin and returned to Venice soon after to launch deeper into the world of glass. While living in a tent on a roof top behind Loredano’s studio, he learned from the best and found his own artistic direction. This “summer” job would last three years. His experience in Venice since 1976 has given him an extended family and the pleasure of working with Davide Fuin...