Perry Haas

Wood Fired Porcelain Jar with Iron Particles by Perry Haas, 2016

2016

Perry Haas is a ceramic artist making functional pottery and focusing on wood-firing techniques. Drawing from a love for the wood-fired ceramic surface, Perry looks to anticipate the...

Perry Haas is a ceramic artist making functional pottery and focusing on wood-firing techniques. Drawing from a love for the wood-fired ceramic surface, Perry looks to anticipate the...

Perry Haas is a ceramic artist making functional pottery and focusing on wood-firing techniques. Drawing from a love for the wood-fired ceramic surface, Perry looks to anticipate the...

Perry Haas is a ceramic artist making functional pottery and focusing on wood-firing techniques. Drawing from a love for the wood-fired ceramic surface, Perry looks to anticipate the...

Steven Young Lee is the Resident Artist Director of the Archie Bray Foundation in Helena, Montana. A Chicago native, he received his MFA in Ceramics from the New York State College o...

Born in Rochester, NY, Peter Pincus is a ceramic artist and instructor. Peter received his BFA (2005) and MFA (2011) in ceramics from Alfred University, and in between was a resident...

Artist : Stephanie Lanter Title : "Attached" Materials : Porcelain, glaze, stoneware, wire, thread Date : 2020 Dimensions : 20" x 9" x 8.5" Description : Manually slip-trailed sculpture...

"Magma" is a saggar-fired porcelain vessel by Alison Brannen. It measures 16" high by 13" wide. It's an exceptional piece, leaning into the "jolie laide" territory – compelling despi...

"Spotted Blue Moon Jar" is a saggar-fired porcelain vessel by Alison Brannen. It measures 18" high by 15" wide. Inspired by her journeys sailing the Atl...

These are figurative works, of classical or archaic inspiration, reinterpreted using strictly contemporary signs and communicative languages, decontextualized and transformed into decorative elements: bar codes, qr codes, wi-fi icons, @, symbols of well-known advertising campaigns, numbers / formulas, which combine to form the vision of a dystopian archeology of the future which bring the individual closer to goods or objects, traces of mechanical or computer elements, which testify to a reality, ours, which has already happened, already lived. It is like an eye on the archeology of a distant future, or on a contemporary discovery that indicates an end already seen, towards which we can move. The metal structures are supports that enter the composition and the aesthetic vision and communication of the topics covered. The "cages" at the same time constrain but support, they root to the ground but soar upwards, in a liberating tension. ATLETA 2 - LA FORMA...

ATLETA 1 - CORSA IN TEMPO TERNARIO 2021 Red fireclay, oxides, enamels, iron, copper and gold leaf Measurement: CM 60x80x198 Weight: 18 kg These are figurative works, of classical ...

ASTROLABIO 2019 White fireclay, oxides, enamels and iron Diameter CM 30 ø Thickness CM 7 Rod CM 65 Trace, sign, memory, transformation over time, stratification, memory, occult lan...