Joel Urruty

Joel Urruty - Rouge, Photography

Medium: reclaimed wood, pigment and lacquer As an artist I strive to create elegant sculptures that capture the true essence of the subject matter. Form, line and surface are used a...

As an artist I strive to create elegant sculptures that capture the true essence of the subject matter. Form, line and surface are used as the visual language. The figure is abstract...

Mahogany, dye, lacquer, concrete As an artist I strive to create elegant sculptures that capture the true essence of the subject matter. Form, line and surface are used as the visua...

Basswood, white lacquer As an artist I strive to create elegant sculptures that capture the true essence of the subject matter. Form, line and surface are used as the visual languag...

Cocoon Mahogany, pigment, lacquer 9" x 19" x 8" As an artist I strive to create elegant sculptures that capture the true essence of the subject matter. Form, line and surface are us...

mahogany, pigment, lacquer As an artist I strive to create elegant sculptures that capture the true essence of the subject matter. Form, line and surface are used as the visual lang...

CUBE, PYRAMID & SPHERE is a major work created over a five-year period. It is a variable installation, composed of 4 geometric sculptures of high-fired clay pigmented with oxides, a block of wood found in the ocean, river gravel, limestone, and slate shattered to fragments. Note the surface textures, the ground of natural stone, the colors black, umber, copper and tan throughout, the pattern of slate fragments. CUBE, PYRAMID & SPHERE is characteristic of Wortman's practice – warm, contemporary, uniquely crafted, yet speaks to ancient, primitive traditions of art-making that cross cultures and histories. Highly attuned to the art of Africa, the Middle East, India and Asia, his forms are organic abstracts with masculine and feminine attributes that resonate together as a pleasing enigma. They make sense immediately, yet never give up all their secrets. CUBE, PYRAMID & SPHERE was exhibited at BASE: Immersive Art Experiences, Industry City, Brooklyn, NY, 2017. It was also reproduced in Tussle Magazine, alongside "An Interview with Harold Wortsman...

Abstract wall sculpture painting featuring intersecting linear grooves painted with bright blue paint. The uniqueness of this blue does not derive from the ult...

Abstract wall sculpture featuring three dimensional geometric shapes painted with bright blue paint. The uniqueness of this blue does not derive from the ultra...

"RAKU RED AND WHITE", 2019, in wheel-formed white glaze with copper red blush, sprig, stamp, gold leaf and raku fired with kintsuji gold by artist Andrew Cornell Robinson, is one of a series of sculptural objects that include ceramic, glass and mixed media grottoes and containers. A project exploring the vessel form and notions of gratitude, plenty, poverty in material or humanity. Robinson has led artists to explore tableware as sculptural form – "Changing attitudes and emerging social behaviors in food preparation and the social and cultural rituals of eating have lead to changes in the way tableware is made and used." Andrew Cornell Robinson is an interdisciplinary artist working across media (ceramics, textiles, painting, prints, etc.). His work is influenced by collaborative craft communities, traditions, and the performative qualities of cultural production. The underlying ideas exploring identity, histories, rituals, and power in his work aim to create a space for intimate experiences and open narratives. He studied ceramic sculpture at the Glasgow School of Art and the Maryland Institute College of Art where he received a BFA. He was awarded an MFA from the School of Visual Arts, where he became interested in the intersection of memory, identity, politics, and power. He has been featured in many publications including Sculpture Magazine, Huffington Post, Hyperallergic, Art Info, et al. He has participated in curatorial and research projects and recently was a participating artist in Debtfair a project in the Whitney Biennial. Andrew has also worked on collaborations with designers such as Donna Karan’s Urban Zen project where his work in ceramics led to workshops with artisans in Haiti and the creation of a ceramic studio in Port-au-Prince. He is currently working with The Powerhouse Arts Workshop and their design team from the Pritzker-prize winning architecture firm Herzog & de Meuron in the design and development of a contemporary industrial fabrication center established to serve the working needs of artists in New York City. He is currently a member of the faculty at Parsons School of Design and Greenwich House Pottery in New York City. His work has been presented extensively throughout the world with the Anna Kustera Gallery, David & Schweitzer Contemporary, Christopher Stout...

This stunning contemporary wall sculpture is by Rod Mireau. Using both traditional and modern woodworking techniques the Peterborough based artist has created a tondo of stained ash ...

Pair of Fendi Casa Fleurette Coffee Nesting Tables, Bronze finish, Lacquer, by Thierry Lemaire, each marked Fendi, Lacquered. Metallic brass details fit inside the top in new Paliss...