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The Music Player 2004

2022

edition 3/3 ANASTASIA PELIAS was born in New Orleans, LA to Greek parents. Her artistic practice is rooted in the dual cultural identity of both ...

JONATHAN FERRARA GALLERY is proud to announce, Shape-Memory, a solo exhibition of new textile and sculptural artworks by New Orleans-based artist Gina Phillips. Initially born from h...

JONATHAN FERRARA GALLERY is proud to announce, Shape-Memory, a solo exhibition of new textile and sculptural artworks by New Orleans-based artist Gina Phillips. Initially born from h...

JONATHAN FERRARA GALLERY is proud to announce, Shape-Memory, a solo exhibition of new textile and sculptural artworks by New Orleans-based artist Gina Phillips. Initially born from h...

unique, open edition Peter Baran was born in Bratislava, Slovakia in 1993. He graduated in 2019 from the University of the Arts in London and has decided to pursue his career as a sculptor. Peter's fascination with concrete comes from the material itself - it is classless and globally used, allowing him to capture the ideas of universally understood objects, which can carry a different meaning or status depending on their owner's geographic location. Concrete is the primary building material of our world, it is the most material made by us. In 2021, he started the REGULAR CONCRETE...

unique, open edition Peter Baran was born in Bratislava, Slovakia in 1993. He graduated in 2019 from the University of the Arts in London and has decided to pursue his career as a sculptor. Peter's fascination with concrete comes from the material itself - it is classless and globally used, allowing him to capture the ideas of universally understood objects, which can carry a different meaning or status depending on their owner's geographic location. Concrete is the primary building material of our world, it is the most material made by us. In 2021, he started the REGULAR CONCRETE...

Cornucopia With Columns, John Van Alstine. Stone and metal, usually granite or slate and found object steel are central in my sculpture. The interaction of these materials is a majo...

Joseph's statement pieces both literally and figuratively reflect their audience - drawing attention to phrases, words, or expressions that challenge the viewer to look beneath the s...

Maurizio Cattelan L.O.V. E. 2015 Concrete 40 × 18 × 18 cm (15.7 × 7.1 × 7.1 in) Stamped by artist's estate Edition of 1800 In mint condition, in the original wooden crate and accompanied by a certificate of authenticity The statue, which bears the title of L.O.V.E., stands for Libertà, Odio, Vendetta, Eternità (Freedom, Hate, Vengeance, Eternity),was created in 2010 to stay in Piazza Affari (business district) in Milan. The artist himself states that the statue is an anti-fascist statement, transforming Italy’s Fascist...

A sculpture by Theaster Gates. "Stand-Ins for Period of Wreckage 25" is a contemporary sculpture, white concrete and porcelain by American, Blue Chip artist Theaster Gates. The artwork is unsigned. Theaster Gates' practice includes sculpture, installation, performance and urban interventions that aim to bridge the gap between art and life. Gates works as an artist, curator, urbanist and facilitator and his projects attempt to instigate the creation of cultural communities by acting as catalysts for social engagement that leads to political and spatial change. Gates has described his working method as “critique through collaboration” – often with architects, researchers and performers – to create works that stretch the idea of what we usually understand visual-based practices to be. For his exhibition at Milwaukee Art Museum exhibition in 2010, for example, Gates invited a 250 strong gospel choir into the galleries to sing songs adapted from the inscriptions on pots by the famous 19th century slave and potter 'Dave Drake'. For the 2010 Whitney Biennial, Gates transformed the Whitney’s Sculpture Court with a spare, architectural installation that functioned as a communal gathering space for performances, social engagement, and contemplation. For the duration of the exhibition Gates collaborated with various creative practitioners on a series of 'monastic residencies', holding live events such as the session by Gates' musical ensemble, the Black Monks of Mississippi. In another recent exhibition at Seattle Art Museum, Gates transformed the gallery into an audio archive entitled 'The Listening Room', incorporating a hand-built DJ...

Concrete casting unique sculpture. Concrete part is 40x14 cm + extensions are various sizes. Concrete works can be a part of your library as the artist's abstract art objects as book...

Concrete casting unique sculpture. Concrete part is 40x14 cm + extensions are various sizes. Concrete works can be a part of your library as the artist's abstract art objects as book...