Unknown

Chinese Sang de Beouf Gu Form Vase

1100's

One of a kind wild cherrywood vessel made by Philip C Moulthrop (b. 1947), son of American woodturner Edward Moulthrop. Made high-quality and with a classic hand turned technique, giving the piece the signature Moulthrop aesthetic. Shaped similar to an upright avocado, the vessel stands at 12" tall, and is around 6.5" wide with a 3.75" opening at the top. The exterior of the vessel is covered in beautiful cherrywood marbling in a light warm tone. The artist's signature can be found on the bottom along with other markings. Last acquired from a collection in White Plains...

A rare and visceral artist, Gail Foster’s works are passionately expressive rendering of complex ideas. Her latest endeavors include elemental photography of “trash-to- treasure” ass...

A rare and visceral artist, Gail Foster’s works are passionately expressive rendering of complex ideas. Her latest endeavors include elemental photography of “trash-to- treasure” ass...

Moments in Sepia V is a 6" x 6" work from Gail Foster's most popular series of sepia ink drawings. A rare and visceral artist, Gail Foster’s works are passionately expressive render...

Item 49 from Gail Foster's "Stories From the other Side" series features lunar-like qualities. A rare and visceral artist, Gail Foster’s works are passionately expressive rendering ...

The Vision is part of a series of sepia ink work, & some of Gail Foster's most popular drawings. A rare and visceral artist, Gail Foster’s works are passio...

"Untitled" is a stoneware piece with the decorative layer of the rich toned glazes and markings that John was so well-known for. Each piece that John produced was unique. The lip on this piece is slightly scalloped and the shape is removed from the boring circular to mimic a gentle geometric design. He was seduced by the effects of the reduction kiln, which decreased the levels of oxygen during firing, inducing the flame to pull oxygen out of the clay and glazes changing the colors of the glazes depending on their iron and copper content. In this way he achieved the rich gradients of ochre and umber and variations in stippling and opacity. This piece is signed and stamped on the bottom. John was an American Abstract Expressionist ceramicist born in Detroit, MI. Though open to artistic experimentation, Glick was most influenced by the styles and aesthetics of Asian pottery—an inspiration that shows in his use of decorative patterns and glaze choices. He has said that he is attracted to simplicity, as well as complexity: my work continually reflects my re-examination that these two poles can coexist… or not, in a given series. Glick also took influences from master potters of Japan, notably Shoji Hamada and Kanjrio Kawai, blending their gestural embellishments of simple forms with attitudes of Abstract Expressionism. He was particularly drown to the work of Helen Frankenthaler whose soak-stain style resonated with Glick’s multi-layered glaze surfaces, which juxtaposed veils of atmospheric color with gestural marks and pattern. He spent countless hours developing and making his own tools in order to achieve previously unseen results in his work with clay and glaze. Glick’s “Plum Tree Pottery...

This magnificent "Scalloped Box" is a stoneware piece with decorative layers of rich toned glazes and markings that John was so well-known for. He was, also, known for the undulating lip lines on his exquisite boxes that fit together like a puzzle. Each piece that John produced was unique. He was seduced by the effects of the reduction kiln, which decreased the levels of oxygen during firing, inducing the flame to pull oxygen out of the clay and glazes thereby changing the colors of the glazes depending on their iron and copper content. In this way he achieved the rich gradients of ochre and umber and variations in stippling and opacity. This piece is signed and stamped on the bottom. John was an American Abstract Expressionist ceramicist born in Detroit, MI. Though open to artistic experimentation, Glick was most influenced by the styles and aesthetics of Asian pottery—an inspiration that shows in his use of decorative patterns and glaze choices. He has said that he is attracted to simplicity, as well as complexity: my work continually reflects my re-examination that these two poles can coexist… or not, in a given series. Glick also took influences from master potters of Japan, notably Shoji Hamada and Kanjrio Kawai, blending their gestural embellishments of simple forms with attitudes of Abstract Expressionism. He was particularly drown to the work of Helen Frankenthaler whose soak-stain style resonated with Glick’s multi-layered glaze surfaces, which juxtaposed veils of atmospheric color with gestural marks and pattern. He spent countless hours developing and making his own tools in order to achieve previously unseen results in his work with clay and glaze. Glick’s “Plum Tree Pottery...

Vintage Jean Lurcat glazed fired enamel wall plaque ceramic plate limited edition hand inscribed faience Ceramique Saint Vicens charger. It depicts a h...

Vintage Jean Lurcat glazed fired enamel wall plaque ceramic plate limited edition hand inscribed faience Ceramique Saint Vicens charger. It depicts a h...

Vintage Jean Lurcat glazed fired enamel wall plaque ceramic plate limited edition hand inscribed faience Ceramique Saint Vicens charger. It depicts hig...

Ann Rothman Ringmaster (Circus, Whimsical, Viola Frey, Delicate, Playful, Fun, Cirque du Soleil, The Ringling Bros., Barnum & Bailey) 2021 Porcelain, Low Fire Glazes, Crayons, Waterc...