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Karine PayetteAsservir2016
2016
About the Item
- Creator:Karine Payette (1983, Canadian)
- Creation Year:2016
- Dimensions:Height: 11 in (27.94 cm)Width: 16 in (40.64 cm)Depth: 14.5 in (36.83 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Montreal, CA
- Reference Number:1stDibs: LU476819533
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- De part et d’autreBy Karine PayetteLocated in Montreal, QuebecText by Nancy Webb It’s Saturday night and Karine Payette is in her studio. We meander into a conversation about the dog she used to have and her soft spot for German shepherds, an intensely obedient and loyal breed in a deceivingly wolf-like package. Payette’s most recent series of photographs, sculptures and video work seem to speak directly to this preoccupation with the multifaceted nature of human-animal relationships—the dialogues of control, intimacy, violence and domestication that subtly take place on an interspecies level. Her workspace is part laboratory, part prop closet—a bowl of fur sits not far from her computer. Somehow in this bright, open, chemical-clean scented room, Payette conjures wildness. We are taken to a strange place, the borderlands of interspecies mingling. At one extreme of the animal-human dynamics scale is the stalwart compliance of a professionally trained German shepherd who responds to commands with robotic precision. Here, power is comfortably held by an off-screen voice, animality pacified by a set of linguistic prompts. At the other end of the scale is a sculpture of a human figure clad in red, sharing a languorous kiss with a wolf. The story of Little Red Riding Hood is immediately called to mind, except that here our hooded protagonist seems to have bailed on grandmother’s orders, instead opting for a forest floor make-out with her canine stalker. This taboo mise-en-scène is a brazen inquiry into the boundaries we maintain with our animal counterparts. Its scale and three-dimensionality contribute to a feeling of immersion that the artist has been courting with her work for the past several years. It feels as though you’ve just walked in on something: you are implicated and your discomfort is like an invisible mist that coats these inanimate beings. Elsewhere in Payette’s suite of anthropomorphic works, the demarcation between species grows even fainter. A photographic series depicts the slow encroachment of fur, scales and feathers on human skin—a striking process of contamination facilitated by touch. The fusion of flesh, charcoal cat fur and a pale silky dress...Category
21st Century and Contemporary Contemporary Figurative Sculptures
MaterialsPolystyrene, Silicone, Pigment
- Hospitalité IIBy Karine PayetteLocated in Montreal, QuebecKarine Payette builds vast dreamlike settings from hyperrealistic, banal objects in order to produce something narrative that evokes the precariousness of the world. The artist plays...Category
2010s Contemporary Figurative Sculptures
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- La CaptureBy Karine PayetteLocated in Montreal, QuebecBorn in 1983, Karine Payette lives and works in Montreal. As a multidisciplinary artist, her work spans installation, photography, and video. She constructs playful, dreamlike larg...Category
2010s Abstract Figurative Sculptures
MaterialsMetal
- Bone China 4By Bevan RamsayLocated in Montreal, QuebecBone China emerged as a reflection on the relationship between synthetic and organic aesthetic properties. By fusing the two, Ramsay has attempted to create...Category
2010s Contemporary Figurative Sculptures
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- ChallengerBy Brandon VickerdLocated in Montreal, QuebecChallenger consists of a replica of the escape hatch from the NASA space shuttle installed as if it has fallen from the sky and flattened a Canada P...Category
2010s Contemporary Figurative Sculptures
MaterialsSteel
- Bone China 8By Bevan RamsayLocated in Montreal, QuebecBone China emerged as a reflection on the relationship between synthetic and organic aesthetic properties. By fusing the two, Ramsay has attempted to create...Category
2010s Contemporary Figurative Sculptures
MaterialsFoam, PVC, Lacquer, Paper, Mixed Media
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