Terracotta Figurative Sculptures

S. K. Sahajahan - Untitled - 8.5 x 8.5 inches Terracotta. Sahajahan’s work explores his physical surroundings through figurative contexts. Utilizing texture and and the emotive fa...

Seated Shaman Colima culture Mexico ca. 300 BCE - 300 CE Pre-Columbian, West Mexico, Colima, ca. 300 BCE to 300 CE. A hollow-cast and highly-burnished terraco...

Gautam Das - Untitled - 8.5 x 8.5 inches Gautam Das is a master Terracotta and mural Artist. He studied in the Kala Bhavana and currently presides as th...

18th Century French Terra Cotta Bust of a Young Gentleman Terra Cotta Unsigned 25 x 18 x 10 inches 41 lb.

Luca Madrassi (1848-1919), large patinated terracotta sculpture in Art Nouveau style, late 19th century. The sculpture depicts a half-naked young woman sitting in a tree holding a m...

The ‘Goddess’ by visionary artist Alexander Ney was handcrafted using italian white terra cotta in 2019. Ney began his professional career as a highly productive visual artist, as a ...

Standout mid century Italian life size greyhound sitting on a pillow figure or sculpture crafted in terra cotta, hand decorated and glazed.

Artist: Mirkò, Italian (1980 - ) Title: Vaso delle Braccia (Three Musicians) Year: 2007 Medium: Painted Terracotta Vase, signed Size: 18 x 19 x 13 in. (45.72 x 48.26 x 33.02 cm)

Portrait of boy, terracotta sculpture, 1930s-40s, Giorgio Rossi (1894-1981). Tuscan Sculptor. Terracotta modeled by hand by the artist. Unique piece. Dimensions: Height 31 cm. The...

Terracotta sculpture - Venus. Italy, 18th century. 27 x 22 x 45 cm. Made entirely of terracotta. Depicting a bathing Venus (small crack on the foot). - This item is sold with a c...

Louis Vidal, or Vidal l'aveugle (Vidal the blind) (1831 - 1892) Panther Sculptuer, low relief, terracotta 17,5 x 28,7 x 3 cm Inscription and signature on the top : "Panthère, Vidal ...

Terracotta sculpture - Allegory of Vanity. Italy, 18th century. 17 x 12 x 42 cm high. Made entirely of terracotta. It depicts a bare-breasted girl holding a mirror and a cherub wit...

After Philippe-Laurent Roland (French, 1746-1816) Bust of a Young Man, 1772 Terra cotta set on painted wood pedestal Signed and dated at back 16.5 x 11 x 8 inches Philippe-Laurent R...

Two Figures (Mother and son) 9" x 17" terracotta sculpture, signed lower left mounted to wood panel, 15 1/2" x 23 1/2" George Aarons (born Gregory Podubisky, in St. Petersburg, Russ...

Terracotta 19 x 25 ½ inches; 480 x 650 mm Signed and dated: ‘W Tyler Excu. 1765’ Collections: Cyril Humphris, London; Humphris sale, Sotheby's, New York, 10-11 January 1995, lot 74...

Tête de Faune, Picasso, Unique work, 1960's, Terracotta, Tiles, Design, Sculptur Tête de faune Unique work 14.03.1961 Painted and glazed terracotta tile...

Head of a warrior. From the Totonaca culture (state of Veracruz) created about 1982. Modern Pre Columbian style clay, terracotta sculpture artist signed on the right bottom. Walter...

Scène de tauromachie, Picasso, 1950's, edition, earthenware, terracotta, scene Scène de tauromachie Ed.274/500 pcs 1957 Red earthenware clay, eng...

Unique terracotta sculpture Signed on the base

Clodion (Claude Michel, 1738–1814), one of the foremost French sculptors of the 18th century, epitomizes the elegance and grace of the Rococo style. His works uniquely combine the li...

Mother Holding Baby, large terra-cotta and clay sculpture. From the Totonaca culture (state of Veracruz). Modern Pre Columbian style large sculpt...

Pair of 19' century Italian Marble imitation painted Terracotta . Bust of Emperor Caracalla and Cicero . Measurements : cm 71 H x 60 Available also a pair marble imitation colum...

Midcentury painted terracotta abstract figurative sculpture “La Testa” by Italian Futurist artist Renato Bertelli (1900-1974). Initialized “R. B. A-XI”.

Scultura in terracotta policroma raffigurante un angelo alato, Italia, XVIII secolo. L'angelo è plasmato con grande maestria, dalle forme rotonde tipiche del Barocco italiano. Gli ...

St. Joseph with Child in Terracotta beautiful example of Bolognese plastic from the 1700s, circle of Angelo Gabriello Piò (Bologna 1690 - 1770). Modeled as a full-length figure, th...

TERRACOTTA FIGURINE OF A COMIC ACTOR , Greece, c. 350 B.C. Labeled to the reverse, 'LAWRENCE COLL./LOT 426. SOTHEBY./APR. 1892. P. 816.'; Terracotta height 15.2 cm height 6 in Prove...

Original signed terracotta sculpture by Alexander Ney (Russian-American, 1939-2023) depicting a stylized seated figure with the artist's signature perforated and patterned surface te...

Original signed terracotta sculpture by Alexander Ney (Russian-American, 1939-2023) featuring his signature perforated surface texture and abstract stylized head form. The piece show...

Original signed terracotta sculpture by Alexander Ney (Russian-American, 1939-2023) featuring his signature perforated surface texture and stylized bird form. The piece exhibits the ...

Panters An imposing statue of a couple of panters by Irenée Rochard (1906-1884). A fine quality, much sought-after terracotta which was edited by Reveyrolis Paris.  Before casting, ...

Terracotta life-size male head. Rushton sculpts all of his busts using live models over the course of multiple sittings. While realistic and classical in character, his sculptures ...

Unknown artist from the 20th Century

A rare work by Swiss sculptor Walter Spaeny Head of Tristan Bernad (1866 - 1947) , French novelist, journalist and also lawyer. Terracotta Signed on the back side

Busto in terracotta di Virginie-Constance Lemercier (1812-1875), circa 1818. Virginie-Constance Lemercier era la figlia di Louis-Jean-Népomucène Lemercier, poeta e drammaturgo fran...

Terracotta life-size female head. Rushton sculpts all of his busts using live models over the course of multiple sittings. While realistic and classical in character, his sculpture...

Chouette, Picasso, Pitcher, Design, 1950's, Ceramic, Black and white, Animal Chouette femme Ed. 500 pcs 1951 Earthenware ceramic vase with engobe and ...

A rare and beautiful vase by Beato! Beatrice Wood, It is signed. Beatrice Wood (American, 1893–1998) was a painter, draughtsman, and sculptor best known for her luster-glazed ceramic...

Pair of large terracotta sculptures depicting a scene with two villagers, France, Paris workshop, second half of the 17th century. In the 17th century, Italy, and to a lesser ext...

Sculpture Terracotta From Marcel Bouraine (1886-1948)" Original terra cotta sculpture of Marcel Bouraine Naïade of the 1930's Signed Bouraine On the ...

"The Bacchante," an imposing terracotta group bearing the signature of Domien van den Bossche. Late 19th century. Probably inspired by Carrier Belleuse's "The Bacchante" group of ...

A Grouping of Three Period Figural Ancestor Posts; Mexican Tribal Figures, Possibly Pre-Columbian Aztec. Each are Terra cotta or sandstone with obsidian glass inlay to the eyes; Da...

Piccola terracotta a soggetto mitologico firmata sul retro sulla base "Zambini", che per la grafia (in particolare la Z che ricorda una F) permette di identificar...

Terracotta sculpture by Bernhard Sopher (Syrian/American 1877-1949). Clay figure of mother and child. Signed on the lower back: B. Sopher. Measures: 7 1/2" H x 7" W x 5" L. In excell...

Very rare Art Deco three dimensional terracotta sculpture of Adam and Eve by the Austrian artist, Virgil Rainer. Hand painted by the artist. Signed bott...

Artist/Designer: Alexander Ney (Russian/American, b. 1939) Marking(s); notes: signed Materials: terracotta, wood (base) Dimensions: 11.5″oah; sculpture: 6.75″h, 3.5″w, 4.5″d; base (...

French centerpiece from the first half of the 20th century. Finely chiseled terracotta object with masks (faces with different expressions, see photo) and figures of lateral cherubs ...

Terracotta sculpture - Bacchanal. Follower of Claude Michel, known as Clodion (1738-1814), 19th century. 35 x 35 x 65 cm. Made entirely of patinated terracotta. Depicting two danci...

Standout 19th century majolica pedestal handcrafted in terra cotta. In an orientalist theme with a woman and an ostrich under a palm tree, decorated and glazed. Signed G & S 1847 on ...

The ‘Disciple’ by visionary artist Alexander Ney was handcrafted using Italian white terra cotta in 2008. Ney began his professional career as a highly productive visual artist, as a...

Gypsum-based white terracotta life-size female head. Sculpted and kiln fired in Florence Italy, this work is now kept in Rushton's studio in central Manhattan. Rushton sculpts all ...

Unique terracotta sculpture Signed by the artist The contemplative creatures of Nili Pincas, of an extreme refinement, invite silence. This isolation of the sculpted being seizes and soothes, at the same time as it questions. Are we facing the face of anguish or introspection? The white or purple flesh, with a slightly grainy matte appearance, reveals the infinite sensuality of the artist’s touch...

A classic terra cotta sculpture of Mercury signed Jean-Baptiste Pigalle (1714-1785).

This elegant terracotta head is a memorial portrait (nsodie) of an Akan nobleman from the part of Africa which is today southern Ghana and southeastern Cô...

Unique original signed terracotta sculpture by Alexander Ney (Russian-American, 1939-2023), featuring a vividly painted and perforated head form in rich earthen tones with accents of...

This remarkably fluid terracotta bozetto was made in preparation for Pietro Pacilli’s most important public commission, a large-scale marble statue of San Camillo de Lellis for the nave of St Peter’s Basilica in Rome. Expressively modelled, this terracotta sculpture is a rare and significant work made by a major Roman sculptor at a transformative moment of European sculpture. Pacilli began his working life on the great Baroque decorative projects initiated in the seventeenth century, but he found success as a restorer of ancient sculpture working to finish antiquities for a tourist market, becoming an important figure in the emergence of an archaeologically minded Neoclassicism. Pacilli trained Vincenzo Pacetti and provided important decorative work for the Museo Pio-Clementino, at the same time he is recorded restoring some of the most celebrated antiquities excavated and exported during the period. Pacilli was born into a family of Roman craftsmen, his father Carlo was a wood carver, and Pacilli is recorded working with him on the Corsini Chapel in San Giovanni Laternao as early as 1735. In 1738 his terracotta model of Joseph and Potiphar’s Wife won the first prize in the second class of the sculpture concorso at the Accademia di San Luca, this is particularly notable as Bartolomeo Cavaceppi came third. He worked as a carver and stuccoist completing works for the churches of San Marco and SS. Trinita dei Domeniciani Spagnoli. Pacilli operated as a sculptor and restorer of antiquities from his studio at the top of the Spanish Steps, close to Santa Trinita dei Monti, where he is listed as a potential vendor to the Museo Pio-Clementino in 1770. In 1763 Pacilli completed a silver figure of San Venanzio for the treasury of San Venanzio. He is recorded as Pacetti’s first master and it was evidently through Pacilli that he began to acquire his facility as a restorer of ancient sculpture. Pacilli, at his studio ‘poco prima dell’Arco della Regina alla Trinita dei Monti,’ exercised, what the nineteenth-century scholar, Adolf Michaelis called ‘rejuvenating arts’ on several important pieces of classical sculpture, including in 1760 the group of a Satyr with a Flute for the natural brother of George III, General Wallmoden, Hanovarian minister at Vienna. In 1765, Dallaway and Michaelis record that Pacilli was responsible for the restorations, including the addition of a new head, to the Barberini Venus which he had acquired from Gavin Hamilton. The Venus was then sold to Thomas Jenkins, who in turn passed it on to William Weddell at Newby Hall. In 1767 Pacilli exported a series of ancient busts ‘al naturale’ including portraits of Antinous, Julius Ceaser and Marus Aurelius, also a statue of a Muse and a Venus. As early as 1756 Pacilli seems to have been operating as an antiquarian, helping to disperse the collection of the Villa Borrioni. Pacilli supplied sculpture to notable British collectors, including Charles Townley, who on his first trip to Italy purchased the Palazzo Giustiniani statue of Hecate from Pacilli. Pacilli was involved with the Museo Pio Clementino from its conception, supplying busts of Julius Ceaser and a Roman Woman as well as completing stucco putti surmounting the arms of Pope Bendedict XIV to signal the entrance to the new Museo Critiano. In 1750 Il Diario Ordinario del Chracas announced that Pacilli had begun work on a sculpture of San Camillo de Lellis for St Peter’s. Camillo de Lellis founded his congregation, the Camillians, with their distinctive red felt crosses stitched on black habits in 1591. Having served as a soldier in the Venetian army, Camillo de Lellis became a novitiate of the Capuchin friars, he moved to Rome and established a religious community for the purpose of caring for the sick. In 1586 Pope Sixtus V formerly recognised the Camillians and assigned them to the Church of Santa Maria Maddalena in Rome. Camillo de Lellis died in 1614 and was entombed at Santa Maria Maddalena, he was canonised by Benedict XIV on June 26, 1746. It was an occasion that prompted the Camillians to make a number of significant artistic commissions, including two canvases by Pierre Subleyras showing episodes from San Camillo’s life which they presented to Benedict XIV. In 1750 Pacilli was commissioned to fill one of the large niches on the north wall of the nave with a sculpture of San Camillo. The present terracotta bozetto presumably had two important functions, to enable Pacilli to work out his ideas for the finished sculpture and at the same time to show his design to the various commissioning bodies. In this case it would have been Cardinal Alessandro Albani and Monsignor Giovan Francesco Olivieri, the ‘economo’ or treasurer of the fabric of St Peter’s. Previously unrecorded, this terracotta relates to a smaller, less finished model which has recently been identified as being Pacilli’s first idea for his statue of San Camillo. Preserved in Palazzo Venezia, in Rome, the terracotta shows San Camillo with his left hand clutching his vestments to his breast; the pose and action more deliberate and contained than the finished sculpture. In producing the present terracotta Pacilli has expanded and energised the figure. San Camillo is shown with his left hand extended, his head turned to the right, apparently in an attempt to look east down the nave of St Peter’s. The model shows Pacilli experimenting with San Camillo’s costume; prominently on his breast is the red cross of his order, whilst a sense of animation is injected into the figure through the billowing cloak which is pulled across the saint’s projecting right leg. The power of the restrained, axial contrapposto of bent right leg and outstretched left arm, is diminished in the final sculpture where a baroque fussiness is introduced to the drapery. What Pacilli’s terracotta demonstrates, is that he conceived the figure of San Camillo very much in line with the immediate tradition of depicting single figures in St Peter’s; the rhetorical gesture of dynamic saint, arm outstretched, book in hand, head pointed upwards was perhaps borrowed from Camillo Rusconi’s 1733 sculpture of St. Ignatius...

The legendary Greek god Perseus is the subject of this elegant half-bust by Ubaldo Gandolfi, a major painter and sculptor from Bologna. The son of Zeus and Danaë, Perseus was the le...

Provenance: Private Collection, Spain. This intriguing and enigmatic sculpture depicts the head of a young African man emerging from a circular opening ...

A lovely hand modelled sculpture in bas relief, depicting the head of a smiling young Parisian lady with a gleam in her eyes. The work dates from from the Belle Epoque, the art nouv...

Woman with flowers on head, terracotta, 1930s-40s, Giorgio Rossi (1894-1981). Tuscan Sculptor. Terracotta modeled by hand by the artist. Unique piece. Dimensions: Height 53 cm. The...

Unique terracotta sculpture Signed by the artist The contemplative creatures of Nili Pincas, of an extreme refinement, invite silence. This isolation of the sculpted being seizes and soothes, at the same time as it questions. Are we facing the face of anguish or introspection? The white or purple flesh, with a slightly grainy matte appearance, reveals the infinite sensuality of the artist’s touch...