Milton Goldin

Seated Figure of a Women Stone Abstract Sculpture

1989

Figurative sculpture of a thinking women seated. Women appears to be in a long dress. The stone has natural tones that come out with the carvings of the sculpture.

Naturalistic figure of a women with long hair and a long dress. The stone is a darker blue toned with natural veins and speckling. The figure is signed on the bottom of the dress.

Modern abstract sculpture of a woman and goat by renowned artist Reuben Nakian. The work features a female nymph figure lying back as a goat figure approaches in Nakian's iconic bloc...

Abstract figurative grey marble sculpture that incorporates a variety of human appendages (nose, feet, and fingers). The base is signed "MARIO C ...

Cool grey figurative sculpture of a female figure. Sculpture has concave areas where the limbs would extend from the body. The sculpture sits on a base that appears to be a leg. Jose...

Modern abstract cast stone portrait bust sculpture by Houston, Texas artist David Adickes. The work is modeled after Adickes' friend Julie Burrows and features sharp facial features ...

Jim Miller-Melberg (1929 - 2017) was a mid-century industrial designer and sculptor known for his ubiquitous playground sculptures. Jim studied at the University of Michigan, Cranbrook Academy of Art in Bloomfield Hills...

Intricate, ethereal and highly textured, the abstract compositions of Japanese mosaic artist Toyoharu Kii reflect a sophisticated approach to the technica...

Claude-Lévy, 1895 – 1942 Alice Nikitina in the role of Flora, from the Dukelsky/Braque production of the ballet Zephyr & Flore at the Ballets Russes, 1925 Cast Stone Signed and dated: Claude-Levy 1925 on rear face of self-base. The present sculpture is as rare as it is delightful. Mademoiselle Claude-Levy, as the catalogues of the period list her, was one of the truly original talents of the Art Deco period. Painter, architect, decorator, and sculptor, she was a friend of the Parisian, Modernist sculptors, Chana Orloff, Henri Laurens and the Martel brothers, to whom her work was often compared. The ingenuity of her models brought her great critical acclaim, but she seems to have stopped producing in the early 1930s. Her output, although fine, is rare. Claude-Levy’s gentle Cubism might be better described as Purism in sculpture. It is characterized by simplified surfaces, rounded (as opposed to angular) forms, and smooth, lustrous surfaces. The Purist movement included the painters Léger, Ozenfant and Le Corbusier in its ranks. Claude-Lévy, along with other artists of the avant- garde living in the Gallic capital (Czaky, Zadkine, Archipenko, Lipchitz, Lambert Rucki Miklos, Nadelman, Vörös, Orloff) helped to develop a collective twentieth century figurative sculptural idiom that exploited the daring and rich possibilities of geometric abstraction. The present work is Claude-Lévy’s Commedia dell’Arte figures inspired by the Stravinsky/Picasso Ballet...

ITALIAN MARBLE FIGURE OF A GRIFFIN Italy, early 19th Century marble 87 x 54 x 20 cm 34 1/4 x 21 1/4 x 7 3/4 in

Infused with a crisp modernity and subtle sensuality, this bronze sculpture by Cuban-born artist Agustin Cárdenas is an exceptional example of late-2...

A black marble “liaison” with 3 links. Hand carved from a single block of marble. 78 x 30 x 23 cm signed Cedric Koukjian 2019 Switzerland Cedric Ko...