ZMK (Zachary Marc Knudson)

In Case Of Brokeness

2018

Michael Kalish Rose 2017 48" x 48" Installation sculpture, Aluminum When Michael Kalish combined pop culture and Americana with the object of his fasci...

Max Patté Rock Lollipop Infinity wall sculpture Piece unique Diameter 63.7 inches x 3.5 inches Automotive paints, acrylic paints, clear cast acrylic, ep...

Bardula Hommage à Vasarely Pigments on plexiglass, glass, LED lights, aluminum 85 x 85 x 12 cm 33.5 x 33.5 x 4.7 inches

Dr. Seuss Black Fish Blue Fish Old Fish New Fish Lithograph on paper 16.75 x 20.75 Framed, Ready to hang Adapted posthumously from the illustration for the 1960 book, One Fish Two Fish...

Dr. Seuss Turtle-Necked Sea Turtle 12 x 22 x 16.5 inches Hand Painted Cast Resin sculpture Adapted posthumously from the original 1930s plaster, turtle shell, and oil on wood mount...

Dr. Seuss Semi Normal Green Lidded Fawn Hand Painted cast resin sculpture Ready to hang Adapted posthumously from the original 1930s plaster, horn, and oil on wood mount sculpture...

Illumetric: Diamond, 2014 Acrylic, Steel, LED lighting 10 x 10 x 11 feet (305 x 305 x 335 cm)   Edition of 3 Shana Mabari is a Los Angeles-based artist exploring the intersecti...

My Emotional Baggage Carts are vessels to dispose of racial trauma. The act of making, weaves the sting of macro and microaggressions into the cart, freeing me from these constraints. Each recovered shopping cart is unique, but they all are woven with upcycled materials like rope, paracord, grocery bags, rope lights, beads, fabric, and bottle caps. The cart is with a protective zip tie blanket to trap trauma and prevent its escape. For me, my Emotional Baggage Carts are a release, for you, they are an opportunity to look within and recognize any emotional baggage you, yourself may be carrying and release it. Theda Sandiford...

Joshua Smith Cecile Walker Cycles Based on Cecile Walker Cycles, Melbourne Cardboard, MDF, plastic card, LED lighting, balsa wood, aluminum tubing, wire, recycled card, adhesive pape...

Drawing, glass, and light: these three ingredients are the basis of Katherine Jackson’s work. She begins with drawing, which sometimes becomes an end in itself. But often the images ...

There are two Little Oil installations available with 6 sculptures each on top of LED light boxes. Little Oil 19 is a digital photographic print on aluminum for the flat files. Katherine Jackson has been working with glass and light together for many years, Recently, she's been making glass castings of vintage oil cans, and displaying them -- singly, in small groupings, or in vitrines -- on light boxes. So far she has created about 90, each one unique. The series is called Little Oil, alluding to Big Oil, and sometimes Small Oils, as in oil painting. But “oil” can mean many things. It has been a source of light (sometimes from unconscionable sources) since ancient times as well as a source of eternal light in many faith traditions. Set atop lightboxes, where each work glows from within, these pieces can simply seem like vessels of light itself. At times, they appear to me to transcend their relation to oil altogether, appearing anthropomorphic or creaturely, even biological. These days, I think of them as archeological artifacts, relics of a past, oil-based, civilization. Necropolis is a print of a painting inspired by a map of the necropolis where the terra cotta soldiers...

Ben Young’s sculpture fluidly blends glass, concrete, bronze, steel, and light to depict romantic and pensive imagery highlighting the fragility of our climate and its most precious resource – water. Born in Australia and raised in New Zealand, Young is an avid surfer and environmentalist, inspired by a lifetime on and around oceans, bays, and reefs, with an intimate understanding of the challenges our precious ecosystems face. Young’s thought-provoking sculpture shows great range, portraying the beauty and solitude of life on the ocean, haunting depths of the deep sea, and stunning and relaxing upside of island life. Water is many things to many people, which Young encapsulates brilliantly in his work, encompassing themes of sustainability throughout. Using concrete to create mountains, crevasses, sand bars, and cliffs, Young’s innovative use of materials is transportative. With hand-carved glass as his guiding medium, Young amplifies light and its relationship with water – our most sacred element – to create a glowing unity that people from around the world connect with on a personal level, whether they are beachside or in the Desert. Ben Young’s exhibition Delicate Space at Chesterfield Gallery...