Isabelle Corniere

The Cloud

Javier Calleja No Art Here, 2021 Resin, Crystal, Cotton, Wood. 15 7/10 × 15 7/10 × 6 7/10 in 40 × 40 × 17 cm Edition of 250

KAWS - Holiday: Singapore (Brown Edition) - Pop Art Artists KAWS Edition Details Year: 2021 Class: Toy Status: Official Released: 11/13/21 Paper: Vinyl Abo...

Created in 2020, this painted resin and steel multiple with accompanying acrylic painting on canvas with original wood crate is signed by Javier Calleja (Spain, 1978 - ) in black ink...

In his recent works sculptor Nicholas Crombach uses the markers of tradition to critique social rituals. Through the employment of the mythology and the rich visual culture of the hunt, Crombach assembles works which revel in contradiction. He has created a series of unexpected juxtapositions that examine the cultural significance and the complex issues percolating around hunting and sporting traditions in the 21st century. For this exhibition, Crombach riffs off the myth of Diana and Actaeon, which provides a poignant framework for his theme. In the original story, Actaeon, the hunter and grandson of King Cadmus, is in the forest with his dogs, when he spies Artemis (Diana) in her bath attended by her nymphs. Diana was the goddess of the hunt, but when the mortal Actaeon sees her, her nymphs try to cover her modesty. She splashes him with water, turning him from a mortal man into a stag, who flees into the forest only to be hunted down and killed by his own dogs. The hunter becomes the hunted. Crombach’s Fetch (2018) refers to the mythology of Diana and Actaeon as he transforms the lofty and classical story of metamorphoses into a game of fetch in the local park, constructed on a grand scale. In Fetch (2018), Crombach creates a hybrid between the art historical imagery from paintings of hounds hunting stags with the flashy colours and synthetic materials of modern day dog chew toys. The sculpture is displayed alongside a variety of chew toys that act as an index for the sculptures interpretation, some transformed into porcelain that has been marked with the aristocratic hunting motifs found on antique English pottery. Here, the assembly of works create a conversation on the blurred boundaries between: histories of domestication, the working relationships we have with animals, contemporary issues of hunting as “play”, tradition and survival. A second major new sculpture “End of the Chase” is a collapsed version of a Victorian period rocking horse housed in London’s V&A Museum Of Childhood. The sculpture responds to the 2014 hunting act that passed in Britain which in turn attempts to obliterate the tradition of hunting with hounds, most commonly associated with the fox hunt...

Hernan Bas is best known for his narratively rich scenes that feature a wide-range of references spanning art and literature, popular culture, kitsch, the occult, religion, and mythology. Across his works, Bas seeks to defamiliarize everyday experience through humor, revealing the surreal and absurd lurking beneath the mundane. In conceiving this flamingo sculpture series, Bas was inspired specifically by the 19th century novel ‘Against Nature’ by Joris-Karl Huysmans. In the novel, the main character, an astute dandy of epic proportions, decides to cover a pet tortoise's shell with ornate jewels in order to see how the light would glimmer on it as it slowly treaded across his carpets. Bas imagined a fictional character of his own, a "Florida Dandy," who would naturally want bright pink flamingos as pets. The ball and chain keep them from flying away and simultaneously constrain them to a certain territory. . . . Fading pink (#1), 2016-2017 resin, feathers, rug, galvanized metal buoy...

This mixed media textile sculpture was done by American fiber artist, Norma Minkowitz (b. 1937). The interlacing technique that Minkowitz uses as seen ...