Jennifer Small

Remnant of a Virgin

2018

In 2015, I made a series of sculptures called "HYPERland" illustrating the utopia promised by the "liberal democracy" and the dystopia that is rather created by the market and financ...

In 2015, I made a series of sculptures called "HYPERland" illustrating the utopia promised by the "liberal democracy" and the dystopia that is rather created by the market and financ...

Text by Terence Sharpe There is a moment in Andrei Tarkovsky’s Solaris (1972) when the character Hari commits suicide by drinking liquid oxygen. As she is not actually a human, but an artificial hybrid product of the mysterious planet and the protagonists’ memories, she heals rapidly and is alive again minutes later. Her choice to take her own life is poignant, seemingly the action of a being becoming aware of its hopeless infinitude. Her realization that while the men will die on the space station or elsewhere, her existence is that of immortality, a deeply alienating notion that causes her to seek her own destruction. The Montreal artist Guillaume Lachapelle has one work that prompts a sense of eternal alienation that echoes Hari’s tragedy. The work greets the viewer with a empty doorway flanked by clinically white bookshelves...

In 2015, I made a series of sculptures called "HYPERland" illustrating the utopia promised by the "liberal democracy" and the dystopia that is rather created by the market and financ...

In 2015, I made a series of sculptures called "HYPERland" illustrating the utopia promised by the "liberal democracy" and the dystopia that is rather created by the market and financ...

In his recent works sculptor Nicholas Crombach uses the markers of tradition to critique social rituals. Through the employment of the mythology and the rich visual culture of the hunt, Crombach assembles works which revel in contradiction. He has created a series of unexpected juxtapositions that examine the cultural significance and the complex issues percolating around hunting and sporting traditions in the 21st century. For this exhibition, Crombach riffs off the myth of Diana and Actaeon, which provides a poignant framework for his theme. In the original story, Actaeon, the hunter and grandson of King Cadmus, is in the forest with his dogs, when he spies Artemis (Diana) in her bath attended by her nymphs. Diana was the goddess of the hunt, but when the mortal Actaeon sees her, her nymphs try to cover her modesty. She splashes him with water, turning him from a mortal man into a stag, who flees into the forest only to be hunted down and killed by his own dogs. The hunter becomes the hunted. Crombach’s Fetch (2018) refers to the mythology of Diana and Actaeon as he transforms the lofty and classical story of metamorphoses into a game of fetch in the local park, constructed on a grand scale. In Fetch (2018), Crombach creates a hybrid between the art historical imagery from paintings of hounds hunting stags with the flashy colours and synthetic materials of modern day dog chew toys. The sculpture is displayed alongside a variety of chew toys that act as an index for the sculptures interpretation, some transformed into porcelain that has been marked with the aristocratic hunting motifs found on antique English pottery. Here, the assembly of works create a conversation on the blurred boundaries between: histories of domestication, the working relationships we have with animals, contemporary issues of hunting as “play”, tradition and survival. A second major new sculpture “End of the Chase” is a collapsed version of a Victorian period rocking horse housed in London’s V&A Museum Of Childhood. The sculpture responds to the 2014 hunting act that passed in Britain which in turn attempts to obliterate the tradition of hunting with hounds, most commonly associated with the fox hunt...

Circus Elephant , 2022 Polystyrene, wood, aluminum and industrial paints 40 x 35 x 5 cm 16 x 14 x 2 in As an Industrial designer, I was trained to perform the creative act of dete...

Circus Seals , 2022 Polystyrene, wood, aluminum and industrial paints 35 x 45 x 5 cm 14 x 18 x 2 in As an Industrial designer, I was trained to perform the creative act of determi...

Bridge To Total Freedom No.3 (Diminishing Returns) (2017) by Gary Sczerbaniewicz. Wood, laser-cut MDF, cast plastic, plaster, ink, acrylic, paper.

Dan Lam x Okuda Space Skull Synthetic Enamel on Fiberglass/ Polyurethane, Foam, Resin & Acrylic 18 x 16 x 12 Okuda x Dan Lam Collab Rare collaboration between two artists who spec...

CICA Vancouver is proud to release this brand new limited edition sculpture, in collaboration with Hajime Sorayama Studio and Nanzuka. This sculpture is a miniature version of the “Untitled_Sexy Robot_Space traveler” sculpture by Hajime Sorayama. LIMITED EDITION 2023 ED: 300 + AP: 50 ABS, alloy, kirsite, aluminum alloy, acrylic, PP, TPE, LED Work size (H x W x D): 15.75 x 8.5 x 8.25 in Package size (H x W x D): 25.2 x 13.4 x 12.2 in Weight:  33lb Authentication ZHEN. authentication system is equipped in the item as an initiative to prevent forgery of the product. For the verification, the purchaser needs to agree to share one’s personal information with ZHEN. for authentication purposes. The purchaser’s information will never be sold nor transferred. ZHEN. is an art authentication platform that makes authentication and provenance radically transparent. Powered by blockchain, ZHEN. guarantees the authenticity of the purchased artwork with a simple tap via ZHEN. mobile app. Instructions on how to use ZHEN. is included in the package. To learn more about ZHEN., please read the Privacy Policy...

**ANNUAL SUPER SALE TIL MAY 15th ONLY** *This Price Won't Be Repeated Again This Year - Take Advantage Of It* This is a rare Terracotta large Bacchus sculpture...