David Datuna

Chaotic Past, Square

2011

Sascha Mallon’s stoneware tea set, “After the Rain” features a hand-painted underglaze of soaring ravens and swallows on the central teapot. Each of the accompanying teacups (nestled on cashmere crocheted doilies) depict a different bird: a hummingbird, a raven, a blue tit and a cardinal. Sascha Mallon’s sculptural set relates to her narrative storytelling style and creates a conversation amongst the birds. The total set includes 5 hand-sculpted pieces: the central teapot and four teacups with saucers and crocheted doilies. Sascha Mallon, "After the Rain Tea Set", stoneware, cashmere yarn doilies , underglazes, clear glaze ravens and swallows teapot: 10.5”x 7.5" x 4” humming bird cup: 2.5” x 41/4" x 41/4” raven cup: 2.5” x 4” x 4” blue tit cup: 3 1/4" x 4" x 4” cardinal cup: 2.5” x 4" x 4" Sascha Mallon has exhibited her work in Austria, the USA, Taiwan, and Germany. In 2021 she has 4 solo shows: At the Woodstock Artist Association and Museum, at Front Room Gallery...

Original NYPD interceptor sculpture made of archival paper, dry pigments, enamel, wood, clay, wire, plastic, and inkjet print by Drew Leshko measuring 16"h x 16"w x 3"d framed, as sh...

A canoe shaped ceramic vessel glazed in light brown and pierced by a darning needle is perched on a floating shelf below a mixed media work on paper. The image repeats the canoe shap...

'My Emotional Baggage Carts are vessels to dispose of racial trauma. The act of making, weaves the sting of macro and microaggressions into the cart, freeing me from these constraints. Each recovered shopping cart is unique, but they all are woven with upcycled materials like rope, paracord, grocery bags, rope lights, beads, fabric, and bottle caps. The cart is with a protective zip tie blanket to trap trauma and prevent its escape. For me, my Emotional Baggage Carts are a release, for you, they are an opportunity to look within and recognize any emotional baggage you, yourself may be carrying and release it.' Theda Sandiford...

Cartography, the study and practice of making and using maps, was at the cutting edge in the 18th-century, helping to shape and define a world rapidly coming into focus. Over the course of the century, exploration and colonization expanded the scope of the known world, especially in the Pacific and the Americas. Advances in geography enabled cartographers to map these new discoveries with increasing accuracy. The days of conjecture and myth in cartography were fast coming to an end. Here, the Kupjack Studios has captured this discipline with exacting details. From the smallest of tools, to the rolls of maps and maps in progress displayed on the desk, the world of miniatures comes to life and brings us into a bygone era. Kupjack Miniatures 18th Century New England Cartographer, circa. 2008 mixed media 14h x 26.25w x 14.75d in 35.56h x 66.67w x 37.47d cm KJK001 Eugene Kupjack and his sons Hank and Jay created museum quality miniature rooms in their studio outside of Chicago for many years. Hank and Jay learned the at their father’s side as he assisted Mrs. Narcissa Niblack Thorne with the creation her many miniature rooms now housed at The Art Institute of Chicago. Almost every piece of molding, furniture, rugs, and accessory items that are contained in their rooms are designed and created by hand. In addition to designing and building rooms they would sometimes work to restore the rooms built many years ago by their father and Mrs. Thorne. Their work can be seen in various museums as far away as Turkey where they were exhibited in 2009. In the United States their work can be seen in the permanent collections of The Kentucky Museum Center, The Art Institute of Chicago, The Philadelphia Art Museum...

Theda Sandiford, is a self-taught mixed media artist based in Jersey City, NJ. Though art is engrained in her psyche, Theda’s first creative endeavors were in the music business as a...