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Irina Zaytceva
"Twins Cup", Contemporary, Porcelain, Sculpture, Painted Illustration, Luster

2021

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    Sam Chung lives and works in Tempe, AZ. He is a ceramic artist and Professor of Art at Arizona State University. As a second-generation Korean-American, he explores pottery that ref...
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    By Irina Zaytceva
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    Irina Zaytceva was born in Moscow in 1957. She graduated from Moscow Art Institute ( Poljgrapfichesky) with an MFA in book illustration. Having illustrated a number of children books, she found porcelain by chance; a friend had given her a piece of clay, which prompted her to experiment with the new media and fell in love with it. Fine porcelain is a perfect canvas for her drawings, and with the ability to bend her “canvas,” she can add sculptural elements to the picture. Someone called this hybrid media narrative sculpture, a term Irina thinks aptly describes her work. Never formally trained in ceramics, Irina had to invent ways to handle it. Unlike many of her colleagues who paint with oil based colors, she uses water based colors and has developed her own techniques in this media. She does not use casting but hand rolls her vases, cups, and, sculptures. With every piece porcelain yields its secrets to her. Since 1998, Irina resides in USA and presently have her studio near Princeton, New Jersey. Selected Public Collections Racine Art Museum, Racine, WI Grand Rapids Art Museum, Grand Rapids, MI Fine Art Museum of San Francisco, CA Hermitage Museum, St. Petersburg, Russia University of Michigan Art Museum, Ann Arbor, MI "Ghost of the Lotus Shoes...
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  • "Euclidean Cup 02", Contemporary, Ceramic, Sculpture, Gold Luster, Glaze, Paint
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    Located in St. Louis, MO
    Born in Detroit, Steven Montgomery’s work revels in a history of industry and aging as the artist uses porcelain to produce intricate mechanical forms with the appearance of metal. H...
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  • "Melt", Contemporary, Abstract, Contemporary, Sculpture, 24k Gold Luster Glaze
    Located in St. Louis, MO
    “My work reflects on experiences of transformation, alchemy and the sublime, manifesting in sculptures that undulate between soft and hard, alive and static, real and imagined. These works shape-shift, oscillating between abstraction, flora, fauna and mineral. This has the effect of compressing time, with elements frozen in mid-transformation. This dislocation reflects on mortality and ephemerality, exploring the space in between stages in our lives as well as embracing fantasies of alternative dimensions as a means of escapism.” - Artist Statement Sasha Koozel Reibstein...
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