Nicasio Fernandez

Uh Oh

2021

Artist: Nicasio Fernandez Title: Needed Tools Size: 11 × 4 1/10 × 5 1/5 in | 27.9 × 10.4 × 13.2 cm Medium: Zinc alloy and mixed media Edition: ...

Artist: Brian Calvin Title: Shared Space Size: 14 Inches Dia (35.6 cm Dia.) Medium: Ceramic Edition: of 100 Year: 2021 Notes: Numbered on Bottom. Artwork is in excellent c...

Individually numbered from sold out edition of 75, with bespoke mounting hardware included. Translating the boldly fragmented geometry of his painting into a wall-mounted wooden sc...

Martin Whatson 'Eternal Reflection' (Green), 2016 Size: 11 4/5 × 8 7/10 × 9 4/5 in (30 × 22 × 25 cm) Medium: Brass Edition: of 10 Notes: Super Rare - Includes an Artist Issued COA.

Artist: Kenny Scharf Title: Cateyeguy Size: 10 x 3 1/2 x 5 1/2 Inches Medium: Sculpture Technique: Painted Resin Edition: OF 2500 Year: 2004 Provenance: Toy sculpture, hand-si...

Little Cloud Flower Vase is the unification between human and the natural world. A key symbol of FriendsWithYou’s mission, Little cloud, in itself, is a positive call to action...

Giraffe by JOSÉ JERÓNIMO single piece of art Iron sculpture with use of tools and other objects Measures: 81 x 41 x 15 cm. Private collection.

Giraffe by JOSÉ JERÓNIMO single piece of art Iron sculpture with use of tools and other objects Signed Measures: 81 x 41 x 15 cm. Private collection.

SKYLAR FEIN was born in Greenwich Village and raised in the Bronx. He has had many careers including teaching nonviolent resistance under the umbrella of the Quakers, working for a g...

Magdalena Peszkowska born in 1980 in Gdańsk, Poland. Studied in Department of Painting at Academy of Fine Arts in Gdańsk (1999-2004). Diploma with special recognition in painting in 2004. The character of Magdalena Peszkowska's works Series Stand is like an poetic archive of memories, which call for a classification and reconstruction of the time of childhood and the intense experience of time with everything around it. Gdansk - where the artist comes from - becomes a mythical place, This city, with a very strong symbolic potential inherent in its history, needs editing from a single point of view. Magdalena Peszkowska uses her own photos or those from the family album. She transfers them to gray field blankets and camp beds with her own secret technology Then she paints on the used objects. Many of her objects show figures from the closest circle of Peszkowska, often it is herself, her family or places close to her in Gdansk. Her objects have intentional signs of use. The field blankets have a sewn-in wooden bar to hang them on the wall. The field military beds...

Magdalena Peszkowska born in 1980 in Gdańsk, Poland. Studied in Department of Painting at Academy of Fine Arts in Gdańsk (1999-2004). Diploma with special recognition in painting in 2004. The character of Magdalena Peszkowska's works is like an poetic archive of memories, which call for a classification and reconstruction of the time of childhood and the intense experience of time with everything around it. Gdansk - where the artist comes from - becomes a mythical place, This city, with a very strong symbolic potential inherent in its history, needs editing from a single point of view. Magdalena Peszkowska uses her own photos or those from the family album. She transfers them to gray field blankets and camp beds with her own secret technology Then she paints on the used objects. Many of her objects show figures from the closest circle of Peszkowska, often it is herself, her family or places close to her in Gdansk. Her objects have intentional signs of use. The field blankets have a sewn-in wooden bar to hang them on the wall. The field military beds...

Magdalena Peszkowska born in 1980 in Gdańsk, Poland. Studied in Department of Painting at Academy of Fine Arts in Gdańsk (1999-2004). Diploma with special recognition in painting in 2004. The character of Magdalena Peszkowska's works Series Stand is like an poetic archive of memories, which call for a classification and reconstruction of the time of childhood and the intense experience of time with everything around it. Gdansk - where the artist comes from - becomes a mythical place, This city, with a very strong symbolic potential inherent in its history, needs editing from a single point of view. Magdalena Peszkowska uses her own photos or those from the family album. She transfers them to gray field blankets and camp beds with her own secret technology Then she paints on the used objects. Many of her objects show figures from the closest circle of Peszkowska, often it is herself, her family or places close to her in Gdansk. Her objects have intentional signs of use. The field blankets have a sewn-in wooden bar to hang them on the wall. The field military beds...