Creamer (Ode to Méret)
View Similar Items
Want more images or videos?
Request additional images or videos from the seller
1 of 5
Cristin Richard Creamer (Ode to Méret) 2022
2022
About the Item
- Creator:Cristin Richard
- Creation Year:2022
- Dimensions:Height: 6.5 in (16.51 cm)Width: 6 in (15.24 cm)
- Medium:
- Period:
- Condition:
- Gallery Location:Detroit, MI
- Reference Number:1stDibs: LU163829986472
About the Seller
No Reviews Yet
Vetted Seller
These experienced sellers undergo a comprehensive evaluation by our team of in-house experts.
Established in 2012
1stDibs seller since 2021
9 sales on 1stDibs
More From This SellerView All
- Endangered SpeciesLocated in Detroit, MIFound object with Nutria Fur Limited edition of 50 Approximately 9x7x2 inches; each book is unique with varying size, detail, and color.Category
2010s Still-life Sculptures
MaterialsFound Objects
- Soup Spoon (Ode to Méret)Located in Detroit, MINutria fur and found object Limited edition of 3Category
2010s Still-life Sculptures
MaterialsFound Objects
- Dinner Fork (Ode to Méret)Located in Detroit, MINutria fur and found object Limited edition of 3Category
2010s Still-life Sculptures
MaterialsFound Objects
- Excess BaggageLocated in Detroit, MINatural casing coated with polymer, bovine leather Limited edition of 10Category
2010s Still-life Sculptures
MaterialsLeather
- Salad Fork (Ode to Méret)Located in Detroit, MINutria fur and found object
- ECHOBy Lois TeicherLocated in Detroit, MIaluminum sculptureCategory
2010s Abstract Abstract Sculptures
MaterialsMetal
$11,000
You May Also Like
- Roots - An Iron vessel wall sculpture by Nir Adoni. 41x27.5"Located in Tel Aviv, ILNir Adoni's metal vessels sculptures have become his signature art and are displayed in public buildings around the world. We are offering limited editions in a few sizes of these a...Category
2010s Contemporary Figurative Sculptures
MaterialsSteel, Metal, Iron
- “Pen Decline 1 - 2 - 3 in White” (Archeology series) Computer Keyboard SculptureBy Daniel FiordaLocated in New York, NYDaniel Fiorda in this new series of sculptures, continues in many ways the themes that have infused his previous work. For the last several years, Fiorda has dealt with technology, obsolescence, with the trail of discarded tech that humanity leaves behind and what it says about us. The new work takes this thematic one step further. These new wall pieces feature barely concealed found objects, almost fully engulfed by concrete, and yet still eerily discernible: industrial gears, computer keyboards, objects that evoke industrial post-digital eras. This piece is a set of 3 artworks that showcases a black computer keyboard on a white background and they can be arranged for display in a variety of layouts. They come ready to hang with hanging hardware and they are signed by the artist on verso. Art measures 8.75 x 8.75 x 1.25 in (each) The overall sense is dystopian rather than apocalyptic. In Fiorda’s previous work, found objects were displayed as if unearthed from a bed of clay by a tacit anthropologist, perhaps decades into the future. A typewriter would be partially buried by dry soil and weathered by the passing of time. The underlying narrative was that of a future civilization unearthing the objects left by ours. Destruction or extinction was implied. In the new work, the obsolete technology is not found but rather engulfed by a new technology. Concrete, as a material and as a technology, has the capabilities to fully encase and envelope. In Fiorda’s new work, uniformity and the appropriation of old/new technology into new structures suggests a historical and technological challenge right around the corner, mirroring the ones in our recent past: the digital age fully replacing the analog world. These astounding sculptures, with embedded objects, are here to examine closely, and make connections between theme, material, and shape. Daniel Fiorda was born in 1963 in Buenos Aires, Argentina. Of Italian ancestry, his lineage includes a grandfather highly respected as a wood craftsman, also his father was a craftsman in addition to being a musician and poet. Because a privileged life was not his, there was no university for Fiorda. In the Old World tradition of passing on knowledge from parent to child, he learned about machinery form his father, who recognized his son's talent and encouraged it. With some private tutoring, he began sculpting in high school using found objects. The press reviews of his first exhibit, at age 20, stated that Fiorda had a definite “poetic feeling”. With this encouragement, he continued to pursue his art. After leaving Argentina, he arrived in Miami Beach via a circuitous route and set up his studio in the South Florida Art Center. He has exhibited widely throughout the US including the OK Harris Gallery, Allan Stone Gallery in New York as well as the Heriard Cimino Gallery in New Orleans, Lélia Mordoch Gallery in Paris France and Lilac Gallery in New York City. Daniel was one of the winners in the 7th Annual Sculptures Competition (2003) held at Washburn University in Topeka , Kansas. Selected on the inaugural 2006 Palm Beach International Sculpture Biennale, and exhibited for the 3rd time in Sculpture Key West. He is an alumni Artist of ArtCenter/South Florida. Two Pieces from his “Convertible Couch projects...Category
2010s Contemporary Abstract Paintings
MaterialsConcrete
- “Video Editing Keyboard 1 - 2 - 3” (Archeology series) Video Keyboard SculptureBy Daniel FiordaLocated in New York, NYDaniel Fiorda in this new series of sculptures, continues in many ways the themes that have infused his previous work. For the last several years, Fiorda has dealt with technology, obsolescence, with the trail of discarded tech that humanity leaves behind and what it says about us. The new work takes this thematic one step further. These new wall pieces feature barely concealed found objects, almost fully engulfed by concrete, and yet still eerily discernible: industrial gears, computer keyboards, objects that evoke industrial post-digital eras. This piece is a set of 3 artworks that showcases a video editing keyboard on a white background, embedded in resin and they can be arranged for display in a variety of layouts. They come ready to hang with hanging hardware and they are signed by the artist on verso. Art measures 7 x 7 x 1.75 in (each) The overall sense is dystopian rather than apocalyptic. In Fiorda’s previous work, found objects were displayed as if unearthed from a bed of clay by a tacit anthropologist, perhaps decades into the future. A typewriter would be partially buried by dry soil and weathered by the passing of time. The underlying narrative was that of a future civilization unearthing the objects left by ours. Destruction or extinction was implied. In the new work, the obsolete technology is not found but rather engulfed by a new technology. Concrete, as a material and as a technology, has the capabilities to fully encase and envelope. In Fiorda’s new work, uniformity and the appropriation of old/new technology into new structures suggests a historical and technological challenge right around the corner, mirroring the ones in our recent past: the digital age fully replacing the analog world. These astounding sculptures, with embedded objects, are here to examine closely, and make connections between theme, material, and shape. Daniel Fiorda was born in 1963 in Buenos Aires, Argentina. Of Italian ancestry, his lineage includes a grandfather highly respected as a wood craftsman, also his father was a craftsman in addition to being a musician and poet. Because a privileged life was not his, there was no university for Fiorda. In the Old World tradition of passing on knowledge from parent to child, he learned about machinery form his father, who recognized his son's talent and encouraged it. With some private tutoring, he began sculpting in high school using found objects. The press reviews of his first exhibit, at age 20, stated that Fiorda had a definite “poetic feeling”. With this encouragement, he continued to pursue his art. After leaving Argentina, he arrived in Miami Beach via a circuitous route and set up his studio in the South Florida Art Center. He has exhibited widely throughout the US including the OK Harris Gallery, Allan Stone Gallery in New York as well as the Heriard Cimino Gallery in New Orleans, Lélia Mordoch Gallery in Paris France and Lilac Gallery in New York City. Daniel was one of the winners in the 7th Annual Sculptures Competition (2003) held at Washburn University in Topeka , Kansas. Selected on the inaugural 2006 Palm Beach International Sculpture Biennale, and exhibited for the 3rd time in Sculpture Key West. He is an alumni Artist of ArtCenter/South Florida. Two Pieces from his “Convertible Couch projects...Category
2010s Contemporary Abstract Paintings
MaterialsConcrete
- "Parlour", wallpaper, glass, silver platter, butterfly, nails, mounted on boardLocated in Toronto, Ontario“Parlour“ is a wall relief panel by artist Heather Nicol, and measures 17x19x4“. Part of a body of work known as Brief Lives, this particular piece is comprised of wallpaper, fabric, wood, nails, glass, silver platter, plastic wrap, butterfly specimen, mounted on board. It fixes to the wall with a custom-fit wooden cleat. Reflecting on domestic materials and their relationships to display and social identity, Parlour celebrates and questions feminist reclamation, nostalgic tenderness and the histories embedded in the objects, while carrying on their aesthetic traditions through transformation into works of art. Heather Nicol is a multidisciplinary artist whose practice includes immersive sound installation, small-scale discrete object making, and independent curating. Her large site-specific interventions explore the architectural, sonic, historic and operational conditions across a wide range of locations. These include concourse atriums, rail terminus, lobbies, a theatre, a public school building, a theme...Category
21st Century and Contemporary Assemblage Still-life Sculptures
MaterialsSilver
- "Cordial", wallpaper, spray paint, aunt's pearls, crystal, red resin, on boardLocated in Toronto, Ontario“Cordial“ is a wall relief panel by artist Heather Nicol, and measures 16x19x4“. Part of a body of work known as Brief Lives, this particular piece is comprised of wallpaper, spray paint, wood, the artist's aunt's pearls, crystal and red resin (solid), mounted on board. It fixes to the wall with a custom-fit wooden cleat. Reflecting on domestic materials and their relationships to display and social identity, Cordial celebrates and questions feminist reclamation, nostalgic tenderness and the histories embedded in the objects, while carrying on their aesthetic traditions through transformation into works of art. Heather Nicol is a multidisciplinary artist whose practice includes immersive sound installation, small-scale discrete object making, and independent curating. Her large site-specific interventions explore the architectural, sonic, historic and operational conditions across a wide range of locations. These include concourse atriums, rail terminus, lobbies, a theatre, a public school building, a theme...Category
21st Century and Contemporary Assemblage Still-life Sculptures
MaterialsGlass, Wood, Found Objects, Board, Resin, Spray Paint
- "Fox Hunt", wallpaper, acrylic paint, optical lens, screws, mounted on boardLocated in Toronto, Ontario“Fox Hunt“ is a wall relief panel by artist Heather Nicol, and measures 16x19x4“. Part of a body of work known as Brief Lives, this particular piece is comprised of wallpaper, wood, acrylic paint, screws and an optical lens...Category
21st Century and Contemporary Assemblage Still-life Sculptures
MaterialsGlass, Wood, Found Objects, Board, Acrylic