John Glick

"THE MANTEL SERIES" John Glick Stoneware Objets d'Art Intimate Indoor/Outdoor

1998

SALE ONE WEEK ONLY "Record Player" by Jerome Ferretti, Detroit muralist, painter and sculptor, is a genuine Symphonic Record Player with built...

This Jose A Cunha Portuguese Palissy Majolica plate features a snake, spider, frog, caterpillar, and butterfly on green shredded clay ground. The piece bears the maker's marks for Jose A Cunha pottery. Palissy ware is a style of ceramics that is also known as rusticware due to their earth-toned palettes and naturalistic plant and animal scenes that are cast to it. The style was coined in reference to the 16th century French potter Bernard Palissy and experienced a significant revival in the 19th century thanks to Charles-Jean Avisseau. It's strongest revival however was in Portugal where it was produced by the potteries of Mafra, Jose A. Cunha, Alves, José Francisco de Sousa...

"Pod" is a precious sculpture with a decorated tactile surface and a warm glaze giving the piece a soft glow. The transparent glaze enhances the creamy tones of the clay. Ms. Oka Doner created unique hand-size sculptures during the 1960s of which the "Pod" is an exquisite example. Her clay technical skills cover a wide range from enormous wall pieces to small decorative pieces that demand to be touched and held. This piece, despite being a fruit, is the perfect example of her famous "Tatooed" figurative sculptures. Michele Oka Doner (born in Miami Beach, Florida, United States) is an American artist and author who works in a variety of media including sculpture, prints, drawings, functional objects and video. She has also worked in costume and set design and has created over 40 public and private permanent art installations. She is best known for her “A Walk On The Beach,” a one and a quarter mile long bronze and terrazzo concourse at Miami International Airport. It is composed of over 9000 bronzes embedded in terrazzo with mother-of-pearl. At one and quarter linear miles, it is one of the largest artworks in the world. She is granddaughter of painter, Samuel Heller. She attended the University of Michigan, Ann Arbor. Her art instructor Milton Cohen was experimenting with The Space Theater and George Manupelli began the Ann Arbor Film Festival. Their students were engaged in poetry, dance, light, music, all combined into a unitary vision, a motif that shaped Oka Doner's student years and is characteristic of her work today. She participated in a Manupelli experimental film, a "Map Read" performance with art drawing instructor Al Loving and Judsonite dancer Steve Paxton as well as several "Happenings." Another influence was art historian and Islamic scholar, Oleg Grabar, who illustrated how patterns in architecture are able to dissolve space. She received her BS and MFA from the University of Michigan in Ann Arbor. In 2008 she was a U of M Penny Stamps Distinguished Speaker. Solo exhibitions of her work have been held at the Detroit Institute of Arts, Michigan; Germans Van Eck Gallery, New York; Diane Brown Gallery, New York; Art & Industrie Gallery, New York; Willoughby, Marlborough Gallery, New York; Studio Stefania Miscetti in Rome; and Gloria Luria Gallery in Miami, Florida. During the 1960s Michelle Oka Doner was living and working in Detroit, Michigan, where she became acquainted with Charles McGee and his gallery located in the Fisher Building...

SALE ONE WEEK ONLY "El Tren" is a whimsical and playful rendition of a train. It is beautifully glazed in various colors. This particular ceramic was from the collection of Jane and Richard Knight’s Estate. Jane Knight was a famous fiber and textile artist. Richard was a photographer who worked for Eliel Saarinen and Alexander Girard. The Knights and Girard became close friends and it was Girard who gifted “Santa Cruz De Las Huertas Jalisco” to the Knights. Alexander Girard left his personal collection to the Museum of International Folk Art, Santa Fe, NM. The Girards eventually amassed a collection of more than 106,000 objects from across the globe. Their 1978 gift of this collection to the Museum of International Folk art quintupled the size of their collection and prompted the construction of a new wing, which opened in 1982 and houses a mere 10% of the Girard Collection in the permanent exhibition Multiple Visions: A Common Bond, which was designed by Alexander Girard himself. This collection includes numerous multiples and is notable for its great breadth, including traditional arts, popular arts, and paper ephemera. “I believe we should preserve this evidence of the past, not as a pattern for sentimental imitation,” Girard once said, “but as nourishment for the creative spirit of the present.” Indeed, folk art was an important inspiration for Girard’s design work. The renowned Candelario Medrano...

SALE ONE WEEK ONLY “Santa Cruz de las Huertas Jalisco” is a whimsical, charming and colorfully ceramic rendition painted blue and red of a local bus that traversed the town where the artist Candelario Medrano...

This turned Burlwood vase has rich earth tones with copper highlights. The swirling burl pattern comes through the glossy surface that contrasts with the...

Abalone by Mark Sherman Raku Ceramic Turquoise jar with lid 14" x 6" x 6" From the Artist: "When I was twelve years old my parents started an art galler...

Frog and Swiss on Rye, 1981 By David Gilhooly (1943-2013) 4.75" x 3.5" x 4.5" Whimsical and irreverent, Mr. Gilhooly was internationally acclaimed for his imaginative ceramic works...

Emiliano Zapata / Frog Revolutionary, 1981 By David Gilhooly (1943-2013) 20" x 11.5" Whimsical and irreverent, Mr. Gilhooly was internationally accla...

Burrito Frog, 1981 By David Gilhooly (1943-2013) 8" x 4" x 2" Signed Underneath Whimsical and irreverent, Mr. Gilhooly was internationally acclaimed for his imaginative ceramic work...

It has a variegated texture to it. It is signed and titled. Large format drawing or painting in pastel or crayon. pastoral landscape with boulders and rocks in pasture. Dennis Leon, was a San Francisco Bay Area sculptor and art instructor Mr. Leon was chairman of the sculpture department at the California College of Arts and Crafts in Oakland from 1972 to 1988. He remained a faculty member until his retirement as professor emeritus in 1993. A vibrant work in pastel with the energy and texture seen in the work of Wolf Kahn. He was born in London, England and emigrated in 1951 to the United States, where he studied at Temple University in Philadelphia. He graduated with art degrees, including a master's degree in fine art. He served in the U.S. Army and the Army Reserve from 1957 to 1963. In 1959, Mr. Leon joined the faculty of the Philadelphia Museum College of Art. He also worked as an art critic for the Philadelphia Inquirer until 1962. After coming to the Bay Area, he held his first local one-man show of sculpture in 1973, at the James Willis...

It has a variegated texture to it. It is signed and titled. Large format drawing or painting in pastel or crayon. Dennis Leon, was a San Francisco Bay Area sculptor and art instructor Mr. Leon was chairman of the sculpture department at the California College of Arts and Crafts in Oakland from 1972 to 1988. He remained a faculty member until his retirement as professor emeritus in 1993. A vibrant work in pastel with the energy and texture seen in the work of Wolf Kahn. He was born in London, England and emigrated in 1951 to the United States, where he studied at Temple University in Philadelphia. He graduated with art degrees, including a master's degree in fine art. He served in the U.S. Army and the Army Reserve from 1957 to 1963. In 1959, Mr. Leon joined the faculty of the Philadelphia Museum College of Art. He also worked as an art critic for the Philadelphia Inquirer until 1962. After coming to the Bay Area, he held his first local one-man show of sculpture in 1973, at the James Willis...