Kenjiro Kitade

Ceramic Sculpture of elephant: 'Samantabhadra' (Sanskirt for Universal Worthy)

2019

Kitade’s search for the universal common ground in life, even in conflict. ‘Conflict is part of human nature, there is always a Side A and Side B in life and in this show it is the s...

Guardian dogs (Koma-Inu in Japanese) Guardians of temples or shrines placed on each side of entrance, believed to ward off Evil Spirits. They are Protecting you from Bad Spirits! Th...

From natural cold earth to gleaming high-fire surfaces, clay is the ancient anatomic medium. It is the medium in which time stands still, ideas are frozen, and yet a civilization is ...

The main theme of Kitade’s artwork is focused on questioning. The sources of the ideas are picked up from his own life experiences, starting from personal experiences and expanding ...

For this edition Kitade wants to bring awareness and understanding onto the table and into the viewer’s hearts and minds. Kitade urges us to ask: What are the effects of the atomic b...

The main theme of Kitade’s artwork is focused on questioning. The sources of the ideas are picked up from his own life experiences, starting from personal experiences and expanding ...

Jacob Foran (US. 1983; MFA 2010) is a Seattle based ceramic artist. Born in Urbana, Illinois, Foran received a BFA from the University of Illinois Urbana-Champaign in the interdisciplinary Painting & Sculpture Program. He then obtained a second BFA in Ceramics from the Univ. of IL in 2008, where he was awarded Allie D. Hughston-Enochs Scholarship for the Outstanding Graduate in the School of Art+Design. Prior to transferring to the Univ. of Illinois School of Art, Foran received a full tuition merit scholarship from Parkland College where is obtained an AFA with an emphasis in Drawing & Painting. During these years, he developed working relationships with Cinema Gallery and Ann Nathan Gallery in Chicago. Jacob moved to Seattle in 2008 to study with artists Akio Takamori, Doug Jeck, and Jamie Walker in the University of Washington’s Ceramics Department (consistently ranked in the top five nationally according to the U.S. News and World Report). Foran received the Kottler & Noritake Scholarship from the UW and the national juried Kate Neal Kinley Fellowship (20k) in 2009. He was awarded First Prize in the national Marge Brown Kalodner Graduate Student Exhibit at the Clay Studio in Philadelphia, PA. Foran began his teaching career while a graduate student at the UW under guidance from Akio Takamori. Upon receiving his MFA he was also given the Teaching With Excellence Award from the School of Art+Art History+Design at the UW. Foran’s 2010 thesis exhibition, titled ‘Headspace,’ made reviews in major publications including Surfaces Magazine in Beijing, China, Designboom in Milan, Italy and Beautiful Decay in Los Angeles, CA. His work has also been featured in publications such as ArtSlant New York, Clay Times, Ceramics Monthly, and the Seattle Times. Museum exhibitions include ”Continuum of Excellence: Haystack Clay Selects,” at the Fuller Craft Museum in Brockton, MA, “Creating The New Northwest: Selections from the Collection of the Herb and Lucy Pruzan” at the Tacoma Art Museum, WA, the NCECA National Biennial at the Museum of Art and Craft in Louisville, KY. Major gallery exhibitions include “Games of Antiquities” at Gasser & Grunnert in New York City, SOFA New York and SOFA Chicago with Ann Nathan Gallery, and most recently “Bodies and Beings” at Abmeyer+Wood Fine Art...

Based on her breathtaking golden faces chandelier named Cover-Discover, made for the Tel Aviv 2020 Biannale, Dana Bloom is now offering a limited edition of...

These are figurative works, of classical or archaic inspiration, reinterpreted using strictly contemporary signs and communicative languages, decontextualized and transformed into decorative elements: bar codes, qr codes, wi-fi icons, @, symbols of well-known advertising campaigns, numbers / formulas, which combine to form the vision of a dystopian archeology of the future which bring the individual closer to goods or objects, traces of mechanical or computer elements, which testify to a reality, ours, which has already happened, already lived. It is like an eye on the archeology of a distant future, or on a contemporary discovery that indicates an end already seen, towards which we can move. The metal structures are supports that enter the composition and the aesthetic vision and communication of the topics covered. The "cages" at the same time constrain but support, they root to the ground but soar upwards, in a liberating tension. ATLETA 2 - LA FORMA...

ATLETA 1 - CORSA IN TEMPO TERNARIO 2021 Red fireclay, oxides, enamels, iron, copper and gold leaf Measurement: CM 60x80x198 Weight: 18 kg These are figurative works, of classical ...

This masterpiece is currently on display at the Zimmerman Gallery in Carmel, CA, enhancing the charm of our gallery's garden. Please note: The base is not included. We will guide yo...

This masterpiece is exhibited in the Zimmerman Gallery, Carmel CA. Please note: The base is not included. We will guide you through a simple installation process for outdoor or indo...