Josep Maria Codina Corona

Untitled

1960

It happened near you. He murders with such humanity... He's a streetwise Belgian hiding an immense talent.

France's most popular poet-novelist in every possible sense. A man of all political stripes, he never ceased to evolve towards greater humanism. Although he was buried directly in th...

Inspired by a portrait of a woman painted by Pablo Picasso, I want to emphasise that the nose shows the face from both the front and the side. Is she turning her head towards him, or...

With its thread-like appearance, this sculpture of an imaginary nose plays on the lifelines of the wood, Japanese Sophora. In China, its yellow flowers are used to dye silk, hence it...

Rugby noses, one is tempted to find the stigmata of this sport there. In reality, all rugby players seek above all to protect their ears, their teeth… Alikisio Fakate owes the shape ...

It's rare to find a holly stump of this size! I took the opportunity to sculpt an imaginary nose. Its aim is to be soft to the eye and to the touch. The grain of this particularly fi...

This dramatic ceramic sculpture references the horns of an ibex in an homage to native culture.

This sculpture is part of our exhibition America Coast to Coast: Artists of the 1930s Kossack, c. late 1930s, polychromed cedar and walnut relief sculpture, carved signature under the base of the figure, 15 x 8 x 3 1/2 inches (figure), 10 x 19 inches (board), exhibited at Zeidler's solo exhibition at the San Francisco Museum of Art, November - December, 1942 (label verso), label verso reads "Kossack / cedar & walnut / Avis Zeidler" About the Sculpture Kossack is typical of Aviz Zeidler’s direct carved wood sculptures of the 1930s. The subject looks directly at the viewer, unfeeling behind a polychromed stare. Seemingly influenced by two of her major teachers, California’s Ralph Stackpole and New York’s William Zorach, Zeidler drew on primitive traditions to create what one critic described as her “gruesome wood sculptures.” Rigid, solid, and unmoving are other words that characterize Zeidler’s statues which often seem to have the deeply rooted ancient power of a totem. Zeidler’s “grimacing artificiality does, indeed, manage to hold a sense of force,” is how The San Francisco Examiner art critic put it in 1938 when describing the artist’s award-winning entry at the San Francisco Art Museum. The same words could have applied to Kossack when it was exhibited at the museum four years later. Perhaps the artist was trying to contain the power of the fearsome Kossacks, the enemy of so many Eastern European peasants, by freezing the image in wood. About the Artist Avis Zeidler (Nemkoff) was a California-based artist who is principally known for her sculpture and drawings. She was born in Madison, Wisconsin, but moved to Northern California by the late 1920s where she majored in art at Berkely and studied with Lucien Labaudt, Ray Boynton...

A very personal piece from this artist. Human figures are carved in this horse sculpture, one of which is in the back of the horse neck and opens its back ...

The modern Sculpture " Helping Hand ” is a unique piece made from a burnout mold by David Marshall in 2015, sand cast in aluminium and brass in our foundry, handcrafted by the Arti...

1961 Coty Award Plaque Kenneth Hairdresser Jacqueline Onassis Bronze Fashion Bronze on wood. The wood plaque measures 12 3/4" by 20 3/4 inches. The bronze plaque itself is 13 3/4 x 8 3/4 inches and the the bronze inscription, which reads "COTY, American Fashion Critics Special Award 1961 to KENNETH of LILY DACHE...

This 18 x 9 x 4 inch carved wood sculpture is unsigned and comes directly from the artist's family. Louis 'Lou' Bunin (28 March 1904 – 17 February 1994) was an American puppeteer, artist, and pioneer of stop-motion animation in the latter half of the twentieth century. While working as a mural artist under Diego Rivera in Mexico City in 1926, Bunin created political puppet shows using marionettes...