Troy Abbott

Untitled

2019

"We surround ourselves with elements from nature in the form of manicured lawns, sculpted trees, and our domesticated companions. We bend the natural world to our tastes and create a...

"We surround ourselves with elements from nature in the form of manicured lawns, sculpted trees, and our domesticated companions. We bend the natural world to our tastes and create a...

Rachel Denny's work is an exploration of the seductive beauty of our natural world and the imprint that human intervention has made on its flora and fauna. Denny is best known for he...

'We surround ourselves with elements from nature in the form of manicured lawns, sculpted trees, and our domesticated companions. We bend the natural world to our tastes and create a...

'We surround ourselves with elements from nature in the form of manicured lawns, sculpted trees, and our domesticated companions. We bend the natural world to our tastes and create a...

'We surround ourselves with elements from nature in the form of manicured lawns, sculpted trees, and our domesticated companions. We bend the natural world to our tastes and create a...

Based on her breathtaking golden faces chandelier named Cover-Discover, made for the Tel Aviv 2020 Biannale, Dana Bloom is now offering a limited edition of...

Charlie Paynter Viking Ship Mixed Media, Found Objects, Metal, Plex, Leather, Wood Year: 2015 Size: 16x19x11in Signed by hand COA provided Ref.: 24802-1746 Tags: Playful, Bottle Opener, Plex, Sailor, Outsider Art, corky, airy, breezy, buoyant, debonair, jaunty Charlie Paynter was born in Kansas City in 1938, graduated from Paseo High School. He was employed at the Kansas City Star for 55 years, where he worked in the mailing room...

assemblage sculpture: painted wood building refashioned out of an old seed box, constructed old wood toy boat to resemble the Ark, vintage carved & painted an...

assemblage sculpture: old wood mantle clock box refashioned to resemble a Morocco Riad mansion, 6 antique painted skittles pins, antique photo with ...

Hand-dyed ghost gear netting*, muslin, adhesive, foam, paint, pins, reclaimed copper flashing Recovered Ghost Gear Data: Retrieval Coordinates: 42° 10ʹN 69°52ʹW Retrieval Vessel: F/V Donna Marie (Groundfish Trawler/Scallop Dragger out of Provincetown) Water Depth: approx. 100 fathoms/183 meters/600 feet Source: pre-Magnuson-Stevens Act* foreign, most likely Russian, fishing net 'I am a multidisciplinary artist with a focus on ecofeminism using fiber and mixed media constructions. My materials include hand-dyed commercially fished line and ghost gear, recycled and antique textiles, fabric printed with cyanotype emulsions and found objects. I change the existing surface of recognizable animals by creating a veneer of unexpected color and imagery. This forces the viewer to consider the shape more carefully by visually exploring its new topography. The creation process can be likened to painting with fiber (that has been tinted with hand-mixed dyes) on a three-dimensional canvas. Intense work is spent creating the eyes and ears to convey the emotion of each animal. I look to the work of Joan Mitchell and The Quilters of Gee’s Bend...

Hand-dyed ghost gear netting*, muslin, adhesive, foam, paint, pins, reclaimed copper flashing Recovered Ghost Gear Data: Retrieval Coordinates: 42° 10ʹN 69°52ʹW Retrieval Vessel: F/V Donna Marie (Groundfish Trawler/Scallop Dragger out of Provincetown) Water Depth: approx. 100 fathoms/183 meters/600 feet Source: pre-Magnuson-Stevens Act* foreign, most likely Russian, fishing net 'I am a multidisciplinary artist with a focus on ecofeminism using fiber and mixed media constructions. My materials include hand-dyed commercially fished line and ghost gear, recycled and antique textiles, fabric printed with cyanotype emulsions and found objects. I change the existing surface of recognizable animals by creating a veneer of unexpected color and imagery. This forces the viewer to consider the shape more carefully by visually exploring its new topography. The creation process can be likened to painting with fiber (that has been tinted with hand-mixed dyes) on a three-dimensional canvas. Intense work is spent creating the eyes and ears to convey the emotion of each animal. I look to the work of Joan Mitchell and The Quilters of Gee’s Bend...