Still-life Sculptures
Still-life Sculptures For Sale
Period: 1990s
Color: Gold
Almost Asleep by Allan Houser, mother and child bronze sculpture, edition, brown
By Allan Houser
Located in Santa Fe, NM
Almost Asleep by Allan Houser, mother and child bronze sculpture, limited edition, brown patina, walnut base, lifetime casting
Allan...
Category
1990s Contemporary Still-life Sculptures
Materials
Bronze
Young Cock
By Anne Chase Martin
Located in Dallas, TX
Artist's Statement
At first I went to state fairs to do small drawings and little gestural sculptures of animals. Eventually I bought some chickens for models but soon realized i...
Category
1990s Contemporary Still-life Sculptures
Materials
Bronze, Gold Leaf
Strawberry 1. Bronze Sculpture by Yayoi Kusama (1974/93) Limited Edition of 30
By Yayoi Kusama
Located in Hong Kong, HK
Lacquered bronze sculpture by Yayoi Kusama.
Original mould executed in 1974; casted in 1993.
This work is number 8 from a limited edition of 30 plus 1 artist's proof.
Incised with t...
Category
1990s Contemporary Still-life Sculptures
Materials
Bronze
Strawberry 2. Bronze Sculpture by Yayoi Kusama (1974/94) Limited Edition of 30
By Yayoi Kusama
Located in Hong Kong, HK
Lacquered bronze sculpture by Yayoi Kusama.
Original mould executed in 1974; casted in 1994.
This work is number 20 from a limited edition of 30 plus 1 artist's proof.
Incised with ...
Category
1990s Contemporary Still-life Sculptures
Materials
Bronze
Philosopher bronze sculpture
By John Denning
Located in Glen Ellen, CA
A recurring theme in John Denning’s art (both painting and sculpture) has been combining human figures with birds or horses. The bird in the freestanding bronze sculpture "Philosophe...
Category
1990s Contemporary Still-life Sculptures
Materials
Bronze
Shoe. Bronze Sculpture by Yayoi Kusama. Limited Edition of 30 (1976/94)
By Yayoi Kusama
Located in Hong Kong, HK
Painted bronze sculpture by Yayoi Kusama.
Original mould executed in 1976; casted in 1994.
This work is number 12 from a limited edition of 30.
Incised with the artist's signature an...
Category
1990s Contemporary Still-life Sculptures
Materials
Bronze
John Blackhorse Hangs Out At Earl's, bronze rez dog sculpture, blue, Navajo
Located in Santa Fe, NM
John Blackhorse Hangs Out At Earl's, bronze rez dog sculpture, blue, Navajo
limited edition of 15
Category
1990s Contemporary Still-life Sculptures
Materials
Bronze
FAUBOURG ST. HONORE (SCULPTURE)
By Erté
Located in Aventura, FL
Incised signature by the artist and stamp numbered with foundry and date. Additional images are available upon request. Certificate of Authenticity is included. Please do not hesitat...
Category
1990s Art Deco Still-life Sculptures
Materials
Bronze
Lovers of Chimayo by Eduardo Oropeza, Bbronze Sculpture, Couple, Edition, Chicano
Located in Santa Fe, NM
Lovers of Chimayo by Eduardo Oropeza, Bronze Sculpture, Couple, Edition,Chicano
Lovers of Chimayo by Eduardo Oropeza, bronze sculpture, couple, edition 25 © 1993
Sculptor, painter,...
Category
1990s Contemporary Still-life Sculptures
Materials
Bronze
Arman - Rare Signed Violin Bronze Sculpture
By Arman
Located in Collonge Bellerive, Geneve, CH
Arman
Original Bronze Violin Sculpture
Edition: HC 1/2
Signed and Numbered
Bronze
Dimensions: 36 x 50 x 24 cm
Arman is a painter who moved from using objects for the ink or paint traces they leave to using them as the painting itself. He is best known for his "accumulations" and destruction/recomposition of objects. In October 1960, Arman, Yves Klein, François Dufrêne, Raymond Hains, Martial Raysse, Daniel Spoerri, Jean Tinguely and Jacques Villeglé, and art critic and philosopher Pierre Restany founded the Nouveau réalisme group. Joined later by Cesar, Mimmo Rotella, Niki de Saint Phalle, and Christo, the group of young artists defined themselves as bearing in common their "new perspective approaches of reality." They were reassessing the concept of art and the artist for a 20th century consumer society by reasserting the humanistic ideals in the face of Industrial Expansion.
In 1961, Arman made his debut in the United States, the country which was to become his second home. During this period, he explored creation via destruction. The "Coupes" and the "Colères" featured sliced, burned, or smashed objects arranged on canvas, often using objects with a strong "identity" such as musical instruments (mainly violins and saxophones) or bronze statues.
The son of an antiques dealer and amateur cellist, the artist absorbed an intense appreciation for music, the art of collecting and the cultivation of discriminating taste from an early age. After studies at the Ecole Nationale des Arts Décoratifs in Nice, Arman decamped to Paris to study art history at the Ecole du Louvre. His work in these early years focused on abstract paintings inspired by the work of Nicolas de Staël. An avid reader, Arman sought inspiration through books and art reviews, as well as during frequent road trips throughout Europe with his artist friends from Nice, Claude Pascale and Yves Klein.
1972
Arman, Paris, Fernand Hazan, collection "Ateliers d'aujourd'hui"
Otto Hahn
1973
Arman, New-York, Harry N. Abrams
French Edition : Pierre Horay, with text by Pierre Restany.
Henry Martin
1982
Arman: Conscious Vandalism / Vandalismo cosciente, Vérone, Edizioni Factotum-Art
Sarenco
1984
Arman, New-York, Abbeville Press
Jan Van der Marck
The Public Sculpture of Arman, New-York, Marisa del Re Gallery
Frederic Ted Castle
Arman, Galerie Beaubourg, reprinted from the journal CiMayse, Paris, no. 170, May-July 1984.
"Accumulations by Arman", Art in America, New-York, vol. 71, no. 11, December 1983.
Frederic Ted Castle
1987
Arman, Paris, La Différence
Bernard LaMarche-Vadel
1988
Arman. 13 peintures / Arthur Rimbaud. Lettres du Voyant, Paris, La différence, collection "Tels qu'en eux-mêmes" (livre publié à l'occasion de l'exposition "Arman. Peintures 87-88", Galerie Beaubourg, Paris, 1988).
Jan Van der Marck
1990
Arman Estampes, Paris, Editions Marval
Jane Otmezguine, Corice Canton Arman and Marc Moreau
1991
Arman, Catalogue raisonné II, Paris, La Différence
Denyse Durand-Ruel
1992
Mémoires accumulés d'Arman, Paris, Belfond
Otto Hahn
1993
Arman, Paris, La Différence, collection "Classiques du XXIème siècle"
Pierre Cabane
1994
Arman, Catalogue raisonné III, Paris, La Différence
Denyse Durand-Ruel
2004
Arman Inclusions, Bordighera, Edizioni Cudemo
Tita Reut
EXHIBITION CATALOGS
1959
Piccolo gioco administrativo del caso, Arman, Pierre Restany, Milan, Galleria Apollinaire
1960
À toute allure, Arman. Allures d'objets, Pierre Restany, Paris, Gallerie Saint-GerMayn
1962
Arman et la logique formelle de l'objet, Arman, Pierre Restany, Los Angeles, Dwan Gallery
1963
Arman, Arman, Alain Jouffroy, Milan, Galleria Schwarz
1964
Introduction à la peinture d'Arman , Arman, Claude Pascal. Amsterdam, Stedelijk Museum
1964
Arman, Yves Klein, Amsterdam, Stedelijk Museum
Arman and Esthetic Change, Arman, Gene R. Swenson, New-York, Sidney Janis Gallery
1965
Arman, Paul Wember, Krefeld, Museum Haus Lange
1967
Arman: un acte de foi dans la spiritualité de la matière , Arman, Pierre Restany, Paris, Galerie Illeana Sonnabend
1968
Arman, John Ashbery, New York, Sidney Janis Gallery
Arman, Pierre Restany, Milan, Galleria Schwarz
1969
Arman 1960-1965, Grégoire Müller, Paris, Galerie Mathias Fels
Arman. Accumulations Renault, François Mathey, Paris, Union centrale des Arts décoratifs
1970
Arman Accumulations Renault, Karl-Heinz Hering, Zurich, Kunsthaus
Arman piu' pittore che natura, Arman, Pierre Restany, Milan, Galleria dell'Ariete
1972
Objets de luxe et fétiches raisonnables, Arman, Pierre Restany, Milan, Galleria Arte Borgogna
Arman : Les Moments d'Arman, Jacques Putman, Paris, Galerie de l'Œil
1973
Selected Activities, Peter Schjedahl, New-York, John Gibson Gallery
Oggetti di lusso e feticci ragionevoli, Arman, Pierre Restany, Galleria Arte Borgogna
Arman: An Archeologist of the Present, Arman. Jan Van der Marck, New-York, John Gibson Gallery
1974
Le juste poids d'un homme et d'une œuvre, Arman, Pierre Restany, Arles, Salles romanes du Cloître Saint-Trophime
Logician of Form / Magician of Gesture , Arman. Selected Works : 1958-1974, Jan Van der Marck, La Jolla, La Jolla Museum of Contemporary Art Arman. Concrete Lyrics, Andrew J. Crispo, New York, Andrew Crispo Gallery
Arman et la logique formelle de l'objet , Arman, L'Œuvre graphique, Pierre Restany, Saint-Paul-de-Vence, Galerie Alexandre de La Salle
1975
Arman, Objets armés, 1971-1974, Jacques Lassaigne, Paris, Musée d'Art Moderne de la ville de Paris
Arman. Lyrical Surfaces, Andrew J. Crispo, New York, Andrew Crispo Gallery
Arman's Violin-Service, A Game of Correspondances , Arman, Violin-Service, Pierre Restany, Paris, Galerie Claude Tchou
Arman, Surgeon of the Mass-Productive Civilization, Arman, Yoshiaki Tôno, Nagoya, Galerie Valeur
1978
Arman. Hard & Soft, Jan Van der Marck, New-York, Andrew Crispo Gallery
The Iron Age and its Monuments, Arman. L’Age de fer et ses monuments, Daniel Abadie, Paris, Galerie Beaubourg
Accumulations : Radiant and Wretched, Arman. Accumulations, Shunkichi Baba, Nagoya, Galerie Valeur
1980
Petite histoire du collage et de l’assemblage , Arman. Sélection rétrospective, Otto Hahn, Cluse, Centre d’Art et de Culture de Flaine
Arman, Sélection rétrospective, Pierre Restany, Cluses, Centre d'Art et de Culture de Flaine
Zucche in carroze, Arman, Jan Van der Marck, Portofino, Galleria Civica d'Arte Moderna
1981
Arman : uno sguardo sempre nuovo sul mondo , Arman. Opere del 1979, Pierre Restany, Rome, Le Point Art Studio
1982
Fünfundszwanzig Jahre als Erfolg / Vingt-cinq ans de bonheur , Arman, Parade der Objeckte, Retrospektive 1955 bis 1982, Pierre Restany, Hanovre, Kunstmuseum Hannover mit Sammlung Sprengel
Arman. Le Traité du violon, Maurice Roche, Paris, Galerie Abel Rambert
Arman , Arman. Carvings and Drawings, Otto Hahn, Dublin, The Salomon Gallery
Arman. Papiers découpés 1982, Ted Castle, Paris, Galerie Beaubourg
Arman Retrospektiv , Arman. Parade der Objekte, Retrospektive 1955 bis 1982, Joachim Büchner et Bernhard Holeczeck, Hanovre, Kunstmuseum Hannover mit Sammlung Sprengel
Arman o l'oggetto come alfabeto , Arman o l'oggetto come alfabeto, Walter Schönenberg, Lugano, Museo Civico di Belli Arti
1984
Vinticinque anni di felicità , in Arman o l'oggetto come alfabeto, Pierre Restany, Lugano, Museo Civico di Belle Arti
L’allure d’Arman , Arman, Daniel Abadie, Knokke le Zoute, Christian Fayt Art Gallery
Arman’s Apocalypse, Arman. The Day After, Sam Hunter, New York, Marisa del Re Gallery
A la recherche du concert perdu , Arman. Recent Sculptures, Michel Butor, Monte Carlo, Galerie Le Point
Arman, scultore del'réalisme sociétal , Arman o l'oggetto come alfabeto, André Verdet, Parme, Palazzetto Eucherio Santivale
1985
Un délire spiralé d'Arman , Arman, André Verdet, Zurich, Schöner Wohnen Haus Galerie
Transformation of Things, Arman, Mashashi Miura, Seoul, Walker Hill Art Center
A la recherche du concert perdu, Arman, Michel Butor, Genève, Galerie Sonia Zannettacci
Le jour après la colère, Arman, François Bazzoli, Toulon, Musée de Toulon
Arman, Claude Fournet, Toulon, Musée de Toulon
Arman Retrospektive, Adolph Hanspeter, Zurich, Galerie Pavillon Werd
1986
Arman’s Gods and Goddesses , Arman. Gods and Goddesses, Henry Geldzahler, New York, Marisa del Re Gallery
Arman: Hard & Soft Ware, Arman. Hard & Soft Ware, Pierre Restany, Paris, Courrèges
1987
Arman. Rythmes et Couleurs, Claude Fournet. Nice, Galerie Ferrero
1988
Opéras – rituels , Arman. Désordres lyriques, Georges Aperghis. Paris, Opéra de Paris, Salle Favard
Désordres lyriques, Arman. Michel Beretti, Paris, Opéra de Paris, Salle Favard
Arman as a Painter: From Guts to Geist, Arman Paintings, Pierre Restany, New-York, Marisa del Re Gallery
1989
La seconde parade des objets , Arman Retrospektiv, Pierre Restany, Lunds, Lunds Kunsthall, Malmö, Galleri GKM
Arman. Shooting Colors, Pierre Restany, Paris, Galerie Beaubourg
Le montreur , Arman. Works 1955-1989, Jeffrey Robinson, Londres, The Mayor Gallery
Arman Sculpteur Designer, Jeffrey Robinson, Roanne, Galerie La Taille Douce
Arman. A Retrospective, Manuela Rossi, Seoul, Gana Art Gallery
Deux ans plus tard, Arman. Retrospektiv, Siwert Bergström, Lunds, Lunds Konsthall, Malmö, Galleri GKM
1990
Arman's Dirty Paintings , Arman. Dirty Paintings, Donald Kuspit, New-York, Marisa del Re Gallery
Arman, Monochrome Accumulations 1986-1989, Donald Kuspit, New-York, Vrej Baghoomian Gallery
Arman: au pays de son inspiration, Dora Llipoulou-Rogan, Athènes, Galerie 3
Per Arman : un accumulo di ragioni, Arman, Manuela Rossi, Milan, Galleria Arte Borgogna
Grande Musique et Fortes Allures, Arman, Pierre Restany, Tokyo, Fuji Television Gallery
1991
Arman: A Radical Portrait of Modernity , Arman 1955-1991 : A Retrospective, Pierre Restany, Houston, The Museum of Fine Arts
Arman: Bétons 1970-1974, Catherine Francblin, Paris, Galerie Georges-Philippe Valois
Arman: An Artist of Our Time , Arman 1955-1991: A Retrospective, Allison de Lima Greene, Houston, The Museum of Fine Arts
Painting as Object Art / Oggettistica in pittura, Arman in Italy, Achille Bonito Oliva, Milan, Fondazione Mudima
Arman: a Search for Beauty, Arman in Italy, Henry Martin, Fondazione Mudima
1993
Arman. Cycles, Donald Kuspit. New York, Marisa del Re Gallery
Arman, de l’objet…à la couleur-objet , Arman, Georges Dussaule, Cagnes sur Mer, Château-Musée / Galerie Beaubourg
Association d’image, Arman, André Froumessol, Cagnes sur Mer, Château-Musée / Galerie Beaubourg
Arman, Maxime Longrée, Charleroi, Galerie Pascal Retelet
De la peinture à la fleur, Arman, Michel Santinelli, Cagnes-sur-Mer, Château-Musée / Galerie Beaubourg
1994
La Nuit étoilée et Arman, Arman. La Nuit étoilée, Isabelle Sobelman, Pierre Nahon, Vence, Galerie Beaubourg
L’elenco appunto , La ceramica di Arman, Umberto Eco, Bologne, Palazzo delle esposizioni, Edizioni Maggiore
1995
La ceramica di Arman, Henry Martin, Bologne, Palazzo delle esposizioni, Edizioni Maggiore
Arman, un homo ludens en Grèce, Arman, Manos Stefanidis, Athènes, Galerie 3
La ceramica di Arman , La ceramica di Arman, Flaminio Gualdoni, Bologne, Palazzo delle esposizioni, Edizioni Maggiore
1996
Arman. Interactives, Caroll Janis, New York, Sidney Janis Gallery
1997
Arman: Accumulations in Relation, Patrick Pacheco, Londres, James Mayor Gallery
1998
Arman, Arman. Désordres Lyriques, Bernard LaMarche-Vadel, Paris. Opéra de Paris, Salle Favart
Esthétique du dandy des gadoues , Arman. Désordres Lyriques, Michel Tournier, Paris, Opéra de Paris, Salle Favart
1998
Arman, Galerie nationale du Jeu de Paume, Paris, France
Arman, Wilhelm-Hack-Museum, Ludwigshafen am Rhein, Germany
Arman, Culturgest, Lisboa, PORTUGAL
Arman: Variations sur un Lénine, Galerie Patrice Trigano, Paris France
Arman: Concerto pour quatre pianos, Galerie John Gibson, November, 1999, New York United States
Arman: Nec mergitur, Galerie Piltzer, Paris, France
Arman, Tel Aviv Museum of Art, Tel Aviv, Israël
Arman, Museu de arte moderna do Rio de Janeiro, Rio de Janeiro, Brazil
Arman, Museu de Arte de Sao Paulo Assis Chateaubriand (MASP), Sao Paulo SP, Brazil
Arman: Fragmentation of Pianos, Galerie John Gibson, New York United States
2000
Arman, Museo de Monterrey, Monterrey, Mexico
Arman: Racine carrée de fragments, Galerie Daniel Templon, Paris, France
Arman, National Museum of History, Taipei, CHINA
Arman: Anatomie del Tempo, Reggio Emilia, Italy
Arman: Fragmentations, Galerie Georges-Philippe & Nathalie Vallois, Paris,
Arman: Works on Paper, Ludwig Museum, Koblenz, Germany
Arman: La Traversée des Objets, Chateau Musée de Villeneuve, Vence, France
Arman: Vingt Siècles vus par Arman, Couvent des Cordeliers, Paris, France
2001
Arman, Fundaciò “la Caixa”, Barcelone, Spain
Arman, Zürichsee Auktionen, Erlenbach, Switzerland
Arman, Galerie Belmont, Films, Switzerland
Arman: Superpositions, Guy Pieters Gallery, Knokke-le-Zoute, Belgium
Arman, Sandwich Combos, Malborough Gallery, New York, United States
Arman: En tout cas c’est de l’art, Galleria Dante, Padova, Italy
Arman: La Traversée des Objets, Palazzo delle Zitelle, Venise, Italy
Arman: Vingt Stations de l’Objet, Chantier Naval Opéra, Antibes
Arman: Works on Paper, Vila Zanders Bergisch-Gladbach, Germany
Arman: Through and Across Objects, Boca Raton, Florida, United States
Arman: Des Cycles de la Vie, Galerie Anne Lettree, LUXEMBOURG
Arman, Galeria De Arte Isabel Aninat, Santiago, CHILE
Arman, Die Galerie, Zurich, Switzerland
Arman: Vingt Siécles vus par Arman, Exposition au Chantier Naval Opera, Port Vabanantibes
Arman: Passage a L’Acte, MAMAC, Nice, France, June 14 – October 14, 2001.
2002
Arman: Musique, Kunsthaus Grenchen, Grenchen, Switzerland
Arman: Africarmania, Arman et l’Afrique, Galerie Beaubourg, Vence, France
Arman: Dix Mots Pour, Sonia Zannettachi Gallery, Switzerland
Arman: Œuvre Monumentale, Ville du Lavandou, Le Lavandou, France
Arman: Works on Paper, Villa Haiss Museum, Zell, Germany
Arman: Fragmentations, FIAC Galerie Beaubourg, Paris, France
2003
Arman: A Survey, Marlborough Gallery, New York, United States
Arman: Centomilacenerentole, Dante Vecchiato Galleria d’Arte, Padova, Italy
Arman: Arman, Museum of Contemporary Art of Teheran, Teheran, IRAN
Arman: Le plein de l’art, Galleria Fonte d’Abisso, Milano, Italy
Collection: Obelisk, 1983, (Towering accumulation of bronze cellos...
Category
1990s Modern Still-life Sculptures
Materials
Bronze
The Ballerina Before the Mirror of Life, Eduardo Oropeza, woman, ballerina
Located in Santa Fe, NM
The Ballerina Before the Mirror of Life, Eduardo Oropeza, woman, ballerina
The Ballerina Before the Mirror of Life, Eduardo Oropeza bronze sculpture brown
limited bronze edition of 25 Cast in the USA
Sculptor, painter, printmaker, & photographer, Eduardo Oropeza remains a commanding presence in contemporary art. He applied a high level of devotion and integrity to his artwork. After the many years he had been working at his chosen profession, he saw being an artist as a tremendous gift, which honored and humbled him. A native of California's San Joaquin Valley and long time resident of East Los Angeles, Oropeza's academic training began with the study of Sociology. After taking an art course, he ultimately changed majors and received a Master of Fine Arts degree in sculpture from San Jose State. Postgraduate work followed at San Jose, San Diego State at Long Beach, and Palomar College.
Oropeza’s contribution to public art in Los Angeles can be seen in a ceramic mosaic covering the 2 story Self Help Graphics Workshop building located at Ceasar Chavez and Gage streets in East Los Angeles. Oropeza donated his time and artistic talent to complete this multi-year project. The second phase of this project was the creation of a Virgin of Guadalupe shrine, for the community.
Selected collections: Los Angeles County Museum of Art (LACMA), Hispanic Research Center, Arizona State University, City of Sacramento, California, Mary Tyler Moore, Eartha Kitt, Juanita Jordan, BET Television, St. Regis Hotel, San Francisco
Time draws a line across the end of the day like a sunset and gently approaches the woman.
The reflection on the mirror finds her leaning on the ballet bar...
Category
1990s Contemporary Still-life Sculptures
Materials
Bronze
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Chorus Line
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11.5x11.5x1"
Features Frogs, Butterflies and Dutch Iris, which is noted by the artist on the side. It also is signed, numbered and dated on the front of the relief to the right of the frogs. And the Loveland Sculpture Works foundry stamp is next to the title on the right side. Detail images show all of these inscriptions.
This particular casting is available on the secondary market from an original purchaser. Original finish, hand painted by the artist. It is in excellent condition, sold as pictured.
About the Artist: "Sharles was born in in Italy of American parents on their honeymoon while visiting European relatives. The family was forced to sit out the war in Britain, and when the war ended, traveled home. But the transition to post-war United States was not an easy one. His parents divorced, leaving a 5 year-old Sharles to be raised by various relatives in a sparse ranching/farm environment of Colorado and Wyoming.
This early childhood led Sharles to believe he was born in that rural area for most of his adult life. His parents wanted to forget, and erase all memories of the war experiences and lacking the long lost Italian birth papers enrolled him in school via borrowed creditials and name of a near cousin. Art collectors, artists, friends, and the world, only know him today by his signature and professional art name of “SHARLES”.
At the age of 10, his Boston grandmother removed him from the Midwest, not wanting her grandson to become a cowboy. She was a stylish, sophisticated widow, self-made businesswoman who was a very successful art and antique dealer to wealthy East Coast collectors.
Sharles spent his teens immersed in the totally different world of Boston and foreign travel, art museums, and his grandmother’s art business. He assisted his grandmother in her antique store, and on buying trips to India, France, Italy, China, and Japan. In addition to his own cultural heritage of English, French, and Italian art, he was immersed in many other cultures and educated about the antiques and decorative arts associated with his grandmother’s business.
His grandmother was a passionate collector of art and loved flowers. These were common interests shared with her best friend, Grace Wedgwood who was related to the famous English Wedgwood pottery family. Grace Wedgwood was Sharles’ Godmother. These two loving guardians took an active role in his education, privately tutoring him on trains, ocean liners, and in hotel rooms. Sharles received a rare education in the techniques, forms, and artistic values of the decorative arts that were intrinsic to the famed Wedgwood pottery. Both his grandmother and godmother were dedicated collectors of Wedgwood, oriental bronzes, porcelains, flower paintings, Italian and French art. These experiences constituted a rich and enduring art education that in time were major influences in his art.
The daily contact with art and flowers became embed in Sharles’ physic, and would later come to his aid and ultimate rescue. In 1982 he suffered a serious car accident in Loveland, Colorado, a small farming community. Left as a semi-invalid with almost total amnesia, Sharles struggled to recover. He was stranded, not knowing his past, home, or friends.
While recovering in Loveland, which had a small bronze foundry, Sharles began observing some of the local sculptors, George Lundeen, Fritz White, Danny Ostermiller, Glenna Goodacre, and Kent Ullberg. He gradually began picking up sculpting techniques and learned the casting process. At first, Sharles created the images that were being produced by the other local artists: Indians, eagles, buffaloes, and other western genre.
But one auspicious day while sculpting, Sharles surrendered to the intense pressures of his unremembered past. His subconscious adoration of flowers, plants and nature, so strongly instilled by his deceased grandmother, became dominant themes. These memories were his inspiration in creating functional and decorative arts as he discarded the local, popular art trends.
Not knowing if it could even be done, Sharles began experimenting with creating iris flowers in soft wax. He attempted to sculpt delicate flower shapes with wet clay techniques, as the Wedgwood potters had done. Sharles attached these flowers to functional forms, creating extraordinary floral vases, candlesticks, elaborate candelabras, bowls and other types of vessels. The inspiration of his sculptural style remained a mystery to Sharles for many years as it had all flowed so effortlessly from his mind through his hands.
The bronzes were finished with patinas that were bright natural colors of greens, golds, pinks, and purples that seemed to surprise and even shock the art world. So much so, that major galleries were reluctant to show them, having no sales record by which to judge them. After all, their collectors were buying classic wildlife and Western art in the customary French-brown patinas.
For three years, Sharles continued to add to his decorative portfolio, waiting for the right gallery to represent him. Finally, Pam Driscoll, of the Driscoll Gallery, saw this new work, and with hesitation, agreed to show four or five pieces in her gallery. She was astonished when all five bronzes sold as they were being unpacked. Word spread of the immediate sales in Driscoll Gallery, and Sharles soon had more galleries contacting him for his floral decorative work than he could handle.
In 1987 Sharles was accepted into the 3rd Annual Loveland Sculpture in the Park Show. It was a small event organized by local peer artist, George Lundeen, Dan Ostermiller, George Walbye, Fritz White, and Hollis Wilford. It has since become the most important national sculpture show in the United States. For 23 years, Sharles has participated in this annual juried show of nationally, celebrated sculptors.
In 1990, Sharles was one of the many highly talented sculptors from Loveland invited to participate in the Continental Airline’s Sculpture Showcase. It was a show that would tour the major international airports across the United States for three years. This event exhibited the top sculptors from Loveland: Kent Ullberg, George Lundeen, Fritz White, Hollis Wilford, Steve Kestrel, and other promising artists. Other important sculptors would be added as it progressed through the country. Sharles was also delegated with the honor of sculpting a bronze centerpiece for the opening night. With the loosely stated theme of “flight”, the requested sculpture seemed of little significance in light of the high caliber of art being showcased.
With only three weeks to complete, it was an inspired rush-job. The centerpiece created was a 5 1/2 foot totem-like structure of turtles, iguanas, and birds, crowned with the head of a Native American. The sculpture symbolized man learning the principles of flight from gliding sea turtles, and birds that had evolved from dinosaurs and reptiles. The piece, “Evolution of Flight,” was so successful opening night that it was given a place in the traveling sculpture show. This showstopper, exotic piece, amazed and awed viewers but none more so, than the airline that had anticipated seeing an eagle, or some historical rendition of Kitty Hawk.
Both the “Evolution of Flight” sculpture and the traveling show solidified the career of Sharles as a professional sculptor almost over night. He had embarked on both projects as a totally unknown artist and had revealed just a tip of the iceberg. Galleries and collectors took notice. In 1996 the March issue of Southwest Art Magazine published a sizeable article followed by a similar piece in May/June 1998 Art of the West Magazine.
The Art Council of the Cerritos, California commissioned Sharles in 1998 through the National Sculptors' Guild to sculpt a major public art installation for the front of the new public library. They wanted a bronze of a giant, red amaryllis flower and purple lotus flowers incorporated in to a 12 foot multi-piece water fountain.
In 2006, Sharles was commissioned by the city of Loveland, Colorado to create two, circular, 32″ bas-relieves of California quail...
Category
1990s Contemporary Still-life Sculptures
Materials
Bronze
“The Cardinal” Large Catholic Christian Priest Bronze Bust Sculpture
Located in Houston, TX
"The Cardinal" is a large bronze bust of a Catholic Priest by Jerry Boyle. Part of a series of 9 and is signed, titled, and dated by the artist. Pedestal can be included if desired.
...
Category
1990s Abstract Still-life Sculptures
Materials
Bronze
H 73.25 in W 25 in D 19 in
LIBERTY (BRONZE)
By Peter Max
Located in Aventura, FL
Hand painted bronze sculpture. Each piece is unique. The artist's signature and studio copyright date incised to the base. 20.5 inches high on a 2 inch high base. From the edition o...
Category
1990s Pop Art Still-life Sculptures
Materials
Bronze
HER SECRET ADMIRERS
By Erté
Located in Aventura, FL
Incised signature by the artist and stamp numbered with foundry and date. Additional images are available upon request. Certificate of Authenticity is included. Please do not hesitat...
Category
1990s Art Deco Still-life Sculptures
Materials
Bronze
Dmitri Tougarinov, "Rolling Horse, " sculpture
Located in Chatsworth, CA
Dmitri Tougarinov
1990
3/9 from the edition of 9
Bronze sculpture
Signed in bronzed
16 x 6 x 5 inches
Category
1990s Modern Still-life Sculptures
Materials
Bronze
DIGGING CARROTS bronze abstract Dada contemporary sculpture post-modern
Located in New York, NY
Born in Rochester, NY, Secrest gained his appreciation of craftsmanship from his experience as a son of a potter and painter, as opposed to through a formal arts education. Moving to...
Category
1990s Contemporary Still-life Sculptures
Materials
Bronze
HER SECRET ADMIRERS
By Erté
Located in Aventura, FL
Incised signature by the artist and stamp numbered with foundry and date. Additional images are available upon request. Certificate of Authenticity is included. Please do not hesitat...
Category
1990s Art Deco Still-life Sculptures
Materials
Bronze
Baja California Dolphins at Play Sculpture
By Donjo
Located in Soquel, CA
Beautiful bronze sculpture of two dolphins swimming in a kelp and coral environment. Beautiful viewing 360 degrees. Presented on a black lacquer base. Artist's signature and edition ...
Category
1990s Realist Still-life Sculptures
Materials
Stone, Bronze
LIBERTY (BRONZE)
By Peter Max
Located in Aventura, FL
Hand painted bronze sculpture. Each piece is unique. The artist's signature, copyright date and edition number incised to the base. 20.5 inches high on a 2 inch high marble base. Art...
Category
1990s Pop Art Still-life Sculptures
Materials
Bronze
I LOVE THE WORLD (BRONZE)
By Peter Max
Located in Aventura, FL
Hand-painted bronze sculpture. The artist's signature, copyright date and edition number incised to the base. Artwork is in excellent condition. Certificate of Authenticity included....
Category
1990s Pop Art Still-life Sculptures
Materials
Bronze
LA FIANCEE
Located in Aventura, FL
Inscribed signed by the artist and stamp numbered with foundry and date. Bronze sculpture. From the Beauty in Bronze series. Artwork is in excellent condition. Certificate of Authent...
Category
1990s Contemporary Still-life Sculptures
Materials
Bronze
Arman - Gilded Panther - Signed Bronze Sculpture
By Arman
Located in Collonge Bellerive, Geneve, CH
Arman - Gilded Panther - Signed Bronze Sculpture
His animal sculptures are very rare and recognized for their originality and their beauty.
Material: Bronze.
Signed and Numbered
Dim...
Category
1990s Surrealist Still-life Sculptures
Materials
Bronze
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