Gail Folwell

Heat (Life Size) 2/9

2015

Cast bronze, Edition of 12 Named for the Roman god of agriculture; sixth planet from the sun; second largest planet. Sharon Loper creates transitory sculptures out of bronze, stone...

"Metaphors, symbols, the material world, the collective unconscious and the spiritual realm generate the sources in which I investigate images for the viewer to interact with. Becaus...

A self-taught sculptor, Copper is drawn to what she considers the “misunderstood” animal, and much of her work centers on bats and burros. Pushing the barrier between animal and human, she approaches her subjects from all angles, playing on them as animals, and morphing them with human figures. Copper was first inspired to sculpt bats when she was visiting a temple in Chachongsao, Thailand, where she encountered hundreds of thousands of bats hanging above her, wings gently quivering. Copper remembers that she had never thought about bats before, but at that moment she was captivated and started to research them. The more she learned, the deeper her respect for these marvelous creatures, and the more she wanted to find a way to help people understand and appreciate them. In her bat sculptures...

Maxwell Carraher is a third generation fine artist living and working in Los Angeles.​ "I've been working in the medium of clay since I was a child. I often find the communication I ...

A civil engineer for 30 years, Holmes has been exhibiting and selling his sculptures since 1975 in the United States, Europe, South America, and Asia. He is now very well-known for h...

Bronze and Concrete on Polished Steel Stand. Born and raised in Detroit, Michigan, Danette Landry was a longtime resident of California before moving to Paris to pursue studies in c...

Arman Hommage à Nadar, 1986 Bronze with black patina, sliced movie camera 22 x 9 x 12.63 inches AP from edition of 75

2021 Bronze 18 x 11 x 18 1/2 inches Unique Signed and dated, base

Spar, 2021 Bronze 18 x 11 x 18 1/2 inches Signed and dated, lower right

Maxine Kim Stussy, a prolific sculptor and painter from the late 1940’s to present. Maxine led an incredibly artistic life traveling the world with h...

Sherry Owens Windows and Maidens #6, 2019 Bronze, patina, crepe myrtle, dye, milk paint, wax 11 x 14 3/4 x 11 3/4 inches For over 30 years, sculptor Sherry Owens has used the sinewy crepe myrtle tree to tell her story of the Texas landscape, death, renewal, beauty, and of today’s growing environmental concerns. Remnants of personal stories, visions and observations in nature are the driving forces in her work. She believes that what we see and do in our daily lives leaves a mark on our planet. It is the direct impact of human activities on the natural world, which is visualized in her artistic practice. She creates connections with nature using crepe myrtle trees found along the side of the road. Each stick is hand-carved and cut to fit, then laid in place and secured with a small myrtle peg. What takes precedence in the laborious process is the importance of detail and evidence of the artist’s hand and her interaction with the materials. Sherry Owens is a native Texan, currently living and working in Dallas, TX. She received a BFA from Southern Methodist University. Recent Texas solo exhibitions include The Grace Museum; Cris Worley Fine Arts; Martin Museum of Art; Art Museum of Southeast Texas; and a two-person site-specific installation at the Umlauf Sculpture Garden & Museum. She was also included in recent exhibitions at the Amon Carter Museum of American Art, TX and the Ogden Museum of Southern Art, LA. She has exhibited internationally in Austria, Denmark, Germany, Greece, India, Japan, Peru, and Turkey. Her work is currently on view in the Ground Zero 360 Remembrance Exhibition at the Museum of Biblical Art...

Sherry Owens Windows and Maidens #5, 2019 Bronze, patina, crepe myrtle, dye, milk paint, wax 9 1/4 x 14 1/4 x 9 inches For over 30 years, sculptor Sherry Owens has used the sinewy crepe myrtle tree to tell her story of the Texas landscape, death, renewal, beauty, and of today’s growing environmental concerns. Remnants of personal stories, visions and observations in nature are the driving forces in her work. She believes that what we see and do in our daily lives leaves a mark on our planet. It is the direct impact of human activities on the natural world, which is visualized in her artistic practice. She creates connections with nature using crepe myrtle trees found along the side of the road. Each stick is hand-carved and cut to fit, then laid in place and secured with a small myrtle peg. What takes precedence in the laborious process is the importance of detail and evidence of the artist’s hand and her interaction with the materials. Sherry Owens is a native Texan, currently living and working in Dallas, TX. She received a BFA from Southern Methodist University. Recent Texas solo exhibitions include The Grace Museum; Cris Worley Fine Arts; Martin Museum of Art; Art Museum of Southeast Texas; and a two-person site-specific installation at the Umlauf Sculpture Garden & Museum. She was also included in recent exhibitions at the Amon Carter Museum of American Art, TX and the Ogden Museum of Southern Art, LA. She has exhibited internationally in Austria, Denmark, Germany, Greece, India, Japan, Peru, and Turkey. Her work is currently on view in the Ground Zero 360 Remembrance Exhibition at the Museum of Biblical Art...