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Antique Chinese scrimshaw Shunga plates

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Guillermo Rigattieri – Ganesh Cold Worked, Electric Welded Metals, and Varnish 17 x 7 x 11 inches

Guillermo Rigattieri – Caballo Blando Cold Worked, Electric Welded Metals, and Varnish 24 x 22 x 8 inches

Feng Shui Good Luck Money Toad 20th century Red resin 1.5 x 3 x 2.5 inches

Skuldelev Vessel Stoneware with tenmoku glaze

Snorri Vessel Stoneware with flashing slip

Jar with lid Stoneware with volcanic ash glaze

Arbegas C by Camilo Andres Rodriguez Marquez Burnt Wood Sculpture Dimensions: H. 32 x 77 x 43.5 cm Camilo Andres Rodriguez Marquez is a Colombi...

Tatam B by Camilo Andres Rodriguez Marquez Burnt Wood Sculpture Dimensions: H. 35 x 25 x 25 cm Camilo Andres Rodriguez Marquez is a Colombian b...

Custodian I by Camilo Andres Rodriguez Marquez Burnt Wood Sculpture Dimensions: H. 34 x 22 x 15 cm Camilo Andres Rodriguez Marquez is a Colombi...

Arbegas A by Camilo Andres Rodriguez Marquez Burnt Wood Sculpture Dimensions: H. 171 x 52 x 41 cm Camilo Andres Rodriguez Marquez is a Colombia...

Bust of a Lady, thought to be Elisabeth Petrowna, also known as Elisabeth of Russia Depicted before she was crowned Terracotta Bust Elizabeth Petrovna (Russian: Елизаве́та (29 Decem...

Bronze art deco ram sculpture by Paul A. Lobel from the RKO Roxy Theater, Rockefeller Center, New York. Hand wrought. Provenance: RKO, Roxy Center Theatre; Mr. Eugene Lee Schoen; Mr. Neal Prince & Mr. Herbert Wade Hemphill Jr.; Mr. Neal Prince; The Trust of the above; Heritage Auctions. Presented by Joseph Dasta Antiques Paul Lobel (1899 - 1983): The accomplishments of Paul A. Lobel, industrial designer, metalsmith, sculptor and cartoonist/illustrator, may be viewed as the quintessential American success story. Born in Romania, at the turn of the century, he emigrated to the United States while an infant, and, from humble beginnings on Manhattan’s Lower East Side, grew up to attain a one-man show in Paris in 1925, win two awards at the International Exposition of Decorative Arts in Paris in 1932, be the subject of two exhibitions at the American Museum of Art and The Museum of Modern Art in New York City. He also founded an innovative jewelry and metals studio/shop in New York’s Greenwich Village. Furthermore, his contemporaries regarded him with awe and almost everything he attempted came to fruition. In the summer of 1926 Lobel exhibited 35 works, including drawings, etchings, paintings, metalwork and sculpture, in a one-man show at the Grande Librairie Universelle in Paris. During the next year, he toured London, Rome, Florence, Rotterdam, Brussels and Berlin, then, broke, returned to America where he again rented desk space and tried to resume his advertising career. But he was haunted by the modern design that he had been exposed to in Paris. So, after borrowing money to open a metalwork studio on Lexington Avenue, he sought out architect Eugene Schoen, an enthusiast of modern design, whom he had formerly been introduced to by Boardman Robinson. Schoen was in the process of opening a gallery devoted to showing the work of designers and craftsmen imbued with the spirit of modernism...