MARBLE COLUMN PEDESTAL WITH BRONZE ACANTHUS CAPITAL - Green Louis XV Style
View Similar Items
Want more images or videos?
Request additional images or videos from the seller
1 of 8
UnknownMARBLE COLUMN PEDESTAL WITH BRONZE ACANTHUS CAPITAL - Green Louis XV StyleCirca 1930
Circa 1930
About the Item
- Creation Year:Circa 1930
- Dimensions:Height: 47 in (119.38 cm)Width: 13.5 in (34.29 cm)Depth: 13.5 in (34.29 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:A few scratches on the top of the column, under the acanthus capital.
- Gallery Location:Signal Mountain, TN
- Reference Number:1stDibs: LU98517062922
About the Seller
5.0
Vetted Seller
These experienced sellers undergo a comprehensive evaluation by our team of in-house experts.
Established in 2014
1stDibs seller since 2018
75 sales on 1stDibs
Typical response time: 2 hours
More From This SellerView All
- LAWN CHAIR WITH MARBLES - Oil, enamel painting on canvas with marbles in resinBy Eleanor AldrichLocated in Signal Mountain, TNA figure reclines in a red and yellow-strapped lawn chair. The figure sitting in the chair is activated by Aldrich’s transformation of paint and resin into oozing swaths of skin between the lawn chair straps. The chair, recalling the grid, works as a pattern trying to hold and contain the body resting inside it. -- Building on her previous show, Main Squeeze, which featured bodies pressing through the grid of lawn chairs, in “That Feeling When,” Aldrich expands the excess of materials to large figure paintings and small, overfilled sculptures. Aldrich uses thick materials that protrude from the surface, reminding the viewer that the paintings are not only physical objects in themselves, but also create the illusion of the picture. The work employs a risky excess of material that borders on uncontrollable; becoming metaphoric for barely controlled femininity, the attraction and repulsion of materialism, and the body pressing against constraints. The figures in the paintings are seen from behind or have turned away. The viewer is put in a place of questioning whether they are a voyeur or a co-viewer with the figure of something deeper in the picture plane. The full body paintings...Category
2010s Contemporary Mixed Media
MaterialsMarble, Enamel
- PAX (MOUNTAIN TOP) - Geometric Abstract Sculpture w/ Reclaimed Building MaterialLocated in Signal Mountain, TNComing SoonCategory
2010s Contemporary Abstract Sculptures
MaterialsMarble
- PAX (BETWEEN TIMES) - Geometric Sculpture Vintage Salvaged Building MaterialsLocated in Signal Mountain, TNBrian Russell Jobe (American, b. 1981) is an artist and non-profit director based in Knoxville, Tennessee. Jobe's studio practice is focused on sculptur...Category
2010s Contemporary Figurative Sculptures
MaterialsConcrete, Marble
- ON THE HUSTINGS (RISE) - Concrete Industrial Sculpture with BambooLocated in Signal Mountain, TNIn this piece, two breeze blocks stacked on top of one another make the base of the sculpture. On top of these breeze blocks is a flat, rectangular steel...Category
2010s Minimalist Sculptures
MaterialsConcrete, Steel
- ON THE HUSTINGS (PHASES) - Concrete industrial sculpture diptychLocated in Signal Mountain, TNThis piece by Brian Jobe consists of two separate stacks of concrete and steel. The stack to the left is a bit taller than the other stack, as the top-most block of corrugated concrete has been turned on its side. Beneath the corrugated concrete blocks on each sculpture is a steel plate that balances the concrete blocks on top of two breeze blocks...Category
2010s Abstract Sculptures
MaterialsConcrete, Steel
- MIRROR - Contemporary - Geometric Abstract w/ Repurposed Construction MaterialLocated in Signal Mountain, TN"Mirror" is a site specific installation that was exhibited in the show "Dialects of Place(s) by Land Report Collective at COOP Gallery in Nashville, TN. In this piece, Jobe uses industrial materials such as insulation foam, concrete, window screen, and graphite tracing paper to create a patterned structure that protrudes from the corner and carries the viewer's eye upward. At the bottom of the piece, we see delicately balanced concrete on top of pale blue insulation foam. The patterned concrete and insulation foam carries the viewer's eye upwards towards another pop of blue on top of the aluminum window screen frame. The screen gives the viewer a window in which to look through the piece. On one side, this mesh frames the graphite paper and on the other side the viewer can see the patterned concrete and insulation foam. Review from "The Rib" about "Mirror" One of the more surprising works here is Nashville-based Brian Jobe...Category
2010s Contemporary Abstract Sculptures
MaterialsConcrete
You May Also Like
- Pair of 19th Century Busts by Albert Ernest Carrier-BelleuseBy Albert-Ernest Carrier-BelleuseLocated in Santa Fe, NMSigned: A. Carrier-Belluese Two large bronze matching busts of an unknown male and female 22 x 10 x 11" male 23 x 10 x 9" female Both show signs of wear with their age but are in fa...Category
19th Century Baroque Figurative Sculptures
MaterialsMarble, Bronze
$6,800 Sale Price43% Off - LambLocated in Oswestry, GBThis lamb is also featured in my statue of Saint David. It conveys such character and gentleness that I decided to present it as a sculpture in its own right. I lays on a base of bla...Category
2010s Baroque Figurative Sculptures
MaterialsMarble, Bronze
$4,790 - Carrara Marble Head of a CherubLocated in Newport Beach, CAHand carved Carrara marble head of a cherub's face surrounded by wings. Later mounted on metal base.Category
Early 19th Century Baroque Sculptures
MaterialsMarble, Metal
- Discus Thrower's TorsoLocated in Oswestry, GBThis artwork emulates the classical statues from the ancient world, particularly with the head broken off at the base of the neck if carved in marble. In fact I went to the lengths o...Category
17th Century Baroque Figurative Sculptures
MaterialsGranite, Bronze
- Equus Caballus (modern horse)Located in Oswestry, GBThe evolutionary lineage of the horse is in palaeontological terms well documented. The natural history of the horse family Equidae began during the Eocene epoch 56 million to 33.9 million years ago starting with Eohippus (Dawn horse) evolving to Mesohippus , Merychippus, Pliohippus through to our modern...Category
2010s Baroque Figurative Sculptures
MaterialsGranite, Bronze
- Bust of Pope Innocent XI Odescalchi by Domenico GuidiLocated in New Orleans, LAThis monumental bust is a museum-quality example of Roman Baroque sculpture. Crafted by the legendary Domenico Guidi and carved from Carrara marble, the impressive portrait captures the visage of Pope Innocent XI, Benedetto Odescalchi (1611-1689). It presents a larger-than-life example of Guidi’s remarkable skill as a sculptor, which ultimately made his workshop one of the most important in Rome during his age. Today, his works are rarely found on the market, particularly his extraordinary works in marble. Pope Innocent XI was born Benedetto Odescalchi into an Italian noble family of prominent bankers. Spending his early years in banking, he eventually turned to the law, earning his doctorate in 1639. His background would serve him well in his service to the papacy, and he became known as a frugal and devout member of the Church. In 1676, he was unanimously elected Pop after the death of Clement X. During his nearly 13-year reign, he instilled his own personal ideals of austerity and frugality onto the Church, with a deep commitment to reform and piety. He is captured here by Guidi in his traditional Pope’s mozzetta and camauro cap. A wide stole is draped over his shoulders, ornamented by acanthus leaves and the coat of arms of the Odescalchi family. It displays Guidi’s mastery over the chiaroscuro effect, particularly in the high level of contrast in his cheeks and his eyes, which Guidi achieved through various methods of high polish. A very similar portrait sculpture of Pope Innocent XI by Guidi can be found in the collection of the Royal Castle in Warsaw. The Warsaw bust belongs to a series of portraits of popes which the Odescalchi family commissioned from Domenico Guidi in the 1690s. Compared to that example, the present bust is far more dramatic, with deeper cut lines and a more precise expression. It is likely that the present piece was seen by the Odescalchi family, who ordered a similar one to be made. The piece was almost certainly intended to be displayed in a niche, given its dramatic cutting and its roughly carved back. Others of Guidi’s busts can be found in important collections throughout Italy, England and the United States, though many of these are lesser bronze repetitions. A bronze bust of the Pope Alexander VIII by Guidi is currently in the collection of the Victoria & Albert Museum (London), while a terracotta version of the same is in the Los Angeles County Museum. A bronze of Pope Alexander VIII can be found in the Princely Collection of Lichtenstein, and his impressive marble papal bust of Clement IX graces the pope’s tomb in Santa Maria Maggiore. The present bust of Pope...Category
17th Century Baroque Figurative Sculptures
MaterialsMarble
Recently Viewed
View AllMore Ways To Browse
Justice Sculpture
Sculpture And Justice
Sculptures Of Justice
Cranbrook Sculpture
Sculpture Knife
Bronze Sculpture Rodin
Academic Bronze
Human Sculpture Standing
Surrealist Bronze
Clay Face Sculpture
Gun Art Sculpture
Bronze Group Figures
Contemporary Bronze Garden Sculpture
Female Form Wood Sculpture
Purple Wall Sculptures
Big Metal Sculptures
Moon Installation
String Art Sculpture